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Geena Davis Filmography
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For the 2004 production of Bazuka, Herself (Winner, Best Supporting Actress).
For the 1994 video Anal Planet, Geena Davis plays Herself (Presenter/Past Winner).
Geena Davis plays the part of Muriel Pritchett in the 1971 feature Bhale Papa.
In 1966, Geena Davis stars as Herself in the show Blauwe olifant, De.
Herself in the 2005 show Beneath the Mississippi.
She takes the role of Angie Scacciapensieri in the 1986 feature Babua Hamaar.
In 1978, she plays the part of Barbara in the feature Auf freiem Fuss.
For the 2001 video Barbie, Geena Davis's character is Morgan Adams.
In 1999, Geena Davis's character is Herself in the show Cronaca di un ricatto.
In 1990, Geena Davis stars as Valerie in the movie Antigone.
She stars as Larry in the 1999 production The 100 Greatest TV Moments.
For the 2006 movie Corndog of Tolerance, Geena Davis stars as Veronica Quaife.
Geena Davis plays Gale Gayley, Channel 4 News Reporter in the 2005 release 99 Women: Jess' Women.
In 2003, she is cast in the role of Dottie Hinson in the show The Brotherhood.
For the 1931 show Akebono no uta, Geena Davis plays the part of Samantha Caine/Charly Baltimore.
For the 1922 feature The Fable of Fearless Fido, Geena Davis plays Woman/Deadly Sin (Video "It's a Sin").
For the 1984 show Arante Mulla Kochu Mulla, she plays the part of Phyllis Potter.
For the 2002 video Barefoot Confidential 22, Geena Davis plays the part of Tamara Reshevsky/Brenda.
In 1998, she plays the part of Julia Mann in the show Britanski gambit.
For the 1937 feature Beleet parus odinokiy, she plays Mrs. Eleanor Little.
In 2000, Geena Davis plays Mrs. Eleanor Little in the movie Another Happy Tear.
Geena Davis plays the part of Herself in the 1951 feature Djerdap.
For the 2006 release of Chennaiyil Oru Mazhaikaalam, she is cast in the role of April Page.
Geena Davis plays Odette in the 1994 show Bharanakoodam.
In 2001, Geena Davis plays Wendy Killian (1983-1984) in the video Cum Sucking Whore Named Adriana Sage, A.
In 2003, she takes the role of Teddie Cochran (2000-2001) in the video Dvda.
For the 1963 The Fixers, Sara McKenna (1985).
For the 1929 show Beneath the Law, she plays the part of Herself - Presenter: Best Actor in a Supporting Role.
She is cast in the role of Herself - Presenter: Scientific & Technical Achievement Awards in the 1896 movie Barcelos.
Herself in the 2006 release Dick Puppets.
For the 1951 show Debla, la virgen gitana, she is cast in the role of Herself - Presenter: Best Film Editing.
For the 1921 movie Bit Old Fashioned, A, she is cast in the role of Herself - Presenter: Best Original Dramatic Score.
For the 1956 release of Ha pasado un hombre, Geena Davis plays Barbara.
Image buys Geena Davis dark comedy
Film News: Acquires domestic rights to 'Accidents Happen' -- Image Entertainment has acquired North American rights to "Accidents Happen," starring Geena Davis.
on 2009-11-08 04:45:59
Geena Davis speaks at Maine college's graduation
Actress Geena Davis says it's critical that young people see more women in movies and TV.
on 2009-06-02 04:52:20
24's President Haysbert Is Top Fictional Leader.
24's President Haysbert Is Top Fictional Leader.... 24 star Dennis Haysbert has been voted Favourite On-Screen President for his portrayal of President David Palmer in the hit action series. The TV star beat off stiff competition from Geena Davis as Presi
on 2008-10-23 04:48:40
Geena Davis Filming Halted By Australian Residents.
Geena Davis Filming Halted By Australian Residents.... Hollywood actress Geena Davis has had filming for her forthcoming movie cut short - because residents in an upmarket Sydney, Australia suburb launched a campaign to stop the crew shooting in the area.
on 2008-06-27 07:14:46
Australians Campaign To Ban Davis.
Australians Campaign To Ban Davis.... Hollywood actress Geena Davis is facing disruption on the set of her new movie - residents in an upmarket Sydney, Australia suburb have launched a campaign to stop the crew filming in the area. The Thelma & Louise
on 2008-06-21 05:01:07
'Accidents' adds to cast
Players: Geena Davis leads film -- Joel Tobeck, Sebastian Gregory, Sarah Woods, Rebecca Massey and Erik Thomson have joined the cast of indie dark comedy ?Accidents Happen,? which toplines Geena Davis.
on 2008-06-12 12:47:12
Geena Davis and Matthew Lillard as siblings? We like it!
I love pilot season, and all the new (potentially failing) pairings it brings. Today, I spotted a casting that got me truly excited, which is odd because individually, neither of the people involved does. According to The Hollywood Reporter, the...
on 2008-04-04 20:45:49
CBS takes "Exit 19" with Geena Davis
(Reuters)
Reuters - CBS has green-lighted
"Exit 19," a drama pilot starring Geena Davis as a quirky
homicide detective.
on 2008-03-19 04:46:42
Networks continue short pilot season
Pilot Watch: Davis, Mason, '90210' set for fall consideration -- Geena Davis is returning to TV, Marsha Mason is headed to the CW and Fox has greenlit another pilot.
on 2008-03-19 00:47:54
Geena Davis tapped for CBS pilot
TV News: 'Thelma' actress to play detective on 'Exit 19' -- Geena Davis is set to return to television, signing on to topline the just-greenlit CBS drama pilot presentation "Exit 19."
on 2008-03-18 16:50:51
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http://news.yahoo.com/i/529;_ylt=A9FJqY_YAWpE6jsAGwtb.nQA;_ylu=X3oDMTA5aHJvMDdwBHNlYwN5bmNhdA--
By DAVID BAUDER, AP Television Writer
2 hours, 22 minutes ago
NEW YORK - ABC is moving its hottest show, "Grey's Anatomy," to
Thursdays in the fall as part of an aggressive schedule that will bring
at least 15 new series to the air next season.
