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- Charlotte Rampling plays Helen in the 1961 production of All Hands on Deck.
- In 1981, Charlotte Rampling's character is Annabella in the production of Beauty Pageant.
- In 1996, Charlotte Rampling is cast in the role of Margaret Krusemark in the show Adventures of the Quest: The Cold Sea.
- She takes the role of Marion in the 1982 movie Chastnaya zhizn.
- In 2004, she plays the part of Barbara in the video A Trixxx.
- For the 1919 release of Bella e la bestia, La, Charlotte Rampling plays the part of Elisabeth Thallman.
- For the 2006 movie The Break-Up, she stars as Lila.
- For the 2001 video release of 'Obsession' Revisited, Charlotte Rampling is cast in the role of Ranyevskaya.
- She plays the part of Nicole in the 1972 production of Foundations of Progress.
- Charlotte Rampling is cast in the role of Narrator (English language version) in the 2003 Harder Faster 3.
- Charlotte Rampling's character is Corky's Wife in the 1994 production The 1994 Billboard Music Awards.
- For the 2002 tv series American Soundtrack: This Land Is Your Land, she plays Mrs. Fitzwaring.
- Charlotte Rampling plays Elizabeth Lannier in the 1988 release of Binky and Boo.
- In 2009, Charlotte Rampling plays Helen Grayle in the movie Adopt Me, Michael Jordan.
- For the 2006 release of 17 juillet 57, Charlotte Rampling is cast in the role of Kate Stockton.
- For the 1910 release of Calino et son chapeau, Charlotte Rampling is cast in the role of Julia.
- She stars as Herself in the 1914 show Detektivens barnepige.
- Charlotte Rampling plays Meredith in the 2000 movie The Beat Nicks.
- She plays Fosca in the 2000 video Bundle of Blondes, A.
- Charlotte Rampling's character is Miss Havisham in the 2006 A-Ok!.
- For the 1999 release of Cabras de Freud, Las, Charlotte Rampling plays the part of Grace McAlister.
- Charlotte Rampling plays Anne Boleyn in the 1903 release of The Alarm and Hitch.
- She takes the role of Helen in the 2002 release Can't Get Enough.
- In 1941, she plays the part of Livia in the movie Bambaiwali.
- She plays Flaminia in the 1998 production Babylon 5: The River of Souls.
- Charlotte Rampling plays the part of Deidre Stiles, Josh's Attorney in the 2006 Anatomy of a Flood.
- In 1948, Charlotte Rampling plays the part of Jane in the movie Abidah.
- For the 1941 show Across the Sierras, Charlotte Rampling plays Gaby Hart.
- For the 1973 show The Daring Dobermans, Margaret Jones.
- For the 2001 release of Aamdani Atthanni Kharcha Rupaiya, she is cast in the role of Sonya Davies.
- For the 2005 video Behind the Tunes: A Hunting We Will Go - Chuck Jones' Wabbit Season Twilogy, she takes the role of Barbara Spark.
- In 2006, she plays Rachel Bedford in the movie The Barbecue.
- Charlotte Rampling's character is Clara Paige in the 2004 tv series Bossa Nova - Geschichte einer brasilianischen Musikbewegung.
- In 2007, Lucia Atherton in the release Amateur Porn Star Killer.
- In 2004, she plays Miriam, contessa di Du Terrail in the movie Blake's Junction 7.
- In 1993, Charlotte Rampling stars as Sara Capell in the show Briefest Encounter.
- For the 1994 release of Amblyopia, Isabelle de Marsac.
- She takes the role of Herself in the 2004 movie Decadencia del club, La.
- In 1926, Charlotte Rampling plays the part of Christina in the movie Another Bottle Doctor.
- Charlotte Rampling is cast in the role of Irene Adler in the 1978 show The 'Star Wars' Holiday Special.
- Charlotte Rampling stars as Samantha in the 1987 release of Candy's Fantasy: The Robbery.
- In 1992, Charlotte Rampling's character is Marie Drillon in the video release of 06 Teeners Volume 2.
- For the 1993 movie Alejandro 'Diablo' Malbay, she stars as Anna Cathcart.
- In 1992, Charlotte Rampling plays Dorrie in the tv series A Castro.
- For the 2003 show The Beat, she takes the role of Nicole.
- In 2001, she stars as Frances Matteo in the production of 8 rue Charlot.
- In 1968, she plays the part of Sarah Morton in the production of Cracks, Les.
- For the 1999 release of Anderes Land. Sieben Geschichten nach der Wende, Ein, Charlotte Rampling stars as Ruth Carlyle.
- In 1925, Irina Kaufman in the release of Business Engagement, A.
- Charlotte Rampling plays Sharon in the 1996 feature 2015.
- For the 1992 release Amazing Stories: Book Two, Charlotte Rampling plays the part of Laura Fischer.
- In 1960, she stars as Herself in the show Blodiga tiden, Den.
- She is cast in the role of Catherine Perrin in the 1999 release Binding Contract, A.
- In 1974, Charlotte Rampling plays Aunt Maude in the movie Ciudad deportiva del Real Zaragoza.
- For the 2008 show Clock Tower, Charlotte Rampling stars as Silvia.
- In 1983, Charlotte Rampling plays Consuella in the release of 96 horas de amor.
- In 1987, she takes the role of Sylvia Featherstone in the video Confessions of Bernhard Goetz.
- Charlotte Rampling stars as Interviewer in the 1966 movie Django spara per primo.
- She takes the role of Valerie von Taussig in the 1982 movie Begging for Discipline.
- Charlotte Rampling stars as Herself - Co-Presenter: Best Art Direction-Set Decoration in the 1959 show Broth of a Boy.
- For the 1912 movie Harbor Island, Charlotte Rampling plays the part of Alice Pollock.
- For the 1916 release of The Go-Between, she stars as Margaret Jones.
- In 1994, she stars as Herself in the show Hercules: The Legendary Journeys - Hercules and the Circle of Fire.
- Keira Knightley Films ?Never Let Me Go?
  
