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  • Paul Bettany's British Moan

    
    The London-born actor - who raises two children,12-year-old Kai and Stellan, six, with wife Jennifer Connelly - is happy that the family now live in New York because he hated encountering his fellow countrymen who don't understand US humour. He said: "I t
    on 2010-03-04 04:48:34

  • Paul Bettany's Future Fears

    
    Paul Bettany worries for his children's futures.The 'Legion' actor - who raises sons 12-year-old Kai and Stellan, six, with wife Jennifer Connelly - admitted he's terrified the universe will end because of the way people abuse and don't take care of their
    on 2010-01-23 04:47:52

  • Jennifer Connelly and Paul Bettany: ?Creation? Couple

    
    Stepping out for a promotional appearance, Jennifer Connelly was spotted at a photo call for her new film “Creation” earlier today (January 12). The “He’s Just Not That Into You” actress looked lovely in an all-black ensem
    on 2010-01-13 04:49:36

  • Jennifer Connelly: Fringe Skirt Sexy

    
    On her way to pay a visit to the “Late Show with David Letterman,” Jennifer Connelly was spotted out in New York City on Monday afternoon (January 11). The “He’s Just Not That Into You” actress showed off her stylish side
    on 2010-01-12 04:50:07

  • What to TiVo: Monday

    
    ABC is new with The Bachelor and Castle CBS is new with How I Met Your Mother, Accidentally on Purpose, Two and a Half Men, The Big Bang Theory, and CSI: Miami FOX is new with House and Fringe NBC is new with Chuck and Heroes The CW has repeats of One Tr
    on 2010-01-11 04:51:10

  • Jennifer Connelly To Quit Acting?

    
    Jennifer Connelly may never work again.The 'A Beautiful Mind' actress - who raises sons Kai, 12, and Stellan, six, with husband Paul Bettany - admits she has no projects lined up for when she finishes filming 'What's Wrong With Virginia?'.She said: "The b
    on 2009-10-31 04:50:20

  • Rachel McAdams: Big Apple Babe

    
    Making her way to the Big Apple, Rachel McAdams was spotted pulling her suitcase as she checked into a downtown hotel NYC on Thursday (October 8). The “State of Play” hottie looked stylish as she strolled past paparazzi, enjoying a break af
    on 2009-10-09 04:48:51

  • Jennifer Connelly OK With Sex Scenes

    
    Jennifer Connelly wishes actors wouldn't get embarrassed by sex scenes.The Oscar-winning actress admits getting intimate with a co-star is awkward, but insists it's nowhere near as bad as everyone makes it out to be.She said: "Sex scenes are incredibly aw
    on 2009-09-20 04:47:02

  • Connelly And Bettany Camp to Avoid Paparazzi

    
    Jennifer Connelly and her husband Paul Bettany are big fans of camping holidays - because photographers refuse to trail them during the "unglamourous" breaks.The Hollywood couple, who wed in 2003, has blasted other stars who complain about the paparazzi -
    on 2009-09-19 04:48:19

  • Stars 'perfect' for creation roles

    
    Real-life married stars Paul Bettany and Jennifer Connelly were "perfect" for the role as man and wife in the new film Creation, its director has said.
    on 2009-09-14 04:49:28

  • Creation Opens Toronto Film Festival

    
    Creation kicked off the Toronto Film Festival as Oscar excitement once again gripped the event.Over recent years movies such as Juno and last year's Slumdog Millionaire have all bee uncovered by the festival and went on to Academy Award success.Starring P
    on 2009-09-12 04:48:28

  • Bettany 'Working With Wife Comes Naturally'

    
    Paul Bettany was delighted to team up with wife Jennifer Connelly for the forthcoming Charles Darwin biopic - because the pair has always wanted to test its chemistry on the big screen.Creation sees Bettany playing Darwin, while Connelly takes on the role
    on 2009-09-12 04:48:08

  • Review: 9 a Nimble Puppet Show?With a Heavy Hand

    
    Review in a Hurry: In the tradition of old-school fairy tales, 9 is grim! Elijah Wood and Jennifer Connelly do some tip-top voice work in an impressive and gothic Tim Burton collaboration about...
    on 2009-09-09 04:46:08

  • Review: 9 a Nimble Puppet Show?With a Heavy Hand

    
    Review in a Hurry: In the tradition of old-school fairy tales, 9 is grim! Elijah Wood and Jennifer Connelly do some tip-top voice work in an impressive and gothic Tim Burton collaboration about...
    on 2009-09-09 04:45:49

  • Review: 9 a Nimble Puppet Show?With a Heavy Hand

    
    Review in a Hurry: In the tradition of old-school fairy tales, 9 is grim! Elijah Wood and Jennifer Connelly do some tip-top voice work in an impressive and gothic Tim Burton collaboration about...
    on 2009-09-09 04:45:45

  • Review: 9 a Nimble Puppet Show?With a Heavy Hand

    
    Review in a Hurry: In the tradition of old-school fairy tales, 9 is grim! Elijah Wood and Jennifer Connelly do some tip-top voice work in an impressive and gothic Tim Burton collaboration about...
    on 2009-09-09 04:45:36

