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For the 2007 video Fraternity Massacre at Hell Island, she stars as Herself/winner.
Judy Davis plays Gloria Russell, White House Chief of Staff in the 1960 show Cheshmehe oshaq.
Judy Davis is cast in the role of Vicki in the 1906 release of Anarchie chez guignol, L'.
Judy Davis plays Audrey Taylor in the 1996 movie Beyond Desire.
In 1919, she plays Suzanne in the release of Charlotte Corday.
For the 2003 video Amateur Angels 9, Judy Davis is cast in the role of Robin Simon.
In 2005, she plays the part of Joan Fraser in the show The 20th Anniversary Independent Spirit Awards Special.
For the 1981 movie Full Moon High, she is cast in the role of Lilli.
Maxine Pierce in the 1992 Breast Wishes 10.
In 1998, Judy Davis's character is Paula Tanner in the The 25th Annual Daytime Emmy Awards.
In 1972, Judy Davis is cast in the role of Buffy in the movie Flogismena kormia ston iliggo tis amartias.
For the 2005 video Billy Joel: Live from the River of Dreams, she is cast in the role of Lillian Hellman.
In 1975, she plays Lucy in the release of Aecheoiligi.
For the 1981 show Command Performance: The Stars Salute the President, she is cast in the role of Cassandra Reilly.
In 1974, Nina Bailley/Georgia White in the show Black Day for Bluebeard.
Kate Dean in the 2003 video release of Blood and Roses.
Judy Davis is cast in the role of Lynn in the 1996 Cockpit.
For the 1914 movie All for His Sake, she plays the part of Lillie.
For the 2003 tv series Coming Up for Air, she plays the part of Sarah.
For the 2007 feature Aegis, Judy Davis plays Sally.
In 1991, Judy Davis's character is George Sand/Aurora in the show Bolotnaya strit, ili sredstvo protiv seksa.
For the 1983 movie Auguszta szepitkezik, she is cast in the role of Harriet Somers.
In 1985, she stars as Judy Garland in the release AIP: Fast and Furious.
She plays the part of Herself in the 1979 production of Dooriyaan.
For the 1913 feature Across the Great Divide, she stars as Anna Redmond.
In 2004, she stars as Mistress Ford in the Barely 18 13.
In 2005, Judy Davis plays Sybylla Melvyn in the video The Best of BJ Thomas Live.
For the 2005 release Anal Teen Tryouts 7, she is cast in the role of Joan Frost/Joan Lee.
In 1916, she stars as Herself in the release of Catherine Brown in Fancy Diving and Swimming.
In 2000, Judy Davis stars as Katherine Witner in the movie Bed and Breakfast.
For the 1913 feature Burglarizing Billy, Judy Davis plays The Mother.
In 1958, she stars as Countess Mary Lindell in the movie Abbaye de Kansenia, L'.
For the 1966 production of Anarkali, Judy Davis's character is Adela Quested.
For the 1998 feature The Acrylliac, Judy Davis stars as Nancy Reagan.
Caroline Chasseur in the 1996 release Amazon Heat 1.
Judy Davis plays the part of Cleo in the 1995 feature Crabapple Jelly.
In 1984, Diane in the production of The Champ.
For the 2007 publication Leben, a journal of Reformed Life, she plays Dora Fingleton.
In 1984, she plays the part of Carrie Mazzini in the release of Chelyuskintsy.
She plays Harriet Herriton in the 1946 movie Amanti in fuga.
Judy Davis plays Frankie Leith in the 1979 show Adukku Malli.
For the 2006 movie Camp Out, she takes the role of Lou.
In 1923, Judy Davis stars as Young Golda in the movie Alias the Night Wind.
For the 1958 release of C 12 H 22 O 11 - Auf den Spuren des Lebens, Judy Davis plays Nicola.
In 2005, she plays the part of Nancy the caterer in the video Bang My Box.
In 1971, Judy Davis stars as Insinuating Wife in the show The 23rd Annual Primetime Emmy Awards.
In 2000, she plays Shelley in the Ass Lovers 2.
For the 2004 show Day of the Kamikaze, Judy Davis's character is Herself/Various.