Ted Danson, Taye Diggs, Calista Flockhart, Anne Heche, David
Arquette and Rachel Griffiths are among the stars that will appear in
new ABC series, the network announced Tuesday.
ABC has also left the newsmagazine "Primetime" off its fall schedule
for the first time since its introduction in 1989. But ABC News said
"Primetime" will remain in production for specials, limited-run series
and perhaps as a replacement for a failed entertainment program.
ABC is the only one of the major networks to increase its ratings over
last year on the strength of hits "Grey's Anatomy," "Desperate
Housewives" and "Lost." But the rest of its schedule was weak, forcing
the network to make an uncommonly large number of pilots.
Moving the medical soap "Grey's Anatomy" to 9 p.m. Thursdays sets up a
battle with one of TV's most popular shows, "CSI: Crime Scene
Investigation" on CBS, and NBC's most-touted new series, "Studio 60 on
the Sunset Strip."
"There's a lot of history of big shows going up against one another and
there's plenty of room for both," said Steve McPherson, ABC
entertainment president.
ABC canceled "Commander in Chief," leaving Geena Davis as a one-year
president, although a two-hour movie may be made with the same cast.
"Invasion," "Hope & Faith," "Jake in Progress" and "Sons and Daughters"
were among the other shows left off the schedule.
Flockhart and Griffiths star in "Brothers & Sisters," a drama about a
maladjusted family. Danson is a self-help guru going through a midlife
crisis in the comedy "Help Me Help You," Heche is a relationship
counselor who moves to Alaska in the drama "Men in Trees" and Diggs is
in "Day Break," a thriller that uses elements of the movie " Groundhog
Day."
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What is ABC thinking about with this series? West Wing didn't do well
enough? They need to find work for Geena Davis and Donald Southerland?
Geena and Donald getting desparate? I give it one season...and I like
Geena.
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"Fiona McQuarrie" wrote in message news:dghmbl$9q5$3@morgoth.sfu.ca...
> In alt.showbiz.gossip r wiley wrote:
> what she probably means is tht *she* hasn't been the central character in
> a TV show since 1998.
>
You are right. In fact Bette Midler and Geena Davis'>Geena Davis each
headlined a show in 2000-2001. Neither show was renewed for
the 01-02 season. Geena Davis'>Geena Davis has another show starting this
season.
rw
Shepherd may have meant, but did not say, prime time network
show. Even someone totaly self centered must be aware of
Oprah Winfrey.
rw
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http://www.smh.com.au/news/Film/Hero-worship/2005/06/03/1117568361528.html?o
neclick=true
Hero worship
By Bruce Elder
June 4, 2005
Comic relief: Batman is descended from the Homeric hero, but offers a
rose-tinted view of the world in which truth and justice are easily
achievable goals.
The names and faces may change, but Hollywood has a lasting love affair with
warriors who embody wisdom, strength and courage in the face of evil.
It has not been a good year for old-style heroes. Hector (Eric Bana),
Achilles (Brad Pitt) and Paris (Orlando Bloom) all died an early death at
the box office courtesy of Troy. Ridley Scott's crusader epic, Kingdom of
Heaven, with a budget of $US130 million ($171 million), and Orlando Bloom
and Liam Neeson leading the charge, has made only $US41 million after three
weeks and is fading fast.
Oliver Stone's Alexander, with an estimated budget of $US150 million and a
raft of high-profile actors - including Anthony Hopkins, Colin Farrell and
Angelina Jolie - faltered at the US box office after earning a paltry
$US34.3 million, even though it opened on 2445 screens.
Still, Hollywood persists. The people who control the comic and pulp fiction
superhero franchises, which have served the American movie machine so well
in the past, still believe they have a lucrative and responsive market. Will
they succeed? By this time next year we will know for sure.
Later this month Batman Begins (with Christian Bale in the title role) will
try to reverse the trend. Already in production is Superman Returns with
Brandon Routh, which is due out in July next year. And it seems certain that
a new James Bond (played by Jude Law, perhaps) will attempt to make the
43-year-old franchise relevant next year by offering audiences Casino
Royale, the 21st movie in the series. Of course, none of this can be
dismissed as an irrational rush of blood on the part of Hollywood
financiers. There seems to be a calculating, hard-nosed logic to the movie
capital's enduring commitment to old-style heroic epics and previously
lucrative superhero franchises.
The world is at war - or at least George Bush is telling the world it is at
war. Conventional heroes are in short supply. The war in Iraq has not
produced a single person to match the heroic status of Stormin' Norman
Schwarzkopf of the first Gulf War a decade earlier. There is a need to find
heroes who can save the world and make it safe.
That epic to beat all epics, Lord of the Rings, has earned more money than
Donald Trump. Frodo and Gandalf have become role models for small people and
whiskery, aged people alike. And Star Wars is still filling swimming pools
with barrow-loads of money at Skywalker Ranch.
So what has gone wrong? What happened to the old-style celluloid epic hero?
