54 pics of Gene Tierney
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Gene Tierney Filmography
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She is cast in the role of Dolly Harrison in the 1992 production of American Streetfighter.
For the 1989 production of 18 Brumaire, Gene Tierney is cast in the role of Tina Tomasino.
Gene Tierney plays the part of Belle Shirley, later Belle Starr in the 1981 production of American Mythologies.
In 1958, she stars as Iris Denver in the production of Asik Garip.
Gene Tierney plays the part of Miss Young in the 2003 video release of Arisu no mini moni. Fuck da pyon!.
In 2003, she takes the role of Midge Sheridan in the show Aisaa Kyon.
In 2000, she plays Lenore Constable in the video Back Home Years Ago: The Real Casino.
Gene Tierney plays Miranda Wells in the 1998 Focal Length.
In 2008, Gene Tierney is cast in the role of Baketamon (Pharoah's sister) in the release of The Chronicles of Narnia: Prince Caspian.
For the 1974 tv series Death Sentence, Gene Tierney stars as Lucy Muir.
For the 1976 release of Al sur de Gran Canaria, Gene Tierney's character is Martha Strabel/Van Cleve.
In 1917, she plays the part of Barbara Hall in the feature Box Car Bill Falls in Luck.
In 1981, she plays the part of Anna Gouzenkova in the feature American Pop.
Gene Tierney stars as Laura Hunt in the 1977 movie American Potter, An.
For the 2003 video release of Czech Mates, she is cast in the role of Ellen Berent.
Gene Tierney plays Anne Scott in the 1966 show Arme dieven, De.
She stars as Maggy Carleton in the 1902 movie Calling the Pigeons.
Gene Tierney is cast in the role of Marva Lamarkins in the 1970 show Boy Into Man.
Gene Tierney plays Mary Bristol in the 2004 release Block Party, Da.
In 1914, Gene Tierney plays Lili Duran in the feature Ambrose's First Falsehood.
Kay Barlow in the 2007 production Capitol Fourth, A.
Jane Barton in the 1909 production of Cheveux de Madame, Les.
Dorothy Bradford in the 1976 feature Byeolhana nahana.
For the 1996 show The Campaign, Gene Tierney plays Isabel Bradley.
In 1999, she stars as Eleanor Stone in the video The Blair Princess Project.
Gene Tierney plays Susan Miller/Linda Worthington in the 2002 movie Birju.
For the 1991 feature Cielo sube, El, Gene Tierney plays the part of Marcia Stoddard.
For the 1936 movie Be Human, Gene Tierney stars as Poppy (Victoria Charteris).
In 1968, Gene Tierney plays the part of Eve in the feature Chronik der Anna Magdalena Bach.
In 1998, she stars as Zia in the video release of The Best by Private 8: Double Penetrations.
Gene Tierney plays the part of Sara Farley in the 1978 release of Donald Duck's Cartoon Mania.
Gene Tierney stars as Kay Saunders in the 1927 production of The Bachelor's Baby.
She plays Ellie May Lester in the 1969 production of American Revolution 2.
For the 1980 release of Dostana, she stars as Albertine Prine.
In 2002, Gene Tierney's character is Teresa in the video 1,001 Ways to Eat My Jizz.
She stars as Morgan Taylor(Paine) in the 1944 production of American Romance, An.
In 1974, she plays Ann Sutton in the feature Anna Karenina.
For the 2002 release Closed Set: The New Crew, she plays Harriet Toppingham.
For the 1997 production The American Film Institute Salute to Martin Scorsese, she plays the part of Herself - Presenter: Costume Design Awards.
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"Aida Lott" wrote in message
news:1109903555.928326.290980@f14g2000cwb.googlegroups.com...
> job.
>
http://www.synapticenergy.com/celebs/images/maelstroms_eye/me681-denise_rich
ards_017.jpg
> Let's be fair, Denise is a very cute girl, not classically beautiful or
dumbfoundingly stunning, but she's really very cute with a sweetly girlish
sexuality about her that appeals to both men and women. If were fifteen
years younger and met her in a bar I'd make a point of talking to her but if
she didn't give me her number I wouldn't be devastated as if say I'd been
refused by Gene Tierney, Veronica Lake or Ava Gardner, or Grace Kelly had I
been in their age frame. I've lived in the clouds of "what if" for almost
thirty years because Mimsy Farmer gave me a lingering smile in a market in
Rome thirty+ years ago. Back then I was scared to talk much because people
always were always laughing at my accent. I couldn't even bring myself to
speak to her or ask her for an autograph. In those days, hard core, rural
southern accents like mine was back then, were associated with dueling
banjos and city boys getting raped by guys who talked like me, while on
canoe trips or like rednecks in pickup trucks shooting 12 guage loads of
double ought buckshot into Dennis Hopper and Peter Fonda.
Completely without makeup, Miss Farmer was truly a goddess that sunny
day in Rome.