  • Cheesy Lover Paul Bettany

    
    Paul Bettany is addicted to cheese.The 'Creation' star's wife Jennifer Connelly - who he raises two children with - says that although the actor has finally given up smoking, she has failed to dissuade him from taking his favourite dairy food everywhere.S
    on 2009-09-07 04:47:00

  • Connelly Convinced Brooklyn Home Was Haunted

    
    Jennifer Connelly has been forced to move from the Brooklyn home she shared with her actor husband Paul Bettany - because the actress was convinced the house was haunted. Connelly grew up not far from the couple's New York home, where they planned to rais
    on 2009-09-07 04:46:56

  • What to TiVo: Friday

    
    ABC has repeats of Supernanny and Ugly Betty, and is new with 20/20 CBS has repeats of Ghost Whisperer, Medium, and Numb3rs Fox is new with Are You Smarter Than a Fifth Grader? and has the pilot of Glee NBC has a repeat of Southland and is new with Datel
    on 2009-09-04 04:50:31

  • Vamped-up Jen's ready to bloom

    
    No wallflower: A vampish Jennifer Connelly poses for a rare photoshoot after revealing hubby Paul Bettany has finally coaxed her out of her shell.
    on 2009-09-03 04:50:23

  • Jennifer Connelly Prefers Slim Spouse

    
    Jennifer Connelly hates it when husband Paul Bettany beefs up for films.The 38-year-old actress - who raises two children with Paul - can't stand it when he sports large muscles as he reminds her of the guys she avoided when she was a student.He is quoted
    on 2009-08-03 04:47:09

  • Connelly Evolves, Damon Gets Douchey for Toronto Fest

    
    Even more so than usual, the name of the game at the 34th Toronto Film Festival will be survival of the fittest. Creation, starring real-life loves Paul Bettany and Jennifer Connelly as...
    on 2009-07-15 04:45:48

  • Connelly Evolves, Damon Gets Douchey for Toronto Fest

    
    Even more so than usual, the name of the game at the 34th Toronto Film Festival will be survival of the fittest. Creation, starring real-life loves Paul Bettany and Jennifer Connelly as...
    on 2009-07-15 04:45:41

  • Connelly Evolves, Damon Gets Douchey for Toronto Fest

    
    Even more so than usual, the name of the game at the 34th Toronto Film Festival will be survival of the fittest. Creation, starring real-life loves Paul Bettany and Jennifer Connelly as...
    on 2009-07-15 04:45:26

  • Connelly, Bettany open film fest with Darwin tale (AP)

    
    AP - Real-life couple Jennifer Connelly and Paul Bettany will kick off the Toronto International Film Festival with the life story of Charles Darwin.
    on 2009-07-15 04:45:14

  • Movie News: Penn, Fiennes, Swinton, "Thor," and More

    
    There's a lot happening in the film world today! So much so that some of the more intriguing projects are making up one whole post. Check out the film buzz in Tinseltown today . . . What's Wrong With Virginia: One of Dustin Lance Black's next projects a
    on 2009-05-19 04:52:39

  • Neeson, Connelly take 'Wrong' turn

    
    Cannes News: Actors board Lance Black's directing debut -- Liam Neeson and Jennifer Connelly will star in directing debut of Oscar winner Dustin Lance Black.
    on 2009-05-17 04:45:57

  • Revlon Run/Walk Brings Out Alba, Biel and Connelly

    
    Getting an early start to the day for a good cause, Hollywood’s hottest were on hand in Times Square for the Revlon Run/Walk for Women fundraiser on Saturday (May 2). Among the lovely ladies participating in the day’s activities were Jessic
    on 2009-05-03 04:48:06

  • Jessica Alba: Beverly Hills Family Day

    
    Ever the adorable family, Jessica Alba, husband Cash Warren and daughter Honor Marie were spotted making their way around Beverly Hills on Saturday (April 18). The “Sin City” starlet and her man took turns toting around their precious 20-m
    on 2009-04-19 04:47:43