  Hard at work on her latest movie, Keira Knightley was spotted on the set of “Never Let Me Go” in Clevedon on Thursday (April 23). The “Pirates of the Caribbean” beauty stars alongside Charlotte Rampling and Sally Hawkins in the
  on 2009-04-24 04:49:52
- Buzz News Roundup, 4/15
  
  The release date for Harry Potter and the Half-Blood Prince is now Wednesday, July 15, two days earlier than originally planned. - ComingSoon Mark Wahlberg and James Franco are joining Steve Carell and Tina Fey in the comedy Date Night. - Zap2It Termina
  on 2009-04-16 04:52:22
- Rampling, Hawkings in 'Never' land
  
  Book Adaptations: Keira Knightley stars in Romanek film -- Charlotte Rampling and Sally Hawkins have signed on to co-star in the Keira Knightley starrer "Never Let Me Go" for Fox Searchlight and Film4.
  on 2009-04-15 04:47:52
- Rampling, Kar-wai to receive Stockholm film awards (AP)
  
  AP - Actress Charlotte Rampling and director Wong Kar-wai will receive awards for their contributions to modern cinema at the Stockholm International Film Festival.
  on 2008-10-23 04:45:15
- "Thanatos" wrote in message news:atropos-5602CE.21455318032008@news.giganews.com... > In article > , > TranslucentAmoebae wrote: possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/ responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/ > difference? He can't tell you...too drunk.
- http://www.dailymail.co.uk/pages/live/articles/showbiz/showbiznews.html?in_a rticle_id=367175&in_page_id=1773 'It's hard to be perfect' by ESTHER SWALES, Mail online Kirsten Dunst, star of new romantic comedy Elizabethtown, is just as petite and elfin face-to-face as she appears on screen. Dressed in red, with black tights and shoes, her impossibly slim 5ft 7in frame is elegantly folded into an armchair in London's Dorchester hotel suite. Looking incredibly fresh the morning after she wowed the crowds of Leicester Square at the London premiere of Elizabethtown, her face is framed by a layered blonde fringe and bob, and her piercing blue eyes are smiley and alert. One of the main themes in the film revolves around being positive - and the impact it has on success and love. But in reality, unlike her effervescent onscreen character, she admits co-star Orlando Bloom was usually more upbeat than she was. "I try to be positive, but I wouldn't be human if I didn't have a bad day," she says. "But it's funny because Orlando is always really positive and happy, but he was playing someone depressive. I was the one playing somebody who was positive - which is exhausting after a while and really depressing! So I found it actually very draining to be that kind of perfect person." Kirsten hadn't worked with Orlando before, but soon discovered that he was a "really great person". However despite admitting she "really does care for him" she is quick to dispel any of the rumours in circulation about an off-screen romance. Often hitting the US showbiz columns with gossip about the latest twist and turn in her on-off relationship with actor Jake Gyllenhaal, Kirsten says she needs commitment in her relationships. "I think I'm definitely a serial-monogamous type of girl, you know," she admits. "I'm a relationship kind of person." 'I had a big crush' But despite being in the enviable position of sharing intimate moments with heartthrob Orlando, she doesn't rate him as the best on-screen kiss she's had. So out of all of her leading men, who could it be? Tobey Maguire? Paul Bettany? "Actually my best kiss on screen wasn't any of them," she laughs. "I had a big crush on Josh Hartnett when I was doing the Virgin Suicides, so for me that was so nerve-wracking... it may not have been the best kiss, but it was great because I actually had a crush on him." She adds mischievously: "But they're all really great guys so I can't really say!" Kirsten is one of only a few child stars who've made their career on the big screen beyond the age of 10. At the tender age of six she made her name in Woody Allen's New York Stories, playing Mia Farrow's daughter, and later went on to star in Interview With The Vampire alongside Tom Cruise and Brad Pitt. With 45 films to her name by the age of 23, she isn't doing badly. Most recently starring in Spider-Man and Mona Lisa Smile, Kirsten has tried her hand at everything, from the fantasy of Jumanji to the drama of The Cat's Meow and rom-com Wimbledon. But despite her years of experience, she admits there is still much to learn from older actresses such as Susan Sarandon, who plays Hollie Baylor, the recently-widowed mother of Drew (Orlando Bloom). "I definitely admire her. I admire her as a woman," Kirsten reveals. "I didn't really work with her much on this film but I also worked with her when I was younger on Little Women. I just love how she's not afraid to say what's on her mind. And she's so sexy and really smart." Kirsten is sparkly, smart, successful and adored by millions of fans. So does she ever get starstruck? "I think I would be if I met Joni Mitchell," she says. "I want to meet her and I know I would be very stuttering. "I met Charlotte Rampling last night - she's another person that I think 'I'm such a great fan of yours!' and then feel such a dork!" She pauses and laughs. "But, it's better to be a dork than to be cool, I guess!"