In 1930, Judy Davis plays Moira in the feature Campus Sweethearts.
For the 2005 Camino a Premio Lo Nuestro 2005, Judy Davis plays Jenny Easterbrook.
For the 1999 production of Delta Force One: The Lost Patrol, she is cast in the role of Various roles (1998).
In 2005, Judy Davis plays Various roles in the video release of Black Meat: White Treat.
In 1972, Judy Davis plays Various Characters in the show Captain Mom.
In 1977, Judy Davis plays Receptionist, Various Roles in the feature Chicano justiciero, El.
She plays Jill Tyrrell in the 1917 movie Cupid's Camouflage.
Judy Davis's character is Herself - Nominee: Best Actress in a Supporting Role in the 2006 video Dick Puppets.
She is cast in the role of Herself in the 1973 production of The Group.
Gladwyn Ritchie in the 1946 movie Clandestins, Les.
Herself in the 1965 movie Great Day, A.
In 1999, Judy Davis plays Countess De Noailles in the show Gong yi leng xie jin mian ren.
She plays Jenny Easterbrook in the 2006 movie God-Links.
Judy Davis plays the part of Various in the 1987 movie Delta Force Commando.
Judy Davis plays Herself in the 1979 movie The Golden Lady.
In 1922, she takes the role of Relate Counsellor in the show Carillon de minuit, Le.
For the 1964 show Hacia Dios, Judy Davis stars as Weather Girl.
ABC picks ups 'Diamonds' miniseries
TV News: Judy Davis, James Purefoy star in project -- ABC has mined the international TV landscape for "Diamonds," picking up the four-hour movie starring Judy Davis and James Purefoy from Alchemy TV and Sienna Films.
on 2009-03-31 04:48:01The Starter Wife
TV Reviews: Turns out a starter wife can be a trophy wife too. Case in point, "The Starter Wife," the Emmy-nominated mini-turned-regular series that returns to USA Network. Debra Messing reprises her role as the eponymous spouse, a Hollywood idiom for the
on 2008-10-10 04:49:12Judy Davis awarded interest in defamation case
(AP)
AP - Judy Davis won more than $8,000 in interest Friday for damages she was awarded from a newspaper that ridiculed her as heartless for opposing a plan to erect floodlights in a park near her Sydney harbor-side home.
on 2008-09-13 04:46:10Judy Davis awarded interest in defamation case
(AP)
AP - Judy Davis won more than $8,000 in interest Friday for damages she was awarded from a newspaper that ridiculed her as heartless for opposing a plan to erect floodlights in a park near her Sydney harbor-side home.
on 2008-09-13 04:45:22Judy Davis Wins $133,000 In Damages.
Judy Davis Wins $133,000 In Damages.... Actress Judy Davis has been awarded $133,000 (£66,500) in her high profile defamation case. The Australian native, best known for her role in 1984's A Passage To India, won a libel lawsuit against Australian ne
on 2008-07-12 04:51:33Judy Davis awarded damages in defamation suit
(AP)
AP - Judy Davis was awarded $134,000 in damages Friday from a newspaper that ridiculed her as heartless for opposing a plan to erect floodlights in a park near the actress' harborside home in Sydney.
on 2008-07-11 04:45:28Hollywood star Judy Davis wins newspaper libel payout
(AFP)
AFP - Hollywood star Judy Davis was awarded 140,000 dollars (133,000 US) damages Friday after winning a libel action against an Australian newspaper group she said depicted her as a selfish child-hater.
on 2008-07-11 04:45:21Actress Judy Davis wins payout
(Reuters)
Reuters - Australian two-time Oscar nominee Judy
Davis on Friday won A$140,000 (67,000 pounds) plus costs in a
defamation suit against local media company News Ltd,
controlled by media mogul Rupert Murdoch.
on 2008-07-11 04:45:21Judy Davis awarded damages in defamation suit
(AP)
AP - Judy Davis was awarded $134,000 in damages Friday from a newspaper that ridiculed her as heartless for opposing a plan to erect floodlights in a park near the actress' harborside home in Sydney.