Is it true that in a digital age audiences are more excited by 20,000
digitally created warriors than a screen heart-throb standing tall and
behaving honourably? Or have we simply become sick of Hollywood foisting
upon us muscled men in short skirts uttering monosyllabic banalities?
These questions swirl around the recent epic film failures - especially
Troy. If any film of this genre was going to succeed, surely this was the
one that had "gold-plated" written over every spear, arrow and the naked
bottoms of Brad Pitt and Diane Kruger. However, it couldn't retrieve its
$US185 million budget; it collapsed at the US box office with returns of
about $133 million.
The story of Troy, based on Homer's Iliad, was the archetype for nearly all
western epics and the near-invincible and god-like Achilles was the
quintessential hero. But Hollywood miscast Brad Pitt. "Oh dear!" audiences
around the world thought, "If heroes have come to this, then maybe we're
better off with boneheaded, pratfalling heroes such as Greg Focker (Ben
Stiller) and Longfellow Deeds (Adam Sandler). Maybe we should be grateful
that at least we have the spectacle of tens of thousands of spear-waving
pixillated ciphers when we waste our time going to a bad costume epic."
That's the issue. Have we reached a point where the bumbling, fumbling
incompetent (think of the irritating Mr Incredible in The Incredibles, which
earned more than its $US92 million budget within a week of release in the
US) is more attractive than the man of action? Have we, against all the
persuasive marketing power of Hollywood, turned our backs on the classic
heroes?
Troy and Achilles (and Brad Pitt) lie at the heart of any discussion about
heroes because, as the Oxford Dictionary points out, when the word "hero"
entered the English language in the 14th century it meant: "A name given (as
in Homer) to men of superhuman strength, courage, or ability, favoured by
the gods ... regarded as intermediate between gods and men, and immortal." A
definition, interestingly, that would comfortably apply to Superman,
Spiderman, Batman, the Phantom et al.
Over the next three centuries, the term broadened to include any "man who
exhibits extraordinary bravery, firmness, fortitude, or greatness of soul,
in any course of action, a man admired and venerated for his achievements
and noble qualities". This definition pretty much includes all those
monosyllabic western heroes depicted by John Wayne, Gary Cooper, Randolph
Scott and Audie Murphy, as well as characters of great moral courage such as
John Proctor (Daniel Day-Lewis) in The Crucible and Juror No. 8 (Henry
Fonda) in 12 Angry Men.
Hollywood saw heroes in simple terms. They were the goodies put on Earth to
fight baddies. Heroes ensured that the baddies were defeated, the girl was
saved, disaster averted and the world returned to decency and stability.
The most cliched manifestation of the "goodie" hero was Alan Ladd in Shane
(1953). He wore white buckskins, was filmed from a low angle against a blue
sky and did "what a man's got to do" in silent dignity before riding into
the distance.
By contrast, the hired killer Jack Wilson, played by Jack Palance, wore
black, was so evil his presence terrified the local dog (in one of the great
cinematic scenes) and shot harmless innocents who ended up face down in the
mud outside the saloon.
This was both the cliche and the archetype. As Andrew Bernstein writes in
The Philosophical Foundations of Heroism: "It is not an accident that,
historically, most of mankind's heroes have been great warriors. This is so
because men have recognised implicitly that there are a special few who take
on all comers to achieve their ends. The designation 'hero' is a moral
approbation reserved for this elite."
With this traditional concept of the hero in mind, the movie industry has
embraced five discernable heroic types.
The most widely accepted is the hero as a man of action. This is the cliched
vision of the Hollywood hero. This includes Mad Max, John J. Rambo (in the
later movies), Rocky Balboa, the Terminator and any Stan Lee comic hero
lucky enough to make the big screen. These heroes are invariably played by
good-looking actors - although how vertically challenged people such as Alan
Ladd (who, according to legend, had to stand on a box to kiss his leading
lady and almost needed a ladder to get on his horse) and Tom Cruise fit the
definition is a mystery. Equally vexing is the presence of Arnie
Schwarzenegger, Vin Diesel, Sylvester Stallone and Jean-Claude Van Damme.
Bernstein explains this love of gleaming muscles, however, when he observes,
"The hero is valorous because he stands up to every threat directed against
his values." The values espoused by Rocky, Rambo and their pals are nothing
more than good versus evil, which, in Hollywood terms, means anyone
(communists, terrorists, international criminals, psychopaths) who dares to
challenge the American way.
There is the hero as a man of wisdom. At its most banal, this is the martial
arts master Kesuke Miyagi (Pat Morito) in The Karate Kid. In recent times it
has found its finest flowering in Gandalf (Ian McKellen) in The Lord of the
Rings trilogy and Ben Obi-Wan Kenobi (Alec Guinness and Ewan McGregor) in
the Star Wars movies.
All these characters are derived from seers and mystics in myths and
legends, the best-known example being Merlin in the King Arthur legend. As
Bernstein writes, "It is the antagonism he faces that calls forth one of a
hero's most salient moral characteristics: his courage."
Courage, in the case of the macho heroes, is physical courage in the face of
danger. However, it is no less potent when the man of wisdom risks his life
to protect and retain a sense of goodness and decency in the world.
The hero as a man of silence is one of the most enduring and compelling
cinema images. Akira Kurosawa's 1954 masterpiece, The Seven Samurai,
explored this idea with the silent samurai and, in turn, this led to the
role of the knife-wielding Britt (James Coburn) in The Magnificent Seven and
reached its nadir in Joe, sometimes known as the Man With No Name, played by
Clint Eastwood in Sergio Leone's spaghetti western trilogy. The appeal of
this kind of hero teeters on the edge of fantasy. It certainly plays to an
unrealistic notion of human behaviour. Bernstein writes this is pure
courage, which he defines as "mental or moral strength to venture,
persevere, and withstand danger, fear or difficulty".