- http://www.sky.com/showbiz/article/0,,50001-1183862,00.html Brunettes Beat Blondes Brunettes have triumphed over blondes in a list of the world's 100 most beautiful women. The top five in the Harpers & Queen magazine list, compiled by 1,000 experts from the worlds of fashion, arts and the media, are brunettes. Hollywood beauty Angelina Jolie topped the poll, followed by supermodel Christy Turlington, Queen Rania of Jordan, film director Sofia Coppola and domestic goddess Nigella Lawson. Blondes such as supermodel Kate Moss, Kill Bill star Uma Thurman and Lost in Translation's Scarlett Johansson are in the top 100, but have been relegated out of the top five. Harpers & Queen editor Lucy Yeomans said: "We were really surprised when the brunettes came out on top. "But from our panel results, we witnessed a definite shift away from the traditionally deified blonde stereotype. "Instead, people with a more unusual and interesting beauty ranked higher. "We encouraged people to vote on the all-round package, rather than on physical beauty alone, so it was great to see less obvious beauties such as film director Sofia Coppola making the top five." THE TOP 25: Angelina Jolie Christy Turlington Rania of Jordan Sofia Coppola Nigella Lawson Uma Thurman Emmanuelle Beart Kate Moss Aishwarya Rai Charlotte of Monaco Charlotte Rampling Beyonce Knowles Cate Blanchett Scarlett Johansson Ziyi Zhang Sophie Dahl Natalie Portman Liv Tyler Gisele Bundchen Jennifer Connelly Natalia Vodianova Dita Von Teese Julie Christie Margherita Missoni Gwen Stefani
- On Thu, 08 Jul 2004 10:35:28 -0400, E Varden wrote: >Michael wrote: >their "Poosy Galore"-type roles... >Pe (Who thinks an early Charlotte Rampling would've been a hot Bond >broad.) Good choice. Have you ever seen the tiny glimpse of her in Richard Lester's "The Knack...And How To Get It" (1965)? She's one of waterskiers behind Tolen's boat. I always thought Sharon Tate would have been the ultimate Bond Girl. Then again, I think she was the most beautiful woman in the world in her time. Just a stunning, stunning woman.
- "Zeb Quinn" wrote in message news:2fb0d153.0402271046.24e35181@posting.google.com... > "Ambrose" wrote in message news:... > but a few years ago: I'm totally with you on Kim Darby. I loved everything she ever did. Ambrose
- OYES! (And I can't quite figure out why: I just enjoy it.) And at the other end of the age spectrum, that pencil Amanda Bynes. And the grumpy daughter in AbFab, wotsername, darling? You know the one I mean, she was here just a moment ago. The one with the glasses, darling! Saffy, that's right, sweetie! Pe
- "Janet" wrote in message news:gFjjd.7297$O11.4351@newsread3.news.pas.earthlink.net... > news:b85819de.0411051456.68867b5b@posting.google.com... > news:... > http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397 > Sarandon, > Has > remember > Bening's > can > drunk. > she > walked > returning > for > values > Walking" > opposite > undoubtedly > playing a > named > actresses > hope > get > 50, > plays > mambo > is > merely > of > made Not to mention, I would say she is passed "middle-aged" unless she is going to live to 116.
- "Jule" wrote in message news:b85819de.0411051456.68867b5b@posting.google.com... > "Rick in Oz" wrote in message news:... http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397 Sarandon, Has remember Bening's can drunk. she walked returning for values Walking" opposite undoubtedly playing a named actresses hope get 50, plays mambo is merely of made > There must be some kind of brain removal requirement to be a > journalist. > better angle, like oh, I don't know...the fact that writers need to > write the damn roles for the actresses? Blaming human females for > aging, something they can't control, instead of the way scripts are > done, something that CAN be controlled...hmmm...gee, that makes SO > much sense. LOL. As if writers HAD to write roles for fugly old actresses.
- http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397 .htm Dig at Sarandon sums up the plight of many middle-aged actresses BY JAMI BERNARD New York Daily News In humor, there is often truth. So let's examine the cruel joke from the all-marionette "Team America: World Police," which satirizes Susan Sarandon, 58, as an actress whose talent is dwindling as she ages. Ouch! It's not unheard-of for people to lose their fire as the years creep by. Has it happened to Sarandon? First consider that older actresses have a hard time of it. If you remember Bette Davis and Joan Crawford in their horror-movie humiliations of the `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't necessarily memorable work. Other actresses have faded away or disappeared. Annette Bening, 46, only recently returned from a child-raising hiatus to star in "Being Julia," about an older actress who trumps an "All About Eve"-like newcomer. Bening's movie says talent marinates over time. There's marinade, and then there's rust. An ill-advised comeback vehicle can cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a drunk. Where are the actresses of yesteryear? Last we heard of Geena Davis, 48, she had taken up Olympic archery. (Okay, she was also in the "Stuart Little" movies.) She was sunk by the pirate movie "Cutthroat Island" and has walked a lonely plank ever since. Debra Winger, 49, stomped off the bandwagon nearly a decade ago, returning in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known for inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002 documentary about the plight of actresses over 40 in an industry that values youth and the Y chromosome. Sarandon has stayed visible, but