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  • Star cast revealed for new Poirot

    
    Award-winning actress Dame Eileen Atkins and Barbara Hershey will star in a new TV adaption of Agatha Christie's Murder On The Orient Express.
    on 2009-11-19 04:47:45

  • Judge Doesn?t Buy ?Lost? Witchcraft Claims

    
    (Jan. 7) — ‘Lost’ star Naveen Andrews was awarded custody of his three-year-old son after the mother of the boy claimed Andrews and current girlfriend Barbara Hershey have poisoned him with witchcraft. Andrews, who plays the Iraqi c
    on 2009-01-08 04:52:42

  • Quartet added to 'Mourning'

    
    Exclusives: Independent satire fills out cast -- Joseph Cross, Heather Graham, Barbara Hershey and Tim Curry will star in the indie satire "Son of Mourning." Yaniv Raz will direct from a screenplay he wrote.
    on 2007-11-19 00:46:42
  • Sheree North, 72, stage, film, TV star SHE WAS KRAMER'S MOTHER ON `SEINFELD' By Myrna Oliver Los Angeles Times LOS ANGELES - Sheree North, a platinum blond bombshell of 1950s musicals who is remembered by younger audiences for her continuing television roles as Lou Grant's sultry girlfriend on ``The Mary Tyler Moore Show'' and Kramer's mother Babs on ``Seinfeld,'' has died. She was 72. Ms. North, who had been in good health, died Friday at a Los Angeles hospital of complications following surgery, said her daughter, Dawn Bessire of Santa Monica. Groomed as a studio glamour girl who could substitute for the more famous but often unreliable Marilyn Monroe, Ms. North was later interviewed or cast in documentaries and shows about Monroe. Hollywood insiders originally whispered that 20th Century Fox hired her only as a threat to the troublesome Monroe -- whom she did replace in the 1955 ``How to Be Very, Very Popular,'' in which she outdanced and outshone the leggy Betty Grable. Unlike other studio-styled blonds such as Jayne Mansfield or Mamie Van Doren, Ms. North tried to change her bombshell image, allowing herself to age gracefully, work without makeup and segue into older character parts. She worked steadily, enjoying a half-century career on stage, television and in film. But she never quite shook the initial image as a beauty, which she blamed on studio-generated press coverage in the 1950s. ``Even today,'' she told the Los Angeles Times in 1983, lamenting that she had been rejected for several dramatic roles because of her looks, ``there's still the same reaction when producers hear my name. They remember me as the blond who was to have taken over from Marilyn Monroe.'' Born Dawn Bethel in Los Angeles on Jan. 17, 1933, she danced as a youngster with USO shows during World War II. She made her film debut in 1951 in ``Excuse My Dust,'' starring Red Skelton. But despite her first few films, she became so discouraged about launching a show-business career that she considered going to secretarial school. When she appeared on the initial episode of ``The Bing Crosby Show'' on television that same year, former Times television critic Walter Ames noted: ``One of the surprises of the show was Sheree North, the shapely dancer. No one had given me an inkling that she could deliver comedy lines as well as she did, but she more than held her own with Bing and Jack Benny. Sheree came pretty close to walking off with the show.'' After that, her film credits quickly rose to leading lady status, as in the 1956 musical film ``The Best Things in Life Are Free'' opposite Gordon MacRae and Dan Dailey. Ms. North appeared on stage in such popular musicals as ``Can-Can,'' ``Irma La Douce'' and ``Bye Bye Birdie.'' Her films include ``The Outfit'' with Robert Duvall in 1973, ``The Shootist'' starring John Wayne in 1976, and the 1991 thriller ``Defenseless'' with Barbara Hershey and Sam Shepard. But the actress probably gained her widest recognition on television. She had guest roles in such top series as ``The Virginian,'' ``The Fugitive,'' ``Cannon,'' ``McMillan and Wife,'' ``Kojak,'' ``Hawaii Five-O,'' ``Fantasy Island'' and ``The Golden Girls.'' She earned Emmy nominations for appearances on ``Marcus Welby, M.D.'' and ``Archie Bunker's Place.''
  • "Thanatos" wrote in message news:atropos-5602CE.21455318032008@news.giganews.com... > In article > , > TranslucentAmoebae wrote: possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/ responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/ > difference? He can't tell you...too drunk.