The hero as fantasy figure or comic-book fighter is a modern American
variation on the Homeric hero. Although the settings approximate to modern
America (Metropolis and Gotham City are both remarkably similar to New
York), the rest of the story is pure wish fulfilment. Cinematic comic-book
heroes offer a rose-tinted image of America where individuality, freedom,
decency, fairness and justice are achievable goals.
The first television Superman (George Reeves), for example, was promoted as
a man who "fights a never-ending battle for Truth, Justice and the American
Way", but, given that this was 1950s America, he never ventured into
segregated Mississippi or Arkansas to fight for justice or truth for
African-Americans. Equally, Batman is solely interested in meting out
revenge to cartoon criminals with names such as the Joker, the Riddler,
Catwoman and the Penguin.
The hero as the suave, clever sophisticate is rooted in swinging 1960s
London and is reserved almost entirely for James Bond. The Americans have
never been able to match Bond's cool style and the screen character has
never been played by an American. David Niven, Sean Connery, Timothy Dalton,
George Lazenby (a bizarre Aussie exception), Roger Moore and Pierce Brosnan
have all had a bash at being sophisticated in a very British kind of way.
While these kinds of heroes have dominated the screen, it is interesting
that: (a) they never encompass the idea of the female heroine; (b) they have
little time for the antihero, and; (c) they rarely reach beyond the easy
cliche of strength, good looks and simple courage.
This is a fascinating insight into Hollywood's determination to persist with
formulas while ignoring the evidence. In 2003, for example, the American
Film Institute polled 150 directors, actors, screenwriters, critics and film
historians to determine the great heroes and villains of the American
cinema. The winner was not some pectoral-flexing, square-jawed macho man,
but a middle-aged widower who, as a single parent, tried to look after two
children and constantly felt he wasn't much good as a parent - Atticus Finch
(Gregory Peck) in To Kill a Mockingbird.
The same survey found that, in the '90s, the dominant heroes were not action
men but unassuming women such as Erin Brockovich (Julia Roberts) in the film
of the same name, Thelma (Geena Davis) and Louise (Susan Sarandon), Marge
Gunderson (Frances McDormand) in Fargo and Clarice Starling (Jodie Foster)
in The Silence of the Lambs.
Bernstein says: "Courage does not necessarily require the confronting of
physical danger, but it does involve more than facing extreme difficulty ...
Courage is integrity in a context: it is unyielding commitment to one's
values in the teeth of a force or foe that threatens them ... This bravery
is the especial moral hallmark of the hero."
The modern hero is courageous and moral rather than musclebound and
overactive. This is probably the culmination of a process that started in
the '50s with antiheroes such as Willy Loman (in Death of a Salesman), Cal
Trask (James Dean) in East of Eden and Jim Stark (Dean again) in Rebel
Without a Cause.
Even at the height of Hollywood's "musclebound hero" phase, Sylvester
Stallone was capable of playing that great Vietnam vet antihero John Rambo
in the Rambo movies. He fought against a society that he believed had
betrayed him.
So, what about the new Batman, new Superman and a new James Bond? The
orthodoxy suggests that they will be little different than their old models.
They will deal with contemporary baddies (no prizes for guessing that
Islamic terrorists will be high on the list) and their basic modi operandi
will be the same. But now they will have all those fancy digital
enhancements to ensure the explosions are bigger and the enemy is capable of
mustering an army of tens of thousands.
The hero has been around since Homer's time and we really don't want to
tamper with him/her too much. Heroes fulfil our fantasies and ease our
fears. And that always ensures that cinemas are full.
Yesterday's Heroes
1920s
* Sheik Ahmed (as played by Rudolph Valentino), The Sheik (1921)
1930s
* Robin Hood (Errol Flynn), The Adventures of Robin Hood (1938)
* The Saint (George Sanders), The Saint Strikes Back (1939)
1940s
* Philip Marlowe (Humphrey Bogart), The Big Sleep (1946)
* Tom Joad (Henry Fonda), The Grapes of Wrath (1940)
1950s
* Ethan Edwards (John Wayne), The Searchers (1956)
* Juror No.8 (Henry Fonda), 12 Angry Men (1957)
* Shane (Alan Ladd), Shane (1953)
1960s
* Atticus Finch (Gregory Peck), To Kill a Mockingbird (1962)
* James Bond (Sean Connery), Dr No (1962)
1970s
* Rocky Balboa (Sylvester Stallone), Rocky (1976)
* Ben Obi-Wan Kenobi (Alec Guinness), Star Wars (1977)
1980s
* John Rambo (Sylvester Stallone), First Blood (1982)
* Indiana Jones (Harrison Ford), Raiders of the Lost Ark (1981)
1990s
* Marge Gunderson (Frances McDormand), Fargo (1996)
* Buzz Lightyear (Tim Allen), Toy Story 2 (1999)
2000s
* Gandalf (Ian McKellen), The Lord of the Rings: The Fellowship of the Ring
(2001)
* General Maximus Decimus Meridus (Russell Crowe), Gladiator (2000)
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http://story.news.yahoo.com/news?tmpl=story&cid=638&ncid=579&e=5&u=/nm/20050303/en_nm/television_davis_dc
LOS ANGELES (Hollywood Reporter) - Oscar winner Geena Davis will star
as the first female president of the United States in ABC's drama pilot
"Commander in Chief."