some of her choices have been peculiar since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking" (1995). Her highest-profile movie since then has been "Stepmom." In this melodrama, her character dies nobly (cough! cough!) of a dread disease, which clears the way for Julia Roberts' character. (It takes the opposite tack to "Being Julia.") Sarandon has two movies this fall: "Alfie" and "Shall We Dance?," both sensible choices. But they're no "Vera Drake," a movie that will undoubtedly bring British actress Imelda Staunton, 48, an Oscar nomination for playing a woman in her 50s. Staunton was so good that writer-director Mike Leigh named his untitled project after her character. Granted, "Vera Drake" is a once-in-a-lifetime plum. But not all actresses can count on a director like Leigh to come along. And they can't all hope for the kind of European sensibility that enables older actresses - like Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to thrive. If middle-aged American actresses want to stay viable, they've got to get big roles in small movies, or decent roles in big ones. Kim Basinger, 50, got a second wind with the summer movie "Cellular," but she was rarely onscreen with youthful co-star Chris Evans. "Cellular" played like two movies in one, an increasingly common ploy to attract a mixed-generation audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo instructor.) The joke in "Team America" is more pointed. Is the problem that Sarandon is choosing unwisely by making films like the cringe-inducing "The Banger Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become merely a paycheck for her? Did "Rugrats 2" do her in? Our best guess - the kindest, anyway - is that there's a tipping point, after which mediocre roles and competing priorities lead to a lessening of effort over time. And you know what that means - jokes at one's expense made by marionettes. From Sunny Oz, Rick :) Proud Keeper of the talented & beautiful Halle Berry. ---
- "Rick in Oz" wrote in message news:akNid.186$uc.6094@nnrp1.ozemail.com.au... > http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397 > .htm > In humor, there is often truth. So let's examine the cruel joke from the > all-marionette "Team America: World Police," which satirizes Susan > Sarandon, > 58, as an actress whose talent is dwindling as she ages. Ouch! > Has > it happened to Sarandon? > remember > Bette Davis and Joan Crawford in their horror-movie humiliations of the > `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't > necessarily memorable work. > recently returned from a child-raising hiatus to star in "Being Julia," > about an older actress who trumps an "All About Eve"-like newcomer. > Bening's > movie says talent marinates over time. > can > cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a > drunk. > she > had taken up Olympic archery. (Okay, she was also in the "Stuart Little" > movies.) She was sunk by the pirate movie "Cutthroat Island" and has > walked > a lonely plank ever since. > in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known > for > inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002 > documentary about the plight of actresses over 40 in an industry that > values > youth and the Y chromosome. > since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking" > (1995). Her highest-profile movie since then has been "Stepmom." In this > melodrama, her character dies nobly (cough! cough!) of a dread disease, > which clears the way for Julia Roberts' character. (It takes the opposite > tack to "Being Julia.") > sensible choices. But they're no "Vera Drake," a movie that will > undoubtedly > bring British actress Imelda Staunton, 48, an Oscar nomination for playing > a > woman in her 50s. Staunton was so good that writer-director Mike Leigh > named > his untitled project after her character. > can count on a director like Leigh to come along. And they can't all hope > for the kind of European sensibility that enables older actresses - like > Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to > thrive. > big roles in small movies, or decent roles in big ones. Kim Basinger, 50, > got a second wind with the summer movie "Cellular," but she was rarely > onscreen with youthful co-star Chris Evans. "Cellular" played like two > movies in one, an increasingly common ploy to attract a mixed-generation > audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays > Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo > instructor.) > is > choosing unwisely by making films like the cringe-inducing "The Banger > Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become > merely > a paycheck for her? Did "Rugrats 2" do her in? > after which mediocre roles and competing priorities lead to a lessening of > effort over time. And you know what that means - jokes at one's expense > made > by marionettes. > Proud Keeper of the talented & beautiful Halle Berry. To be blunt, the problem is that studios won't make a movie that stars a female that an 18 year old boy wouldn't masterbate to. Spunk equals sequel.