on 2008-07-11 04:45:19Judy Davis sues newspaper for defamation
Judy Davis told an Australian court Tuesday that she stopped attending her daughter?s soccer games out of anguish over newspaper articles she claims suggested she hates children.
on 2008-05-06 20:49:26Judy Davis sues Australian newspaper for defamation
(AP)
AP - Judy Davis told an Australian court Tuesday that she stopped attending her daughter's soccer games out of anguish over newspaper articles she claims suggested she hates children.
on 2008-05-06 20:45:32Judy Davis sues Australian newspaper for defamation
(AP)
AP - Judy Davis told an Australian court Tuesday that she stopped attending her daughter's soccer games out of anguish over newspaper articles she claims suggested she hates children.
on 2008-05-06 20:45:26Judy Davis sues Australian newspaper for defamation
(AP)
AP - Judy Davis told an Australian court Tuesday that she stopped attending her daughter's soccer games out of anguish over newspaper articles she claims suggested she hates children.
on 2008-05-06 20:45:15Judy Davis to reprise "Starter Wife" role
(Reuters)
Reuters - Judy Davis is set to
reprise her supporting role as one of Debra Messing's closest
friends in USA Network's upcoming series "The Starter Wife,"
which originally aired as a miniseries last summer.
on 2008-04-04 08:46:11-
These two are definitely hitting the peak of over exposure. When I saw the
ad for this I thought didn't this movie already come out like 5 times.
"Lili2" wrote in message
news:1148629625.067715.221810@i40g2000cwc.googlegroups.com...
> http://news.yahoo.com/s/nm/20060526/en_nm/film_breakup_dc;_ylt=A86.I2bosXZEgkUARBRb.nQA;_ylu=X3oDMTA5aHJvMDdwBHNlYwN5bmNhdA--
> 1 hour, 12 minutes ago
> with landing punch lines, there was considerable hope that if anybody
> could inject a little zip into the stagnating romcom, he'd be the guy
> to pull it off.
> anti-romantic comedy for which Vaughn shares producer and story credits
> in addition to sharing the screen with real-life squeeze Jennifer
> Aniston.
> from which it never recovers.
> unsympathetic lead characters and uncomfortably long stretches without
> a laugh in sight. While they might initially be drawn in by the
> marketing department's promise of something a lot more entertaining,
> the end box office result will likely be less than amicable.
> (Vaughn) manages to persuade art gallery employee Brooke Meyers
> (Aniston) to dump her male friend and go out with him basically by
> buying her a hot dog.
> bliss, with Brooke running around getting ready to host a dinner party
> for their families while Gary contentedly parks himself in front of the
> television.
> point, Brooke finally calls Gary for the jerk he is, but in her little
> schemes to make him realize the errors of his ways, Brooke only ends up
> matching him in the bad behavior department.
> ends up looking a lot more like Rob Reiner's misbegotten "The Story
> of Us."
> Love") had been as concerned with giving his audience characters worth
> investing in as he was with all those stylish visual compositions, but
> the , by first-time feature writers Jeremy Garelick and Jay
> Lavender, constantly leaves its actors in the lurch.
> such as it is, never feels organic to the rest of the film. Hints of
> what might have been can be found in colorful supporting turns from
> Vaughn's old "Swingers" pal Jon Favreau as his bartender buddy Johnny
> O; Judy Davis as Aniston's hysterically harsh gallery boss, Marilyn
> Dean; and especially Christopher Guest regular John Michael Higgins
> as Aniston's brother, Richard, who is obsessed with singing in his
> all-male a cappella group, the Tone Rangers.
> arrives -- in which Vaughn's considerable, continuity-throwing weight
> loss is dealt with by Aniston noting, "You've lost weight" -- "The
> Break-Up" and its audience have long ago parted ways.
> Wendy Meyers: Ann-Margret
> Story by: Vince Vaughn, Jeremy Garelick, Jay Lavender; Producers: Vince
> Vaughn, Scott Stuber; Executive producers: Peter Billingsley,
> Stuart Besser; Director of photography: Eric Edwards; Production
> designer: Andrew Laws; Editors: David Rosenbloom, Dan Lebental; Costume
> designer: Carol Oditz; Music: Jon Brion.