Kyle Secor was previously cast as her husband, and Ever Carradine as
her press secretary. Also on board is Harry J. Lennix as the outgoing
president's chief of staff.
The two-hour pilot, from writer/director Rod Lurie, marks Davis' return
to ABC. In 2000, she starred in and co-executive produced the network's
short-lived comedy series "The Geena Davis Show." Earlier this
development season, Davis had a development deal at CBS.
Davis won an Oscar in 1989 for her supporting role in "The Accidental
Tourist," and was nominated in the lead actress category in 1992 for
"Thelma & Louise." Her feature credits include the two "Stuart Little"
movies and "Beetle Juice."
Reuters/Hollywood Reporter
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http://entertainment.news.com.au/story/0,10221,12173952-7485,00.html
So sexy at 40
By Natacha Butler
February 07, 2005
From: NEWS.com.au
She got it ... Sandra Bullock. GEORGE Clooney and Sandra Bullock may not be
spring chickens by Hollywood standards but the sexy duo has topped a poll of
the world's most attractive 40-year-olds.
The easy-on-the-eye pair beat sizzling competition from fellow 40-somethings
Brad Pitt, Teri Hatcher and Sharon Stone.
The survey, commissioned to celebrate a new US TV comedy, comes in the same
week as a UK survey claimed 40-somethings were enjoying the best sex.
Decades of erotic practice between the sheets sees them more confident and
creative than before, reports the Glasgow Daily Record.
The study of 1000 men and women found 42 per cent believed they were "wiser"
about sex while four-in-10 enjoyed getting down to business regularly.
Trying something new, it seems, is not the sole prerogative of the younger
generation either.
Many respondents claim to have indulged in some "free love" or dabbled in
"swinging".
Forty-plus men were the greatest enthusiasts of fourth-decade love with 36
per cent claiming sex was "better than ever".
In an interesting twist, though, only 11 per cent of women said they felt
the same way.
Most attractive men in their 40s
1 - George Clooney (aged 43)
2 - Brad Pitt (41)
3 - Johnny Depp (41)
4 - Mel Gibson (49)
5 - Tom Cruise (42)
6 - Clive Owen (40)
7 - Nicolas Cage (41)
8 - Gary Lineker (44)
9 - Simon Le Bon (46)
10 - Gary Oldman (46)
Most attractive women in their 40s
1 - Sandra Bullock (40)
2 - Teri Hatcher (40)
3 - Michelle Pfeiffer (46)
4 - Sharon Stone (46)
5 - Courteney Cox-Arquette (40)
6 - Sheryl Crow (42)
7 - Andie McDowell (46)
8 - Heather Locklear (43)
9 - Geena Davis (49)
10 - Darryl Hannah (44).
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http://canoe.ca/JamMovies/jan29_erika-sun.html
Cheating does pay
By LOUIS B. HOBSON -- Calgary Sun
Erika Christensen is the first to admit her life is pretty good.
She just doesn't want people to think it's perfect.
"Trust me, I'm not complaining, but if my life were perfect there would be
nothing for me to strive for and I have so many goals," says Christensen
whose films include Traffic, Swimfan and The Banger Sisters.
She says the name of her production company, Endless Entertainment, says it
all.
"I want to produce, write and maybe even direct. I have stories I want to
tell that I haven't been given the opportunity to tell."
Christensen, 21, has had to put those plans on hold in order to promote The
Perfect Score, the youth heist drama that opens Jan. 30.
She plays Anna, a shy overachiever who daydreams through her Scholastic
Aptitude Test, jeopardizing her chances of being accepted into a college or
university.
She teams up with six of her classmates to sneak into an office to steal the
questions to the next sitting of the SATs in her school.
"College and university aren't on my immediate horizon, though at some point
I would like to take some college classes," says Christensen.
In her research for The Perfect Score, Christensen was amazed at "what a
traumatic experience taking the SATs is for so many students. It's one of
the reasons our film hits such a nerve and is generating such excitement."
Though she's never taken the SATs, Christensen has an idea of the tension
and apprehension involved.
"I saw these tests as the equivalent of a really big audition and I've had
my share of those. Your stomach is in knots.
"I can understand how Anna could self-destruct."
Christensen recalled how, in her early teens, she dreaded any audition that
required her to be sexy.
"I'd read these s and knew the producers and directors wanted a
certain attitude and I just didn't feel comfortable giving them what was
expected.
"It would upset me and I know I didn't give a good audition."
It was not until she was in her late teens and actually felt sexy that
Christensen was able to get over the audition.
Christensen was born in Seattle, but was barely four when her family moved
to L.A. When she was 12, she told her parents she wanted to be an actress.
"My parents were very good. They didn't try to dissuade me, but they said we
should put a time limit on my plans."
That same year, she surprised everyone by getting a major commercial and a
spot in Michael Jackson's Childhood video.
"I loved singing and dancing, but I didn't get to do either in Childhood. I
just got to sit in a flying boat.
"I never got to meet Michael. He wasn't there for our scenes, but he sent me
an autographed picture with a thank-you note."
Casting agents caught the commercial and the video and Christensen was
quickly cast in episodes of such series as Frasier, The Practice, Third Rock
from the Sun, Touched by an Angel and The Geena Davis Show.
"These were all wonderful experiences and very important for me as an actor.
Having been on so many sitcom sets at the beginning of my career, I'm pretty
certain I'm not suited to be in a TV series. I did a lot of comedy on TV,
but most of my film roles have been more dramatic and I think that's where
my preference lies."