- "Rick in Oz" wrote in message news:... > http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397 > .htm > In humor, there is often truth. So let's examine the cruel joke from the > all-marionette "Team America: World Police," which satirizes Susan Sarandon, > 58, as an actress whose talent is dwindling as she ages. Ouch! > it happened to Sarandon? > Bette Davis and Joan Crawford in their horror-movie humiliations of the > `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't > necessarily memorable work. > recently returned from a child-raising hiatus to star in "Being Julia," > about an older actress who trumps an "All About Eve"-like newcomer. Bening's > movie says talent marinates over time. > cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a drunk. > had taken up Olympic archery. (Okay, she was also in the "Stuart Little" > movies.) She was sunk by the pirate movie "Cutthroat Island" and has walked > a lonely plank ever since. > in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known for > inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002 > documentary about the plight of actresses over 40 in an industry that values > youth and the Y chromosome. > since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking" > (1995). Her highest-profile movie since then has been "Stepmom." In this > melodrama, her character dies nobly (cough! cough!) of a dread disease, > which clears the way for Julia Roberts' character. (It takes the opposite > tack to "Being Julia.") > sensible choices. But they're no "Vera Drake," a movie that will undoubtedly > bring British actress Imelda Staunton, 48, an Oscar nomination for playing a > woman in her 50s. Staunton was so good that writer-director Mike Leigh named > his untitled project after her character. > can count on a director like Leigh to come along. And they can't all hope > for the kind of European sensibility that enables older actresses - like > Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to > thrive. > big roles in small movies, or decent roles in big ones. Kim Basinger, 50, > got a second wind with the summer movie "Cellular," but she was rarely > onscreen with youthful co-star Chris Evans. "Cellular" played like two > movies in one, an increasingly common ploy to attract a mixed-generation > audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays > Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo > instructor.) > choosing unwisely by making films like the cringe-inducing "The Banger > Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become merely > a paycheck for her? Did "Rugrats 2" do her in? > after which mediocre roles and competing priorities lead to a lessening of > effort over time. And you know what that means - jokes at one's expense made > by marionettes. > Proud Keeper of the talented & beautiful Halle Berry. > There must be some kind of brain removal requirement to be a journalist. There are already a million articles about this. Can't anyone find a better angle, like oh, I don't know...the fact that writers need to write the damn roles for the actresses? Blaming human females for aging, something they can't control, instead of the way scripts are done, something that CAN be controlled...hmmm...gee, that makes SO much sense.
- Celebrity Gossip
- Offbeat roles have served this striking actress well, but none so much as the concentration camp survivor of The Night Porter (1974), improbably reunited with the SS guard who raped and tortured her throughout her captivity. Graphic and uncompromising, the film unnerved many moviegoers, and marked another departure from the conventional by the slender, coolly attractive Rampling. She'd first impressed viewers with her supporting role as Lynn Redgrave's roommate in the 1966 hit Georgy Girl and achieved some notoriety three years later for her performance in Luchino Visconti's The Damned (1969), chillingly believable in that tale of moral and spiritual decadence. Her turn in The Night Porter fixed her in moviegoers' minds as an actress unafraid to bare herself-emotionally and spiritually as well as physically-in daring characterizations. She costarred with Sean Connery in the sci-fi film Zardoz (1974), and appeared opposite Robert Mitchum (playing detective Philip Marlowe) in Farewell, My Lovely (1975), perfectly cast as an exotic, enigmatic femme fatale. Woody Allen had her play a mentally disturbed actress in his bleak Stardust Memories (1980). In The Verdict (1982), she portrayed a mercenary temptress hired to spy on lawyer Paul Newman; in Angel Heart (1987), she was an occult expert queried by private eye Mickey Rourke, who later finds her dead body sans heart. But Rampling's strangest film is certainly Max, My Love (1986), in which she takes a chimpanzee for a lover.
- "Difficult acting with a chimp? No, no. The emotions were the same. In a way it was like playing opposite Paul Newman. The chimpanzee reacted differently, that's all."
- "I'd rather be thought of like that than to play Mary Poppins." -- Charlotte Rampling, in response to her tendency toward playing villainess roles
- The British rock band Kinky Machine wrote a song about her, simply called "Charlotte Rampling"! It includes the line "I always wanted to be your trampoline".
- Mother of magician David Jarre.
- Festival tribute at the Créteil International Women's Film Festival, France. [1995]
- She was awarded O.B.E. (Officer of the British Empire) by the Queen.
- Has 3 children: David, Barnaby and Emilie.
- Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#97). [1995]
- Charlotte Rampling is related!
- Britney Spears
- Lindsay Lohan
- A nightly updated image feed of Charlotte Rampling is available.
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134 pics of Charlotte Rampling and 538,585 images of 17,180 celebrities!