>
-
http://news.yahoo.com/s/nm/20060526/en_nm/film_breakup_dc;_ylt=A86.I2bosXZEgkUARBRb.nQA;_ylu=X3oDMTA5aHJvMDdwBHNlYwN5bmNhdA--
By Michael Rechtshaffen
1 hour, 12 minutes ago
LOS ANGELES (Hollywood Reporter) - Given Vince Vaughn's recent success
with landing punch lines, there was considerable hope that if anybody
could inject a little zip into the stagnating romcom, he'd be the guy
to pull it off.
And he still might -- one of these days.
In the meantime, there's "The Break-Up," a major disappointment of an
anti-romantic comedy for which Vaughn shares producer and story credits
in addition to sharing the screen with real-life squeeze Jennifer
Aniston.
After a promisingly quirky start, "Break-Up" suffers a major breakdown
from which it never recovers.
Audiences expecting a good time will instead be rewarded with wildly
unsympathetic lead characters and uncomfortably long stretches without
a laugh in sight. While they might initially be drawn in by the
marketing department's promise of something a lot more entertaining,
the end box office result will likely be less than amicable.
Initially meeting at a baseball game, Chicago tour guide Gary Grobowski
(Vaughn) manages to persuade art gallery employee Brooke Meyers
(Aniston) to dump her male friend and go out with him basically by
buying her a hot dog.
Flash forward to the couple living in what isn't exactly domestic
bliss, with Brooke running around getting ready to host a dinner party
for their families while Gary contentedly parks himself in front of the
television.
With the cracks in their relationship finally reaching the breaking
point, Brooke finally calls Gary for the jerk he is, but in her little
schemes to make him realize the errors of his ways, Brooke only ends up
matching him in the bad behavior department.
But what could have at best played out like a wilted "War of the Roses"
ends up looking a lot more like Rob Reiner's misbegotten "The Story
of Us."
It would have helped if director Peyton Reed ("Bring It On," "Down With
Love") had been as concerned with giving his audience characters worth
investing in as he was with all those stylish visual compositions, but
the , by first-time feature writers Jeremy Garelick and Jay
Lavender, constantly leaves its actors in the lurch.
While Vaughn and Aniston do some solid emoting, the comedic element,
such as it is, never feels organic to the rest of the film. Hints of
what might have been can be found in colorful supporting turns from
Vaughn's old "Swingers" pal Jon Favreau as his bartender buddy Johnny
O; Judy Davis as Aniston's hysterically harsh gallery boss, Marilyn
Dean; and especially Christopher Guest regular John Michael Higgins
as Aniston's brother, Richard, who is obsessed with singing in his
all-male a cappella group, the Tone Rangers.
But by the time the tacked-on ending to end all tacked-on endings
arrives -- in which Vaughn's considerable, continuity-throwing weight
loss is dealt with by Aniston noting, "You've lost weight" -- "The
Break-Up" and its audience have long ago parted ways.
Cast:
Gary Grobowski: Vince Vaughn
Brooke Meyers: Jennifer Aniston
Maddie: Joey Lauren Adams
Wendy Meyers: Ann-Margret
Riggleman: Jason Bateman
Marilyn Dean: Judy Davis
Dennis Grobowski: Vincent D'Onofrio
Johnny O: Jon Favreau
Lupus Grobowski: Cole Hauser
Richard Meyers: John Michael Higgins
Christopher: Justin Long
Director: Peyton Reed; Screenwriters: Jeremy Garelick, Jay Lavender;
Story by: Vince Vaughn, Jeremy Garelick, Jay Lavender; Producers: Vince
Vaughn, Scott Stuber; Executive producers: Peter Billingsley,
Stuart Besser; Director of photography: Eric Edwards; Production
designer: Andrew Laws; Editors: David Rosenbloom, Dan Lebental; Costume
designer: Carol Oditz; Music: Jon Brion.
Reuters/Hollywood Reporter
-
"Thanatos" wrote in message
news:atropos-5602CE.21455318032008@news.giganews.com...