The Perfect Score was filmed last year in Vancouver.
"I loved Vancouver and the surrounding area. It helped with the bonding that
happened with the cast.
"We went hiking and white-water rafting together and we went to a lot of the
clubs. We did things as a group and we felt so comfortable with each other
we'd sit around for hours discussing everything from music to politics and
religion."
From Sunny Oz, Rick :)
Proud Keeper of the talented & beautiful Halle Berry.
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"Angie" with Geena Davis
Ken
-
May 18, 2004 -- LOS ANGELES - Oscar-winning actress Geena Davis has given birth
to twin boys in Los Angeles, a spokesman said yesterday.
The boys, named Kian William and Kaiis Steven, were born on May 6 and are
"doing beautifully," the publicist said. Davis, 48, and her husband, Dr. Reza
Jarrahy, have a 2-year-old daughter, Alizeh Keshvar.
The former model won an Academy Award for Best Supporting Actress in 1989 for
her role as a batty dog trainer in "The Accidental Tourist."
Reuters
-
On Sat, 16 Oct 2004 20:55:54 -0500, Tom Zielinski wrote:
> "KenM47" wrote in message
> news:9jj3n01fqcn9ai02nfdspc7u5iq1ftiign@4ax.com...
> For some reason I am reminded of "Milk Money" with Ed Harris and Melanie
> Griffith.
Obviously neither of you have ever seen "Nightscare," starring Elizabeth
Hurley.
http://www.imdb.com/title/tt0106402/
-Jay
-
http://canoe.ca/JamMovies/feb7_pitt-sun.html
Pitt not sexy enough?
By LOUIS B. HOBSON -- Calgary Sun
Inconceivable as it may seem, back in 1990 Ridley Scott didn't think Brad
Pitt was sexy enough to play the drifter in Thelma & Louise.
Scott still wasn't convinced when we interviewed him at the junket and he
made it clear Pitt was not his first or even second choice for the role. You
should have seen poor Brad's face when a callous journalist told him what
Scott had said. It took almost 10 years but I finally found out how Pitt got
the role that turned him into a sex symbol and superstar.
When I was talking to Geena Davis for Stuart Little, I recalled what Scott
had said about Pitt and she laughed knowingly insisting she was the one who
twisted Scott's arm.
William Baldwin was originally cast in the role but he left the project to
star opposite Kurt Russell in Backdraft. Scott apparently narrowed the
replacement field to five young actors and asked Davis to read with them.
"I knew from the second Brad walked in the room he was going to be a huge
star," recalled Davis adding she was "so taken by his smile and his sexy
swagger that I forgot my lines.
"None of the other guys came anywhere near doing that for me."
Davis says she walked into the meeting where Scott and four other (male)
producers were "discussing the attributes of the young actors. It was so
surreal.
"I finally said: 'Doesn't anyone want my opinion? Doesn't anyone want a
woman's opinion? Take the blond one.' "
From Sunny Oz, Rick :)
Proud Keeper of the talented & beautiful Halle Berry.
-
One TWIN day after Heidi Klum squeezed-out "Leni" for the Greater Glory of
Our Heavenly Queen JANICE, the Janic Initiate -- Geena Davis -- gave birth
to TWINs on May 6 and named them "Kian" and "Kaiis" which completes a
ménage that already includes a TWO-year old daughter named "Alizeh Keshvar".
While "Leni" -- as the symbolic Resurrection of Leni Riefenstahl -- Heralds
America's Descent into Fascism, Geena's TWINed-Offering Signals the
Resurgence of virulent racism and religious hatred in America -- this time
directed against Arabs and Muslims.
*K*eshvar
*K*ian
*K*aiis
=
KKK
Celebrate this TWINed Sign.
As all things, it has been done for the Greater Glory of JVLIAN and JANICE.
MissourianII
> May 18, 2004 -- LOS ANGELES - Oscar-winning actress Geena Davis has given
> birth
> to twin boys in Los Angeles, a spokesman said yesterday.
> "doing beautifully," the publicist said. Davis, 48, and her husband, Dr. Reza
> Jarrahy, have a 2-year-old daughter, Alizeh Keshvar.
> her role as a batty dog trainer in "The Accidental Tourist."
> Reuters
-
"Thanatos" wrote in message
news:atropos-5602CE.21455318032008@news.giganews.com...
> In article
> ,
> TranslucentAmoebae wrote:
possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/
responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/
> difference?
He can't tell you...too drunk.
-
I love Geena Davis, but this is disturbing. She's going to be 60(!) when
the kids become teenagers! Kreepy...
"Lili2" wrote in message
news:20031202202809.15426.00000027@mb-m12.aol.com...
> E! ONLINE
is
> pregnant with twins.
> expecting the double delivery in the spring of 2004, confirmed her
publicist.
> It'll be a second and third child for the couple, who had a daughter,
Alizeh
> Keshvar, about 18 months ago.
> "Ms. Davis is in wonderful health and both husband and wife and Baby
Alizeh are
> looking forward to the new additions,'' said the rep.
> Davis met Jarrahy, a surgeon, through a mutual friend in 1999 and swapped
vows
> two years later.
> It was the fourth trip down the aisle for the statuesque babe, Accidental
> Tourist Oscar winner and wannabe Olympic archer.
> She was hitched to restaurateur Richard Emmolo from 1981-83. Hubby number
two
> was frequent costar Jeff Goldblum. The towering twosome met during the
shooting
> of Transylvania 6-5000 and shared double billing for The Fly and Earth
Girls
> Are Easy before splitting in 1990.