  • http://entertainment.news.com.au/story/0,10221,16661313-7485,00.html Films to cry for From: By Ray Chesterton September 20, 2005 THE old weepie, Beaches, with Bette Midler and Barbara Hershey used to be a litmus test for men taking women to the movies. The deep friendship between two women, the trauma and sweeping sadness of Hershey's lingering death to a musical backdrop of Wind Beneath My Wings would reduce most women to a Niagara of tears and soggy Kleenex. When that happened you knew it was lights, camera, action afterwards with her looking for comfort and a dry shoulder. If your date remained stoically unmoved by the plot and munched her popcorn implacably, you knew you were wasting your time. I have no trouble weeping at movies. It could be my feminine side but it is more likely the cost of tickets and lollies. Choc-tops must be made of petrol to warrant their price. People get teary-eyed at movies for other reasons as well. The reaction of men and women to different movies is a celluloid re-make of Women are Venus and Men are Astronauts (or whatever). An internet survey, endorsed with the official, deeply researched and established scientific techniques that made Mark Latham's diaries so credible, shows women and men weep at vastly different movies. The top tearjerker for men is Schindler's List. Women rate it 13th. The top women's weepie is Ghost, the Patrick Swayze/Demi Moore senseless salute to the supernatural, which is saved by having Unchained Melody as its theme. ET is the only movie common to the top 10 weepies of both sexes. The top 10 men's weepies are Schindler's List, Saving Private Ryan, Braveheart, Forrest Gump, ET, Chariots of Fire, The Green Mile, Gladiator, It's A Wonderful Life and Field of Dreams. Why would anyone cry at Forrest Gump? It was heartwarming at best. Why would men choose Field of Dreams, a pointless, pseudo-mystical nonsense whose cliched mantra should be changed to: "Build it [a theatre] and they [the mugs] will come." The women's top 10 is: Ghost, Bambi, ET, Titanic, Beaches, Terms of Endearment, An Officer and a Gentleman, Love Story, Steel Magnolias and Armageddon. The old Walt Disney cartoon Bambi is a prime example of the different reactions to movies. Women hear Bambi's mother shot and weep. Men think: "Wow. Venison for dinner." The women's top 10 overflows with oestrogen and strong, masculine heroes sweeping leading ladies off their feet. Try that nowadays and they take out an AVO.
  • It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton. Apparently about a New York mother and daughter (Clayburgh, Plimpton) who visit a Louisiana swamp relative (Hershey). Reviews range from wild raves to total negatives.
  • jinxblues@aol.com (Jinxblues) wrote in message news:<20041105113816.11401.00000177@mb-m29.aol.com>... > It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton. > a Louisiana swamp relative (Hershey). I saw it and have it at home. Pretty good, but the setting is gloomy. I enjoyed it very much. Why? Do you need to know more about it? It's probably hard to find now.
  • On 05 Nov 2004 16:38:16 GMT, jinxblues@aol.com (Jinxblues) wrote: >It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton. >a Louisiana swamp relative (Hershey). I remember it. Martha Plimpton was cute, the movie was terrible.
  • It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton. Apparently about a New York mother and daughter (Clayburgh, Plimpton) who visit a Louisiana swamp relative (Hershey). Reviews range from wild raves to total negatives.
  • Celebrity Gossip
  • Beautiful brunette typecast early in her career as a loving flower child, but who matured into a versatile actress who has taken on more varied roles. Hershey, who lived with actor Da- vid Carradine from 1969-75 and changed her name to Barbara Seagull (1973-75), made her first major impression on moviegoers as a promiscuous, manipula- tive teen in Last Summer (1969). She ap- peared in With Six You Get Eggroll (1968), The Baby Maker (1970), and The Pursuit of Happiness (1971) before star- ring in the Roger Corman production of Boxcar Bertha (1972), during which she showed director Martin Scorsese a novel by Nikos Kazantzakis called The Last Temptation of Christ Scorsese filmed it some 16 years later, rewarding Hershey with the plum role of Mary Magdalene. During the 1980s her career took an up- swing with her work in The Stunt Man (1980), The Entity (1983), The Right Stuff (also 1983, as the wife of test pilot Chuck Yeager), The Natural (1984), Hannah and Her Sisters (1986), Hoosiers (also 1986, as a mild-mannered schoolteacher), Shy People (as a backwoods matri- arch), Tin Men (both 1987), A World Apart (1988), and Beaches (also 1988, as long-suffering best friend to Bette Midler) to name a few. Shy People and A World Apart earned her unprecedented back-toback Best Actress awards at the Cannes Film Festival. Still a beautiful woman, Hershey eschews meaningless, conventional leading-lady roles in favor of offbeat leads and colorful supporting parts. She won an Emmy playing a murderess in the TV movie A Killing in a Small Town (1990). Recent credits include EB> (1990), Defenseless Paris Trout (both 1991), The Public Eye (1992), Swing Kids, Splitting Heirs, Falling Down and A Dangerous Woman (all 1993).
  • "I am afraid of being lazy and complacent. I am afraid of taking myself too seriously."
  • Member of the drill team and pom-pom squad in high school.
  • Turned down the role that eventually went to Glenn Close in Fatal Attraction.
  • Barbara Hershey is related!
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