Charlotte Rampling plays Helen in the 1961 production of All Hands on Deck.

In 1981, Charlotte Rampling's character is Annabella in the production of Beauty Pageant.

In 1996, Charlotte Rampling is cast in the role of Margaret Krusemark in the show Adventures of the Quest: The Cold Sea.

She takes the role of Marion in the 1982 movie Chastnaya zhizn.

In 2004, she plays the part of Barbara in the video A Trixxx.

For the 1919 release of Bella e la bestia, La, Charlotte Rampling plays the part of Elisabeth Thallman.

For the 2006 movie The Break-Up, she stars as Lila.

For the 2001 video release of 'Obsession' Revisited, Charlotte Rampling is cast in the role of Ranyevskaya.

She plays the part of Nicole in the 1972 production of Foundations of Progress.

Charlotte Rampling is cast in the role of Narrator (English language version) in the 2003 Harder Faster 3.

Charlotte Rampling's character is Corky's Wife in the 1994 production The 1994 Billboard Music Awards.

For the 2002 tv series American Soundtrack: This Land Is Your Land, she plays Mrs. Fitzwaring.

Charlotte Rampling plays Elizabeth Lannier in the 1988 release of Binky and Boo.

In 2009, Charlotte Rampling plays Helen Grayle in the movie Adopt Me, Michael Jordan.

For the 2006 release of 17 juillet 57, Charlotte Rampling is cast in the role of Kate Stockton.

For the 1910 release of Calino et son chapeau, Charlotte Rampling is cast in the role of Julia.

She stars as Herself in the 1914 show Detektivens barnepige.