> Davis also tried coupling with director Renny Harlin, but, like their
movies
> Cutthroat Island and The Long Kiss Goodnight, their four-year union was a
flop,
> and they called it quits in 1998.
> When not getting knocked up by her hubby, the Thelma and Louise star found
time
> to star in last year's Stuart Little sequel.
> Davis is also making a special guest appearance on an upcoming episode of
NBC's
> Will & Grace. She'll play a sister to (also preggers) star Debra Messing
's
> character Grace Adler. Davis will star as Janet Adler, Grace's bohemian
sibling
> who's been in rehab. Shooting on the episode takes place next week and
it's
> scheduled to air in early 2004.
>
-
"Janet" wrote in message
news:gFjjd.7297$O11.4351@newsread3.news.pas.earthlink.net...
> news:b85819de.0411051456.68867b5b@posting.google.com...
> news:...
> http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
> Sarandon,
> Has
> remember
> Bening's
> can
> drunk.
> she
> walked
> returning
> for
> values
> Walking"
> opposite
> undoubtedly
> playing a
> named
> actresses
> hope
> get
> 50,
> plays
> mambo
> is
> merely
> of
> made
Not to mention, I would say she is passed "middle-aged" unless she is going
to live to 116.
-
"Jule" wrote in message
news:b85819de.0411051456.68867b5b@posting.google.com...
> "Rick in Oz" wrote in message
news:...
http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
Sarandon,
Has
remember
Bening's
can
drunk.
she
walked
returning
for
values
Walking"
opposite
undoubtedly
playing a
named
actresses
hope
get
50,
plays
mambo
is
merely
of
made
> There must be some kind of brain removal requirement to be a
> journalist.
> better angle, like oh, I don't know...the fact that writers need to
> write the damn roles for the actresses? Blaming human females for
> aging, something they can't control, instead of the way scripts are
> done, something that CAN be controlled...hmmm...gee, that makes SO
> much sense.
LOL. As if writers HAD to write roles for fugly old actresses.
-
http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
.htm
Dig at Sarandon sums up the plight of many middle-aged actresses
BY JAMI BERNARD
New York Daily News
In humor, there is often truth. So let's examine the cruel joke from the
all-marionette "Team America: World Police," which satirizes Susan Sarandon,
58, as an actress whose talent is dwindling as she ages. Ouch!
It's not unheard-of for people to lose their fire as the years creep by. Has
it happened to Sarandon?
First consider that older actresses have a hard time of it. If you remember
Bette Davis and Joan Crawford in their horror-movie humiliations of the
`60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't
necessarily memorable work.
Other actresses have faded away or disappeared. Annette Bening, 46, only
recently returned from a child-raising hiatus to star in "Being Julia,"
about an older actress who trumps an "All About Eve"-like newcomer. Bening's
movie says talent marinates over time.
There's marinade, and then there's rust. An ill-advised comeback vehicle can
cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a drunk.
Where are the actresses of yesteryear? Last we heard of Geena Davis, 48, she
had taken up Olympic archery. (Okay, she was also in the "Stuart Little"
movies.) She was sunk by the pirate movie "Cutthroat Island" and has walked
a lonely plank ever since.
Debra Winger, 49, stomped off the bandwagon nearly a decade ago, returning
in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known for
inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002
documentary about the plight of actresses over 40 in an industry that values
youth and the Y chromosome.
Sarandon has stayed visible, but some of her choices have been peculiar
since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking"
(1995). Her highest-profile movie since then has been "Stepmom." In this
melodrama, her character dies nobly (cough! cough!) of a dread disease,
which clears the way for Julia Roberts' character. (It takes the opposite
tack to "Being Julia.")
Sarandon has two movies this fall: "Alfie" and "Shall We Dance?," both
sensible choices. But they're no "Vera Drake," a movie that will undoubtedly
bring British actress Imelda Staunton, 48, an Oscar nomination for playing a
woman in her 50s. Staunton was so good that writer-director Mike Leigh named
his untitled project after her character.
Granted, "Vera Drake" is a once-in-a-lifetime plum. But not all actresses
can count on a director like Leigh to come along. And they can't all hope
for the kind of European sensibility that enables older actresses - like
Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to
thrive.
If middle-aged American actresses want to stay viable, they've got to get
big roles in small movies, or decent roles in big ones. Kim Basinger, 50,
got a second wind with the summer movie "Cellular," but she was rarely
onscreen with youthful co-star Chris Evans. "Cellular" played like two
movies in one, an increasingly common ploy to attract a mixed-generation
audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays
Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo
instructor.)
The joke in "Team America" is more pointed. Is the problem that Sarandon is
choosing unwisely by making films like the cringe-inducing "The Banger
Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become merely
a paycheck for her? Did "Rugrats 2" do her in?
Our best guess - the kindest, anyway - is that there's a tipping point,
after which mediocre roles and competing priorities lead to a lessening of
effort over time. And you know what that means - jokes at one's expense made
by marionettes.
From Sunny Oz, Rick :)
Proud Keeper of the talented & beautiful Halle Berry.
---
-
"Rick in Oz" wrote in message
news:akNid.186$uc.6094@nnrp1.ozemail.com.au...
> http://www.sanluisobispo.com/mld/sanluisobispo/entertainment/movies/10105397
> .htm
> In humor, there is often truth. So let's examine the cruel joke from the
> all-marionette "Team America: World Police," which satirizes Susan
> Sarandon,
> 58, as an actress whose talent is dwindling as she ages. Ouch!
> Has
> it happened to Sarandon?