Ambrose
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http://www.rutherford.org/articles_db/commentary.asp?record_id=324
Oscar Politics: Great Performances That Did Not Win
by John W. Whitehead
2/21/2005
Do you ever wonder why some of the greatest performers and directors of all
time have never won an Oscar? It certainly has nothing to do with lack of
talent. For example, the man considered the greatest director of all time,
whose films have affected millions and changed the history of cinema, never
received a best director Oscar. And Alfred Hitchcock never forgave the
Academy of Motion Picture Arts and Sciences for the slight.
But things have worsened since Hitchcock's day. Now to win an Oscar one must
have the backing of a major studio and advertising agencies. Indeed, the
Oscar proceedings have turned into something akin to a political campaign
involving millions of dollars with stump speeches, daily media briefings and
even smear tactics. All to get the attention of the 6,000 voting members of
the Academy. "I'm not sure if I am a filmmaker anymore or trying to run for
Congress," Peter Jackson, director of The Lord of the Rings trilogy, has
said. "You find yourself becoming a sort of politician in an election year."
Why all the hype? The answer, as usual, is "money." Winning a key Oscar
extends the life of a film and pulls in moviegoers. Also, when the movies
arrive on DVD, the packaging comes with a stamp proclaiming it an Oscar
winner.
What all this means is that the artistry of many films and actors is lost
within the haze of Hollywood hype. This has been especially true of some
great acting performances. The following are some, among many others, that
have been clearly overlooked over the years.
. Gene Tierney in Leave Her to Heaven (1945). The beautiful, neurotic
Tierney takes drastic measures to keep her husband to herself. Great
performance by a great actress.
. Alastair Sim in A Christmas Carol (1951). Every actor playing Scrooge
since Sim has studied his amazing performance and tried to emulate it.
. Montgomery Clift in From Here to Eternity (1953). Remarkable acting in
this fine pre-war Pearl Harbor epic. Clift was the defining actor of his
era. He influenced both Marlon Brando and James Dean. He was bitter about
being overlooked by the Academy.
. Kirk Douglas in Lust for Life (1956). A great performance as the painter
Vincent Van Gogh. His friend Burt Lancaster once said that the acerbic
Douglas had made many enemies in Hollywood in explaining why he never won an
Oscar.
. Kim Novak in Vertigo (1958). Novak was one of the great beauties of
fifties cinema. In this Hitchcock film (perhaps his best), Novak
convincingly plays a dual role.
. Rod Steiger in The Pawnbroker (1965). Brilliant acting by Steiger as a
Jewish pawnbroker haunted by his horrific experiences in a Nazi
concentration camp during the Holocaust.
. Peter Sellers in Being There (1979). Although Sellers should have won an
Oscar for Dr. Strangelove (1964), he certainly deserved one for his
performance as the feebleminded gardener in this film. Comedic actors have
long been ignored by the Academy. Otherwise, such versatile and creative
talents as Jerry Lewis, Bill Murray and Mike Myers would be winners.
. Johnny Depp in Edward Scissorhands (1990). Depp's performance as a young
man created by an eccentric scientist is one of the finest pieces of acting
ever on film. He is the most versatile actor in Hollywood today.
. Harvey Keitel in Bad Lieutenant (1992). Keitel's portrayal as a thoroughly
corrupt cop in this very graphic, violent film should have placed him at the
podium on Oscar night with a gold statuette. But he wasn't even nominated. A
great actor.
. Samuel L. Jackson in Pulp Fiction (1994). No one has ever played a hit man
like Jackson. He is so convincing that one can imagine him staring you in
the face as he gets ready to park your brains on the wall.
. Anthony Hopkins in Nixon (1995). Never has an actor melted into a
character like Hopkins does into the late President. He creates the illusion
that he is Nixon.
. Cate Blanchett in Elizabeth (1998). A brilliant performance by the very
talented Blanchett as Queen Elizabeth I of England.
. Richard Farnsworth in The Straight Story (1999). This is the true story of
a man who drives 300 miles on a riding lawnmower to see his ailing brother.
Farnsworth plays the lead character as a gruff, straight-talking
septuagenarian. The sentimentality in this film is portrayed in Farnsworth's
evocative, tear-soaked eyes.
. Ellen Burstyn in Requiem for a Dream (2000). Burstyn's performance in this
dark, violent film is one of the best ever on screen.
This is only a partial list of great performers who didn't take home the
prize. There are, however, solutions to this dilemma. Although the Golden
Globes have many flaws, one aspect the Globes has right is giving separate
awards for comedies and dramas in major categories. The Academy should also
give more than one best actor, etc., award. Reducing everything to one
single person on Oscar night is absurd. And stop allowing publicists and
studio executives from serving as Academy members.
By all means, end the media blitzes and advertising money spent to promote
performers, directors and films. These have nothing to do with art or
talent. As Oscar-winning actor Russell Crowe said several years ago: "I
think we ought to examine the amount of money we are spending on these Oscar
campaigns. As soon as it costs that much money, that takes people to a
different place. This is supposed to be about the joy of filmmaking, about
celebration, and it shouldn't get into these kinds of politics."
Constitutional attorney and author John W. Whitehead is founder and
president of The Rutherford Institute and author of the award-winning
Grasping for the Wind. He can be contacted at johnw@rutherford.org.
From Sunny Oz, Rick :)
Proud Keeper of the talented & beautiful Halle Berry.
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