For the 1961 production of All Hands on Deck, Charlotte Rampling plays Helen.
Charlotte Rampling plays Annabella in the 1981 production of Beauty Pageant.
Charlotte Rampling plays Margaret Krusemark in the 1996 show Adventures of the Quest: The Cold Sea.
In 1982, Marion in the movie Chastnaya zhizn.
She plays the part of Barbara in the 2004 release A Trixxx.
She plays Elisabeth Thallman in the 1919 production of Bella e la bestia, La.
In 2006, she stars as Lila in the release of The Break-Up.
In 2001, she is cast in the role of Ranyevskaya in the 'Obsession' Revisited.
Charlotte Rampling stars as Nicole in the 1972 show Foundations of Progress.
For the 2003 video release of Harder Faster 3, Charlotte Rampling plays Narrator (English language version).
In 1994, she takes the role of Corky's Wife in the show The 1994 Billboard Music Awards.
For the 2002 show American Soundtrack: This Land Is Your Land, Charlotte Rampling plays Mrs. Fitzwaring.
For the 1988 movie Binky and Boo, Charlotte Rampling is cast in the role of Elizabeth Lannier.
In 2009, Charlotte Rampling's character is Helen Grayle in the movie Adopt Me, Michael Jordan.
She stars as Kate Stockton in the 2006 release of 17 juillet 57.
For the 1910 release of Calino et son chapeau, she plays Julia.
For the 1914 feature Detektivens barnepige, she is cast in the role of Herself.
For the 2000 movie The Beat Nicks, she is cast in the role of Meredith.
For the 2000 video Bundle of Blondes, A, Charlotte Rampling plays the part of Fosca.
For the 2006 release A-Ok!, Charlotte Rampling's character is Miss Havisham.
In 1999, Charlotte Rampling's character is Grace McAlister in the movie Cabras de Freud, Las.
For the 1903 movie The Alarm and Hitch, Charlotte Rampling's character is Anne Boleyn.
She plays Helen in the 2002 release Can't Get Enough.
For the 1941 show Bambaiwali, she plays the part of Livia.
In 1998, she plays Flaminia in the production Babylon 5: The River of Souls.
Charlotte Rampling is cast in the role of Deidre Stiles, Josh's Attorney in the 2006 show Anatomy of a Flood.
She stars as Jane in the 1948 production of Abidah.
In 1941, Charlotte Rampling stars as Gaby Hart in the show Across the Sierras.
In 1973, Charlotte Rampling stars as Margaret Jones in the movie The Daring Dobermans.
Charlotte Rampling plays Sonya Davies in the 2001 feature Aamdani Atthanni Kharcha Rupaiya.
For the 2005 video release of Behind the Tunes: A Hunting We Will Go - Chuck Jones' Wabbit Season Twilogy, Charlotte Rampling plays Barbara Spark.
Charlotte Rampling's character is Rachel Bedford in the 2006 movie The Barbecue.
For the 2004 tv series Bossa Nova - Geschichte einer brasilianischen Musikbewegung, Charlotte Rampling plays Clara Paige.
Charlotte Rampling stars as Lucia Atherton in the 2007 release Amateur Porn Star Killer.
For the 2004 movie Blake's Junction 7, Charlotte Rampling's character is Miriam, contessa di Du Terrail.
In 1993, she is cast in the role of Sara Capell in the production Briefest Encounter.
In 1994, Charlotte Rampling plays Isabelle de Marsac in the show Amblyopia.
For the 2004 release of Decadencia del club, La, she is cast in the role of Herself.
She is cast in the role of Christina in the 1926 show Another Bottle Doctor.
She is cast in the role of Irene Adler in the 1978 The 'Star Wars' Holiday Special.
For the 1987 feature Candy's Fantasy: The Robbery, Samantha.
In 1992, Charlotte Rampling plays the part of Marie Drillon in the video release of 06 Teeners Volume 2.
For the 1993 movie Alejandro 'Diablo' Malbay, Charlotte Rampling's character is Anna Cathcart.
Charlotte Rampling plays Dorrie in the 1992 A Castro.
In 2003, Nicole in the movie The Beat.
In 2001, Charlotte Rampling plays the part of Frances Matteo in the feature 8 rue Charlot.
In 1968, she takes the role of Sarah Morton in the production of Cracks, Les.
In 1999, she stars as Ruth Carlyle in the show Anderes Land. Sieben Geschichten nach der Wende, Ein.
In 1925, she stars as Irina Kaufman in the movie Business Engagement, A.