> In article
> ,
> TranslucentAmoebae wrote:
possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/
responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/
> difference?
He can't tell you...too drunk.
-
http://jam.canoe.ca/Movies/2005/12/31/1374774.html
Best flicks for 2006
By LOUIS B. HOBSON -- Calgary Sun
A look at movies in '06
Enough already with the griping. It's official. Movie attendance in 2005 was
the worst in almost a decade.
Some film analysts blame the slump on the DVD industry.
A poll conducted by Ipso for The Associated Press and AOL News in July
revealed 73% of adults say they prefer watching movies at home on DVD,
videotape or pay-per-view.
Even more disheartening for the studios is the finding that 47% surveyed in
the poll feel movies are getting worse and therefore do not warrant
viewing -- especially at today's ticket prices.
Paul Dergarabedian, president of Exhibitor Relations, sides with disgruntled
viewers.
"The 2005 slump in movie attendance is product-driven which, to me, is a
much less chilling problem than some sort of cultural shift in people's
moviegoing habits. People will make the effort to see a good film."
George Lucas, who produced and directed this year's top box-office movie
Star Wars: Episode III -- Revenge of the Sith, agrees wholeheartedly with
Dergarabedian.
Lucas insists "going to the movies is a social event, like going to a
football game, like going to the ballet, like going to a play.
"Attending movies is something you do to be social with other people. I
don't think that's ever going to go away."
In order to drag people away from their TVs, filmmakers are obliged to
improve both the quality and the accessibility of their films.
With this in mind, here's a glimpse of 20 of the more than 500 films slated
for release in 2006. The most that can be said for any of them at this point
is, on paper, they're among the most interesting of the offerings. Some
release dates are tentative:
TRISTAN & ISOLDE (Fox/Jan. 13):
Before Romeo and Juliet, there were the tragic star-crossed lovers Tristan
and Isolde. Tristan (James Franco) was a young knight who fell in love with
the married future queen of England (Sophia Myles.) It promises to be a big,
lush, romantic drama.
THE PINK PANTHER (Sony/Feb. 10):
Steve Martin steps into the giant-sized shoes of Peter Sellers to play
bumbling French detective Inspector Jacques Clouseau. It's being billed as a
prequel to Seller's 1964 classic, with Clouseau having to solve the
mysterious death of a soccer coach and discover who stole the famous Pink
Panther diamond. The entertainment world will be watching to see if Martin
can pull this one off.
EIGHT BELOW (Disney/Feb. 17):
No one does fact-based animal stories better than Disney and here comes one
about eight husky sled dogs marooned during an Antarctic winter. This one
looks enough like the Disney classic The Incredible Journey to make it a
hit.
BASIC INSTINCT 2: RISK ADDICTION (Sony/March 31):
Sharon Stone's ice pick wielding seductress is back and this time it's David
Morrissey's psychiatrist who gets lured into her dangerous sex games. Call
it pure guilty pleasure, but the thought of Stone back to her old tricks is
likely enough of a hook to get people into multiplexes.
ICE AGE 2: THE MELTDOWN (Fox/March 31):
Scrat and his acorn are back to wreak more havoc. In tow are Manfred the
laconic Wooly Mammoth, Sid the motor-mouthed sloth and the villainous Diego,
the Sabre-toothed tiger. If this one is half as delightful as it
predecessor, it deserves to be a hit.
mission IMPOSSIBLE III
(Paramount/May 5):
Fresh from saving the world from Martians in last year's War of the Worlds,
Tom Cruise prepares to tackle international terrorists as rogue agent Ethan
Hunt. The release is timed to coincide with the birth of Cruise's first
biological child, so he should grab every magazine cover in the world for
this one.
THE DA VINCI CODE (Sony/May 19):
Many readers confused Dan Brown's fiction bestseller for fact, something Ron
Howard insists he won't do in the film. Tom Hanks stumbles upon a secret
sect whose belief Christ fathered children could shake the foundations of
Christianity. Controversy plus eager fans should make this one a hot ticket.