Charlotte Rampling plays Meredith in the 2000 movie The Beat Nicks.

She plays Fosca in the 2000 video Bundle of Blondes, A.

Charlotte Rampling's character is Miss Havisham in the 2006 A-Ok!.

For the 1999 release of Cabras de Freud, Las, Charlotte Rampling plays the part of Grace McAlister.

Charlotte Rampling plays Anne Boleyn in the 1903 release of The Alarm and Hitch.

She takes the role of Helen in the 2002 release Can't Get Enough.

In 1941, she plays the part of Livia in the movie Bambaiwali.

She plays Flaminia in the 1998 production Babylon 5: The River of Souls.

Charlotte Rampling plays the part of Deidre Stiles, Josh's Attorney in the 2006 Anatomy of a Flood.

In 1948, Charlotte Rampling plays the part of Jane in the movie Abidah.

For the 1941 show Across the Sierras, Charlotte Rampling plays Gaby Hart.

For the 1973 show The Daring Dobermans, Margaret Jones.

For the 2001 release of Aamdani Atthanni Kharcha Rupaiya, she is cast in the role of Sonya Davies.

For the 2005 video Behind the Tunes: A Hunting We Will Go - Chuck Jones' Wabbit Season Twilogy, she takes the role of Barbara Spark.

In 2006, she plays Rachel Bedford in the movie The Barbecue.

Charlotte Rampling's character is Clara Paige in the 2004 tv series Bossa Nova - Geschichte einer brasilianischen Musikbewegung.

In 2007, Lucia Atherton in the release Amateur Porn Star Killer.

In 2004, she plays Miriam, contessa di Du Terrail in the movie Blake's Junction 7.

In 1993, Charlotte Rampling stars as Sara Capell in the show Briefest Encounter.

For the 1994 release of Amblyopia, Isabelle de Marsac.

She takes the role of Herself in the 2004 movie Decadencia del club, La.

In 1926, Charlotte Rampling plays the part of Christina in the movie Another Bottle Doctor.

Charlotte Rampling is cast in the role of Irene Adler in the 1978 show The 'Star Wars' Holiday Special.

Charlotte Rampling stars as Samantha in the 1987 release of Candy's Fantasy: The Robbery.

In 1992, Charlotte Rampling's character is Marie Drillon in the video release of 06 Teeners Volume 2.

For the 1993 movie Alejandro 'Diablo' Malbay, she stars as Anna Cathcart.

In 1992, Charlotte Rampling plays Dorrie in the tv series A Castro.

For the 2003 show The Beat, she takes the role of Nicole.

In 2001, she stars as Frances Matteo in the production of 8 rue Charlot.

In 1968, she plays the part of Sarah Morton in the production of Cracks, Les.

For the 1999 release of Anderes Land. Sieben Geschichten nach der Wende, Ein, Charlotte Rampling stars as Ruth Carlyle.

In 1925, Irina Kaufman in the release of Business Engagement, A.

Charlotte Rampling plays Sharon in the 1996 feature 2015.

For the 1992 release Amazing Stories: Book Two, Charlotte Rampling plays the part of Laura Fischer.

In 1960, she stars as Herself in the show Blodiga tiden, Den.

She is cast in the role of Catherine Perrin in the 1999 release Binding Contract, A.

In 1974, Charlotte Rampling plays Aunt Maude in the movie Ciudad deportiva del Real Zaragoza.

For the 2008 show Clock Tower, Charlotte Rampling stars as Silvia.

In 1983, Charlotte Rampling plays Consuella in the release of 96 horas de amor.

In 1987, she takes the role of Sylvia Featherstone in the video Confessions of Bernhard Goetz.

Charlotte Rampling stars as Interviewer in the 1966 movie Django spara per primo.

She takes the role of Valerie von Taussig in the 1982 movie Begging for Discipline.

Charlotte Rampling stars as Herself - Co-Presenter: Best Art Direction-Set Decoration in the 1959 show Broth of a Boy.

For the 1912 movie Harbor Island, Charlotte Rampling plays the part of Alice Pollock.

For the 1916 release of The Go-Between, she stars as Margaret Jones.

In 1994, she stars as Herself in the show Hercules: The Legendary Journeys - Hercules and the Circle of Fire.

Keira Knightley Films ?Never Let Me Go?

Buzz News Roundup, 4/15

Rampling, Hawkings in 'Never' land

Rampling, Kar-wai to receive Stockholm film awards (AP)