For the 1996 feature 2015, she plays Sharon.
For the 1992 Amazing Stories: Book Two, Charlotte Rampling stars as Laura Fischer.
In 1960, Charlotte Rampling plays Herself in the feature Blodiga tiden, Den.
Charlotte Rampling stars as Catherine Perrin in the 1999 video release of Binding Contract, A.
Charlotte Rampling stars as Aunt Maude in the 1974 movie Ciudad deportiva del Real Zaragoza.
For the 2008 movie Clock Tower, Charlotte Rampling plays the part of Silvia.
For the 1983 movie 96 horas de amor, Consuella.
For the 1987 video Confessions of Bernhard Goetz, she takes the role of Sylvia Featherstone.
For the 1966 production of Django spara per primo, Charlotte Rampling plays Interviewer.
In 1982, she stars as Valerie von Taussig in the movie Begging for Discipline.
In 1959, she is cast in the role of Herself - Co-Presenter: Best Art Direction-Set Decoration in the show Broth of a Boy.
In 1912, Charlotte Rampling stars as Alice Pollock in the production of Harbor Island.
For the 1916 release of The Go-Between, Charlotte Rampling plays Margaret Jones.
In 1994, Charlotte Rampling stars as Herself in the show Hercules: The Legendary Journeys - Hercules and the Circle of Fire.
Rampling, Kar-wai to receive Stockholm film awards
(AP)
AP - Actress Charlotte Rampling and director Wong Kar-wai will receive awards for their contributions to modern cinema at the Stockholm International Film Festival. on 2008-10-23 04:45:15
"Thanatos" wrote in message
news:atropos-5602CE.21455318032008@news.giganews.com...
> In article
> ,
> TranslucentAmoebae wrote:
possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/
responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/
> difference?
He can't tell you...too drunk.
http://www.dailymail.co.uk/pages/live/articles/showbiz/showbiznews.html?in_a
rticle_id=367175&in_page_id=1773
'It's hard to be perfect'
by ESTHER SWALES, Mail online
Kirsten Dunst, star of new romantic comedy Elizabethtown, is just as petite
and elfin face-to-face as she appears on screen. Dressed in red, with black
tights and shoes, her impossibly slim 5ft 7in frame is elegantly folded into
an armchair in London's Dorchester hotel suite.
Looking incredibly fresh the morning after she wowed the crowds of Leicester
Square at the London premiere of Elizabethtown, her face is framed by a
layered blonde fringe and bob, and her piercing blue eyes are smiley and
alert.
One of the main themes in the film revolves around being positive - and the
impact it has on success and love. But in reality, unlike her effervescent
onscreen character, she admits co-star Orlando Bloom was usually more upbeat
than she was.
"I try to be positive, but I wouldn't be human if I didn't have a bad day,"
she says. "But it's funny because Orlando is always really positive and
happy, but he was playing someone depressive. I was the one playing somebody
who was positive - which is exhausting after a while and really depressing!
So I found it actually very draining to be that kind of perfect person."
Kirsten hadn't worked with Orlando before, but soon discovered that he was a
"really great person". However despite admitting she "really does care for
him" she is quick to dispel any of the rumours in circulation about an
off-screen romance.
Often hitting the US showbiz columns with gossip about the latest twist and
turn in her on-off relationship with actor Jake Gyllenhaal, Kirsten says she
needs commitment in her relationships.
"I think I'm definitely a serial-monogamous type of girl, you know," she
admits. "I'm a relationship kind of person."
'I had a big crush'
But despite being in the enviable position of sharing intimate moments with
heartthrob Orlando, she doesn't rate him as the best on-screen kiss she's
had. So out of all of her leading men, who could it be? Tobey Maguire? Paul
Bettany?
"Actually my best kiss on screen wasn't any of them," she laughs.
"I had a big crush on Josh Hartnett when I was doing the Virgin Suicides, so
for me that was so nerve-wracking... it may not have been the best kiss, but
it was great because I actually had a crush on him."
She adds mischievously: "But they're all really great guys so I can't really
say!"
Kirsten is one of only a few child stars who've made their career on the big
screen beyond the age of 10. At the tender age of six she made her name in
Woody Allen's New York Stories, playing Mia Farrow's daughter, and later
went on to star in Interview With The Vampire alongside Tom Cruise and Brad
Pitt. With 45 films to her name by the age of 23, she isn't doing badly.
Most recently starring in Spider-Man and Mona Lisa Smile, Kirsten has tried
her hand at everything, from the fantasy of Jumanji to the drama of The
Cat's Meow and rom-com Wimbledon.