X-MEN 3 (Fox/May 26):
The mutants are back, but this time around there is a possible cure to treat
them. Brett Ratner is directing instead of Bryan Singer, but the good news
is Hugh Jackman, Halle Berry, Rebecca Romijn, Patrick Stewart and Ian
McKellen are all back, joined by Kelsey Grammer and Shohreh Aghdashloo. We
can only hope lightning strikes three times, let alone twice.
THE BREAK UP (Universal/June 2):
With Wedding Crashers, Vince Vaughn had one of the biggest grossing films of
2005, so expectations run high for this romantic comedy. It also helps that
Vaughn and costar Jennifer Aniston started an off-screen relationship while
filming this one in Chicago. We'll all be watching to see if they can create
as many sparks as Aniston's ex, Brad Pitt, did with Angelina Jolie in Mr. &
Mrs. Smith.
THE OMEN 666 (Fox/June 6):
This is a remake of the 1976 horror classic that spawned three sequels. Liev
Schreiber and Julia Styles play the American couple who discover the child
they adopted might just be the devil's spawn. In a brilliant piece of stunt
casting, Mia Farrow, who played the mother of Satan's child in Rosemary's
Baby, plays the nanny who knows the child's real origins.
CARS (Disney/June 9):
The creative geniuses at Pixar who turned talking toys, retired superheroes
and monsters into box-office superstars, are at it again. This time they
invest cars and all their cousins with humanity as well as voices.
SUPERMAN RETURNS (Warners/June 30):
The Man of Steel, now played by newcomer Brandon Routh, has been hanging out
on the planet Krypton. When his arch enemy Lex Luthor (Kevin Spacey) starts
causing havoc, Superman returns to Earth to battle evil and court the lovely
Lois Lane (Kate Bosworth). Warners is hoping this is the beginning of a new
Superman franchise.
PIRATES OF THE CARIBBEAN: DEAD'S MAN'S CHEST
(Disney/July 7):
Those nasty sea phantoms insist Jack Sparrow (Johnny Depp) owes them his
soul, so Jack has to find a way to win it back or spend eternity haunting
the seas. Back in 2003, the original Pirates of the Caribbean filled
Disney's treasure troves with $654 million, turned Depp into a box-office
superstar and won him an Oscar nomination.
LADY IN THE WATER (Warners/July 21):
M. Night Shyamalan scored with thrillers like The Sixth Sense and Signs, but
found audiences and critics slipping away with The Village. His newest
supernatural thriller has humans teaming up with a water nymph to save all
their lives and souls from demons intent on destruction.
MIAMI VICE (Universal/July 28):
Last year's crop of big-screen versions of vintage TV shows were major
critical and box-office disappointments, but this one is actually promising.
Michael Mann, who created the original TV series, wrote and directed this
film with Colin Farrell and Jamie Foxx as renegade vice detectives Crockett
and Tubbs. Mann has set the story in modern-day Miami.
MARIE ANTOINETTE (Sony/Oct. 13):
Sofia Coppola wrote and directed this costume drama that stars Kirsten Dunst
as the Austrian princess who became Queen of France when she was just a
teenager. Jason Schwartzman plays her indifferent husband, Louis XVI, with
Rip Torn, Judy Davis and Marianne Faithful filling out the supporting cast.
Coppola scored a major triumph with Lost in Translation.
FLUSHED AWAY (Paramount/Nov. 3):
The folks at Aardman Animations, who brought us 2000's Chicken Run and last
year's Wallace & Gromit in the Curse of the Were-Rabbit, bring us this tale
of a society rat (Hugh Jackman) who gets flushed down the toilet of his
upscale apartment and falls in love with an adventurous beauty (Kate
Winslet). It looks like a cross between Romeo & Juliet and Pirates of The
Caribbean.
CASINO ROYALE (Sony/Nov. 17):
Daniel Craig takes over as James Bond, with Martin Campbell directing. Bond
matches wits and gadgets with Monsieur Le Chiffre, a French gangster who
uses the profits from his casino to fund terrorists. Considering the film
hasn't been fully cast and cameras have yet to start rolling, this one could
find itself bumped to 2007.