> remember
> Bette Davis and Joan Crawford in their horror-movie humiliations of the
> `60s, perhaps you'll forgive Sarandon for "Rugrats 2." Steady work isn't
> necessarily memorable work.
> recently returned from a child-raising hiatus to star in "Being Julia,"
> about an older actress who trumps an "All About Eve"-like newcomer.
> Bening's
> movie says talent marinates over time.
> can
> cause a hit-and-run, as in "Taxi," in which Ann-Margret, 63, plays a
> drunk.
> she
> had taken up Olympic archery. (Okay, she was also in the "Stuart Little"
> movies.) She was sunk by the pirate movie "Cutthroat Island" and has
> walked
> a lonely plank ever since.
> in 2001 for "Big Bad Love" (emphasis on "bad"). She is now better known
> for
> inspiring "Searching for Debra Winger," Rosanna Arquette's questing 2002
> documentary about the plight of actresses over 40 in an industry that
> values
> youth and the Y chromosome.
> since the glory days of "Thelma and Louise" (1991) and "Dead Man Walking"
> (1995). Her highest-profile movie since then has been "Stepmom." In this
> melodrama, her character dies nobly (cough! cough!) of a dread disease,
> which clears the way for Julia Roberts' character. (It takes the opposite
> tack to "Being Julia.")
> sensible choices. But they're no "Vera Drake," a movie that will
> undoubtedly
> bring British actress Imelda Staunton, 48, an Oscar nomination for playing
> a
> woman in her 50s. Staunton was so good that writer-director Mike Leigh
> named
> his untitled project after her character.
> can count on a director like Leigh to come along. And they can't all hope
> for the kind of European sensibility that enables older actresses - like
> Isabelle Huppert, 51, Fanny Ardant, 55, and Charlotte Rampling, 59 - to
> thrive.
> big roles in small movies, or decent roles in big ones. Kim Basinger, 50,
> got a second wind with the summer movie "Cellular," but she was rarely
> onscreen with youthful co-star Chris Evans. "Cellular" played like two
> movies in one, an increasingly common ploy to attract a mixed-generation
> audience. (The female draw in "Shall We Dance?" is not Sarandon, who plays
> Richard Gere's oblivious wife, but Jennifer Lopez, who plays his hot mambo
> instructor.)
> is
> choosing unwisely by making films like the cringe-inducing "The Banger
> Sisters," co-starring with Goldie Hawn (now 58)? Or has acting become
> merely
> a paycheck for her? Did "Rugrats 2" do her in?
> after which mediocre roles and competing priorities lead to a lessening of
> effort over time. And you know what that means - jokes at one's expense
> made
> by marionettes.
> Proud Keeper of the talented & beautiful Halle Berry.
To be blunt, the problem is that studios won't make a movie that stars a
female that an 18 year old boy wouldn't masterbate to. Spunk equals sequel.
- Celebrity Gossip
- This leggy, square-jawed ex-model made her feature debut as a lingerie-clad soap star in Tootsie (1982), displaying the coltish sexiness that, along with her natural warmth and good humor, has infused her later characterizations. Her facility for comedy, aptly demonstrated in Beetlejuice (1988) and Quick Change (1990), was recognized by her peers W_hen they voted her a Best Supporting Actress Oscar for her turn as a slightly batty, exuberant dog trainer in The Accidental Tourist (1988). (She deliberately lost weight to play the role, remembering author Anne Tyler's description of her character as chickenlegged.) Davis's ripe, earthy performance as a fugitive housewife turned bandit in Thelma & Louise (1991, with Susan Sarandon) earned her a Best Actress Oscar nomination. She headed a marvelous ensemble cast in Penny Marshall's A League of Their Own (1992, about an allgirl baseball team in the 1940s) and costarred with Dustin Hoffman and Andy Garcia in Hero that same year. She then affected a New York accent and persona for Angie (1994). She is divorced from actor Jeff Goldblum, with whom she starred in Transylvania 6-5000 (1985), The Fly (1986), and Earth Girls Are Easy (1989). She also appeared on the TV sitcoms "Buffalo Bill" (1983-84) and "Sara" (1985, in the leading role). She married director Renny Harlin in 1993; they jointly produced her movie Speechless (1994), and he directed her in the pirate adventure Cutthroat Island (1995).
- Born at 12:06 am-EST
- Her current husband, Dr. Reza Jarrahy, a neurosurgeon, is Persian (Iranian). His last name "Jarrahy" in Persian means "Surgery".
- Measurements: 34-25-35 (on her Zoli modeling card; ideal for her start as an underwear model) (Source: Celebrity Sleuth magazine)
- Was in "It's a sin" Pet Shop Boys video
- Was assistant organist in her church in her hometown in Massachusetts.
- Gave birth to baby daughter, Alizeh Keshvar Davis Jarrahy, in Los Angeles, April 10, 2002.
- In 1996, was the top contender for the role of the evil Queen Beryl in a proposed Sailor Moon live action movie. The project was later scrapped.
- Was considered for the lead role of Kate McQueen in Fair Game (1995). The part eventually went to Cindy Crawford.
- Was considered for the lead in Runaway Bride (1999).
- Chosen by Empire magazine as one of the 100 Sexiest Stars in film history (#31). [1995]
- Speaks Swedish.
- Attended school in Sweden as an exchange student.
- She's a member of MENSA with an IQ of 140.
- Ranked #61 in Empire (UK) magazine's "The Top 100 Movie Stars of All Time" list. [October 1997]
- Placed 24th out of 28 semi-finalists for Olympic Archery team. [21 August 1999]
-
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