But despite her years of experience, she admits there is still much to learn
from older actresses such as Susan Sarandon, who plays Hollie Baylor, the
recently-widowed mother of Drew (Orlando Bloom).
"I definitely admire her. I admire her as a woman," Kirsten reveals.
"I didn't really work with her much on this film but I also worked with her
when I was younger on Little Women. I just love how she's not afraid to say
what's on her mind. And she's so sexy and really smart."
Kirsten is sparkly, smart, successful and adored by millions of fans. So
does she ever get starstruck?
"I think I would be if I met Joni Mitchell," she says. "I want to meet her
and I know I would be very stuttering.
"I met Charlotte Rampling last night - she's another person that I think
'I'm such a great fan of yours!' and then feel such a dork!"
She pauses and laughs. "But, it's better to be a dork than to be cool, I
guess!"
On Thu, 08 Jul 2004 10:35:28 -0400, E Varden
wrote:
>Michael wrote:
>their "Poosy Galore"-type roles...
>Pe (Who thinks an early Charlotte Rampling would've been a hot Bond
>broad.)
Good choice. Have you ever seen the tiny glimpse of her in Richard
Lester's "The Knack...And How To Get It" (1965)? She's one of
waterskiers behind Tolen's boat.
I always thought Sharon Tate would have been the ultimate Bond Girl.
Then again, I think she was the most beautiful woman in the world in
her time. Just a stunning, stunning woman.
"Zeb Quinn" wrote in message
news:2fb0d153.0402271046.24e35181@posting.google.com...
> "Ambrose" wrote in message
news:...
> but a few years ago:
I'm totally with you on Kim Darby. I loved everything she ever did.
Ambrose
OYES! (And I can't quite figure out why: I just enjoy it.)
And at the other end of the age spectrum, that pencil Amanda Bynes.
And the grumpy daughter in AbFab, wotsername, darling? You know the
one I mean, she was here just a moment ago. The one with the
glasses, darling! Saffy, that's right, sweetie!
Pe
"Janet" wrote in message
news:gFjjd.7297$O11.4351@newsread3.news.pas.earthlink.net...
> news:b85819de.0411051456.68867b5b@posting.google.com...
> news:...
> http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
> Sarandon,
> Has
> remember
> Bening's
> can
> drunk.
> she
> walked
> returning
> for
> values
> Walking"
> opposite
> undoubtedly
> playing a
> named
> actresses
> hope
> get
> 50,
> plays
> mambo
> is
> merely
> of
> made
Not to mention, I would say she is passed "middle-aged" unless she is going
to live to 116.
"Jule" wrote in message
news:b85819de.0411051456.68867b5b@posting.google.com...
> "Rick in Oz" wrote in message
news:...
http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
Sarandon,
Has
remember
Bening's
can
drunk.
she
walked
returning
for
values
Walking"
opposite
undoubtedly
playing a
named
actresses
hope
get
50,
plays
mambo
is
merely
of
made
> There must be some kind of brain removal requirement to be a
> journalist.
> better angle, like oh, I don't know...the fact that writers need to
> write the damn roles for the actresses? Blaming human females for
> aging, something they can't control, instead of the way scripts are
> done, something that CAN be controlled...hmmm...gee, that makes SO
> much sense.
LOL. As if writers HAD to write roles for fugly old actresses.
http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
.htm
Dig at Sarandon sums up the plight of many middle-aged actresses
BY JAMI BERNARD
New York Daily News
In humor, there is often truth. So let's examine the cruel joke from the
all-marionette "Team America: World Police," which satirizes Susan Sarandon,
58, as an actress whose talent is dwindling as she ages. Ouch!
It's not unheard-of for people to lose their fire as the years creep by. Has
it happened to Sarandon?
First consider that older actresses have a hard time of it. If you remember
Bette Davis and Joan Crawford in their horror-movie humiliations of the
`60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't
necessarily memorable work.
Other actresses have faded away or disappeared. Annette Bening, 46, only
recently returned from a child-raising hiatus to star in "Being Julia,"
about an older actress who trumps an "All About Eve"-like newcomer. Bening's
movie says talent marinates over time.
There's marinade, and then there's rust. An ill-advised comeback vehicle can
cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a drunk.
Where are the actresses of yesteryear? Last we heard of Geena Davis, 48, she
had taken up Olympic archery. (Okay, she was also in the "Stuart Little"
movies.) She was sunk by the pirate movie "Cutthroat Island" and has walked
a lonely plank ever since.