CHARLOTTE'S WEB (Paramount/Dec. 20):
This children's classic about a spider who saves the life of a pig will
combine live action with animation. Dakota Fanning plays Fern, who helps
Charlotte the spider (voice from Julia Roberts) spin a tale of friendship
and sacrifice. Though it's no Harry Potter or Chronicles of Narnia,
Charlotte's Web has a huge fan base among youngsters and their parents.
DREAMGIRLS (Paramount/Dec. 22):
The box-office and critical success of Chicago and Moulin Rouge has
producers eying Broadway for more stage musicals to turn into movies. This
one, loosely based on the career of The Supremes, will star Beyonce Knowles,
Jennifer Hudson, Jamie Foxx, Eddie Murphy, Mos Def and Danny Glover.
Considering the poor response for Phantom of the Opera, Rent and The
Producers, this one could be a hard sell even with such a stellar cast.
THE ASSASSINATION OF JESSE JAMES
(Warners/Fall):
Warners has yet to announce a release date for this western filmed in
Alberta last summer, but it is likely to be a fall release, setting it up
for the kind of attention Brokeback Mountain has been receiving. This one
stars Brad Pitt as the famous outlaw and Casey Affleck as the friend who
turned assassin and killed him.
-
"chemqueries" wrote in message
news:1118118354.783765.75940@f14g2000cwb.googlegroups.com...
> Ambrose wrote:
Soon Yi and Woody> says some bad things about Ms Farrows reasoning
capacities as well. Ambrose
> MURDER MYSTERY, but when she found out about Woody and Soon-Yi, and all
> hell broke loose, she was replaced by Diane Keaton.
>
I'm sort of busted on this. The film to which I was referring was the one
with Mia, Liam Neesen, Judy Davis and Lysette Anthony and Sidney Pollack.
The main thing I remember was it had that shaky camera work that was popular
around the LA Law time. According to a tech guy--I don't dare name is
profession because Woody's people reflective of their boss are so paranoid
that they wouldn't be above retribution to someone on set who talked even to
a nobody like me who retold it on Usenet--but at time the film was being
made, (possible title: Husbands and Wives?) Mia and Woody were not speaking
even though they had been broken up or at least were not sleeping over from
around the time when Crimes and Misdemeanors was released. Some of the time
frames could be confused because my sources in Woody-world don't always
corroborate each other. Diane Keaton once said that their relationship was
largely over before they made their most famous movie Annie Hall, but then
Ms Keaton has a history of weird revisionist recollection.
I've always thought that the who Woody-Mia bust up was one of those
situations with multi-faceted truths within truths. Ok, I don't want to get
ethnic here, as everyone knows I have Jewish child(ren?) but in Mia's
Anglo-Irish transplant parental formulations some of Mr. Allen's intimacy
with the body of his daughter and son with Ms. Farrow which isn't all that
uncommon even in second generation East European origin Jewish families
(anyone recall the remark by the lawyer of Monica Lewinski who said he had
kissed the insides or her thighs when she was an infant?) which might have
been interpreted by the largely anti-sexual Anglo-Irish American familial
offspring as sexual when in fact it was a cultural difference. I frankly
think Roseanne's recovered memories of sexual abuse (if not out right false
for publicity purposes by then husband Tom Arnold who was sexually abused as
a child and disgracefully in my opinion milked it for sympathy) may well
have been no more than what her Lesbian sister describes as tushy squeezing
or patting by her parents, but when seen through the lens of a repressed
Anglo therapist might be miss-interpreted as sexualized parent child
contact. Many cultures treat babies bodies in particular differently. It's
not uncommon for many Latino mothers to kiss the genitals of their infants
with absolutely no sexual overtones implied.
Nevermind, I'm digressing.
Ambrose
- Celebrity Gossip
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- alt.binaries.pictures.celebrities.repost
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- 1024 x 768
- Schatten288JudyDavis.jpg
- Oct 6th, 2009
- alt.binaries.nude.celebrities
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- 1024 x 768
- 1st
- Davis_Judy01_PAL_0810.jpg
- May 2nd, 2004
- alt.binaries.celebrities
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