Debra Winger, 49, stomped off the bandwagon nearly a decade ago, returning
in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known for
inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002
documentary about the plight of actresses over 40 in an industry that values
youth and the Y chromosome.
Sarandon has stayed visible, but some of her choices have been peculiar
since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking"
(1995). Her highest-profile movie since then has been "Stepmom." In this
melodrama, her character dies nobly (cough! cough!) of a dread disease,
which clears the way for Julia Roberts' character. (It takes the opposite
tack to "Being Julia.")
Sarandon has two movies this fall: "Alfie" and "Shall We Dance?," both
sensible choices. But they're no "Vera Drake," a movie that will undoubtedly
bring British actress Imelda Staunton, 48, an Oscar nomination for playing a
woman in her 50s. Staunton was so good that writer-director Mike Leigh named
his untitled project after her character.
Granted, "Vera Drake" is a once-in-a-lifetime plum. But not all actresses
can count on a director like Leigh to come along. And they can't all hope
for the kind of European sensibility that enables older actresses - like
Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to
thrive.
If middle-aged American actresses want to stay viable, they've got to get
big roles in small movies, or decent roles in big ones. Kim Basinger, 50,
got a second wind with the summer movie "Cellular," but she was rarely
onscreen with youthful co-star Chris Evans. "Cellular" played like two
movies in one, an increasingly common ploy to attract a mixed-generation
audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays
Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo
instructor.)
The joke in "Team America" is more pointed. Is the problem that Sarandon is
choosing unwisely by making films like the cringe-inducing "The Banger
Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become merely
a paycheck for her? Did "Rugrats 2" do her in?
Our best guess - the kindest, anyway - is that there's a tipping point,
after which mediocre roles and competing priorities lead to a lessening of
effort over time. And you know what that means - jokes at one's expense made
by marionettes.
From Sunny Oz, Rick :)
Proud Keeper of the talented & beautiful Halle Berry.
---
"Rick in Oz" wrote in message
news:akNid.186$uc.6094@nnrp1.ozemail.com.au...
> http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
> .htm
> In humor, there is often truth. So let's examine the cruel joke from the
> all-marionette "Team America: World Police," which satirizes Susan
> Sarandon,
> 58, as an actress whose talent is dwindling as she ages. Ouch!
> Has
> it happened to Sarandon?
> remember
> Bette Davis and Joan Crawford in their horror-movie humiliations of the
> `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't
> necessarily memorable work.
> recently returned from a child-raising hiatus to star in "Being Julia,"
> about an older actress who trumps an "All About Eve"-like newcomer.
> Bening's
> movie says talent marinates over time.
> can
> cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a
> drunk.
> she
> had taken up Olympic archery. (Okay, she was also in the "Stuart Little"
> movies.) She was sunk by the pirate movie "Cutthroat Island" and has
> walked
> a lonely plank ever since.
> in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known
> for
> inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002
> documentary about the plight of actresses over 40 in an industry that
> values
> youth and the Y chromosome.
> since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking"
> (1995). Her highest-profile movie since then has been "Stepmom." In this
> melodrama, her character dies nobly (cough! cough!) of a dread disease,
> which clears the way for Julia Roberts' character. (It takes the opposite
> tack to "Being Julia.")
> sensible choices. But they're no "Vera Drake," a movie that will
> undoubtedly
> bring British actress Imelda Staunton, 48, an Oscar nomination for playing
> a
> woman in her 50s. Staunton was so good that writer-director Mike Leigh
> named
> his untitled project after her character.
> can count on a director like Leigh to come along. And they can't all hope
> for the kind of European sensibility that enables older actresses - like
> Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to
> thrive.
> big roles in small movies, or decent roles in big ones. Kim Basinger, 50,
> got a second wind with the summer movie "Cellular," but she was rarely
> onscreen with youthful co-star Chris Evans. "Cellular" played like two
> movies in one, an increasingly common ploy to attract a mixed-generation
> audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays
> Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo
> instructor.)
> is
> choosing unwisely by making films like the cringe-inducing "The Banger
> Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become
> merely
> a paycheck for her? Did "Rugrats 2" do her in?
> after which mediocre roles and competing priorities lead to a lessening of
> effort over time. And you know what that means - jokes at one's expense
> made
> by marionettes.
> Proud Keeper of the talented & beautiful Halle Berry.
To be blunt, the problem is that studios won't make a movie that stars a
female that an 18 year old boy wouldn't masterbate to. Spunk equals sequel.
"Rick in Oz" wrote in message news:...
> http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
> .htm
> In humor, there is often truth. So let's examine the cruel joke from the
> all-marionette "Team America: World Police," which satirizes Susan Sarandon,
> 58, as an actress whose talent is dwindling as she ages. Ouch!
> it happened to Sarandon?
> Bette Davis and Joan Crawford in their horror-movie humiliations of the
> `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't
> necessarily memorable work.
> recently returned from a child-raising hiatus to star in "Being Julia,"
> about an older actress who trumps an "All About Eve"-like newcomer. Bening's
> movie says talent marinates over time.
> cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a drunk.
> had taken up Olympic archery. (Okay, she was also in the "Stuart Little"
> movies.) She was sunk by the pirate movie "Cutthroat Island" and has walked
> a lonely plank ever since.
> in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known for
> inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002
> documentary about the plight of actresses over 40 in an industry that values
> youth and the Y chromosome.
> since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking"
> (1995). Her highest-profile movie since then has been "Stepmom." In this
> melodrama, her character dies nobly (cough! cough!) of a dread disease,
> which clears the way for Julia Roberts' character. (It takes the opposite
> tack to "Being Julia.")
> sensible choices. But they're no "Vera Drake," a movie that will undoubtedly
> bring British actress Imelda Staunton, 48, an Oscar nomination for playing a
> woman in her 50s. Staunton was so good that writer-director Mike Leigh named
> his untitled project after her character.
> can count on a director like Leigh to come along. And they can't all hope
> for the kind of European sensibility that enables older actresses - like
> Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to
> thrive.
> big roles in small movies, or decent roles in big ones. Kim Basinger, 50,
> got a second wind with the summer movie "Cellular," but she was rarely
> onscreen with youthful co-star Chris Evans. "Cellular" played like two
> movies in one, an increasingly common ploy to attract a mixed-generation
> audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays
> Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo
> instructor.)
> choosing unwisely by making films like the cringe-inducing "The Banger
> Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become merely
> a paycheck for her? Did "Rugrats 2" do her in?
> after which mediocre roles and competing priorities lead to a lessening of
> effort over time. And you know what that means - jokes at one's expense made
> by marionettes.
> Proud Keeper of the talented & beautiful Halle Berry.
>
There must be some kind of brain removal requirement to be a
journalist.
There are already a million articles about this. Can't anyone find a
better angle, like oh, I don't know...the fact that writers need to
write the damn roles for the actresses? Blaming human females for
aging, something they can't control, instead of the way scripts are
done, something that CAN be controlled...hmmm...gee, that makes SO
much sense.
Offbeat roles have served this striking actress well, but none so much as the concentration camp survivor of The Night Porter (1974), improbably reunited with the SS guard who raped and tortured her throughout her captivity. Graphic and uncompromising, the film unnerved many moviegoers, and marked another departure from the conventional by the slender, coolly attractive Rampling. She'd first impressed viewers with her supporting role as Lynn Redgrave's roommate in the 1966 hit Georgy Girl and achieved some notoriety three years later for her performance in Luchino Visconti's The Damned (1969), chillingly believable in that tale of moral and spiritual decadence. Her turn in The Night Porter fixed her in moviegoers' minds as an actress unafraid to bare herself-emotionally and spiritually as well as physically-in daring characterizations. She costarred with Sean Connery in the sci-fi film Zardoz (1974), and appeared opposite Robert Mitchum (playing detective Philip Marlowe) in Farewell, My Lovely (1975), perfectly cast as an exotic, enigmatic femme fatale. Woody Allen had her play a mentally disturbed actress in his bleak Stardust Memories (1980). In The Verdict (1982), she portrayed a mercenary temptress hired to spy on lawyer Paul Newman; in Angel Heart (1987), she was an occult expert queried by private eye Mickey Rourke, who later finds her dead body sans heart. But Rampling's strangest film is certainly Max, My Love (1986), in which she takes a chimpanzee for a lover.
"Difficult acting with a chimp? No, no. The emotions were the same. In a way it was like playing opposite Paul Newman. The chimpanzee reacted differently, that's all."
"I'd rather be thought of like that than to play Mary Poppins." -- Charlotte Rampling, in response to her tendency toward playing villainess roles
The British rock band Kinky Machine wrote a song about her, simply called "Charlotte Rampling"! It includes the line "I always wanted to be your trampoline".
Mother of magician David Jarre.
Festival tribute at the Créteil International Women's Film Festival, France. [1995]
She was awarded O.B.E. (Officer of the British Empire) by the Queen.
Has 3 children: David, Barnaby and Emilie.
Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#97). [1995]
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