  • Jennifer Connelly Models For Balenciaga Again

    
    Jennifer Connelly has reportedly been tapped to appear in a new Balenciaga campaign.According to WWD, the stunning actress, who appeared in the Balenciaga fashion ads last spring, has been approached once again by designer Nicolas Ghesquière f
    on 2009-04-18 04:48:53
  • I agree on Jennifer Connelly if she beefs up a bit or Angelina. "doomella" wrote in message news:IDS2f.14139$wm3.3930@trnddc01... > Rhona Mitra > Jennifer Connelly Angelina Jolie (same type as LC, seems to do best in action-figure roles)
  • Two words: Jessica Alba. On Mon, 11 Jul 2005 04:08:25 +1000, "Rick in Oz" wrote: >Fantastic Four Score Beats Box Office Blues >Weekend Box Office Wrap-Up for July 8-10, 2005 >By John Hamann >July 10, 2005 >Cumulative Gross ($) >2 War of the Worlds 3,910 -52% $31.3 $165.8 >3 Batman Begins 3,344 -35% $10.2 $172.1 >4 Dark Water 2,657 New $10.1 $10.1 >5 Mr. and Mrs. Smith 2,781 -26% $7.9 $158.6 >6 Herbie: Fully Loaded 3,002 -29% $6.3 $48.5 >7 Bewitched 3,014 -40% $5.5 $50.9 >8 Madagascar 2,162 -21% $4.3 $179.6 >9 Rebound 2,464 -43% $2.9 $11.4 >10 Star Wars: Revenge of the Sith 1,355 -36% $2.6 $370.8 >After a 19 consecutive weekend streak of disappointing results from decent >films, a really bad one comes along in The Fantastic Four and quickly ends >that historic losing streak at the North American box office. As one bad >review after another came forth last week (slowly, Fox knew they had a >barking dog with this one), I wondered how I would recap another sad sack >weekend at the box office. Now, instead of bemoaning bad results, we're back >to trashing bad films. We are looking at YOU North America, wondering why >you decided to support this one to the tune of $56 million, and not the much >better film in Batman Begins. >tracking people fired and forecasters scratching their heads. The $100 >million Fox property grossed an astounding $56 million from 3,602 venues >this weekend, beating tracking by as much as $20 million. It had a strong >venue average of $15,546, and as Tim Briody said yesterday, the comic book >flick opened to about $20.8 million on Friday, resulting in a weekend >multiplier of 2.7. Word-of-mouth shouldn't have been great. Not only were >reviews bad, the comic book fanboys were downright furious with The >Fantastic Four, especially at geek-popular websites like Comics2Film and >AICN. For 20th Century Fox, this is their third big film of the summer, >having already scored with Star Wars Episode III: Revenge of the Sith and >Mr. & Mrs. Smith. Additionally, you can add in some international success >for Kingdom of Heaven. Compared to other non-sequel superhero properties, >The Fantastic Four had great success, landing behind only Spider-Man ($114.8 >million open), The Incredibles ($70.5 million open) and The Hulk ($62.1 >million open). It is the fifth biggest opener in July, behind Spider-Man 2, >Goldmember, Planet of the Apes and War of the Worlds. Maybe the oddest thing >is that The Fantastic Four opening is not that far off the three-day gross >for War of the Worlds, which ended up with a Friday-to-Sunday gross of $64.9 >million. >million pull a gross $20 million more than its estimate? While some griped >that the marketing was horrible, I can't really agree. The TV ads used >humour and eye candy to attract an audience, and I was looking forward to >the film until reviews begin to roll out last Tuesday. The comic book was >extremely popular even away from the comic book guys - even my wife used to >read the comic, and she is LIGHT YEARS away from your typical comic book >fanboy. I think Fox made excellent choices when deciding what pieces of the >film to use in their marketing campaign, and used blanket coverage quite >effectively. Did the London bombings and Hurricane Dennis keep people home >over the weekend? I don't think so to much extent, but I'm sure the topic >will be covered in BOP's next edition of Monday Morning Quarterback. Despite >the quality of the film (and its impending descent next weekend), The >Fantastic Four delivered the breakout that the box office needed to end its >bad news streak. >boy did it ever wilt in its second weekend. The Tom Cruise/Steven Spielberg >production earned $31.3 million in its second frame, down a not really >surprising 52%. It had a venue average of $8,005 from 3,910 venues. After 12 >days, the Paramount/DreamWorks co-production has now earned $165.8 million, >with more than $100 million coming from overseas markets as well. The film >cost about $130 million to make, and a whole bunch more to market. >top ten. After a three-day gross last weekend of $15.6 million, Batman >Begins held quite strongly with a $10.2 million gross and a drop of 35%. >Against a long weekend, drops tend to be higher, as audiences had Monday off >and were freer to see a movie on Sunday night. The re-imagining of the >Batman franchise is working very well. After three weekends of release, the >$150 million WB release has now earned $172.1 million domestically, and is >approaching $150 million in overseas sales as well. It has already passed >Batman Returns and Batman & Robin, and will pass Batman Forever in a couple >of weeks. The original Batman, Tim Burton's version, grossed $251.2 million >in 1989. >Salles. The Jennifer Connelly horror flick did not find the success of The >Grudge this weekend, but did manage an opening over $10 million (although >that may not be right when actuals are released tomorrow). Dark Water, a >Buena Vista release, grossed $10.1 million from only 2,657 venues this >weekend. It had a venue average of $3,811. Like predecessors House of Wax >and Land of the Dead, the PG-13 rated horror film (I'm still not quite sure >how that's possible) couldn't rise above the heavily advertised competition. >With decent reviews on its side, Dark Water will have to hope for an >excellent audience reaction, and shoot for a low drop next weekend against >weaker openers. The chances of that happening? Pretty much nil. >Pitt/Angelina Jolie thriller continues to hold nicely after five weekends of >release. The Smiths grossed another $7.9 million this weekend, down a tiny >26% compared to the three-day holiday frame. Mr. & Mrs. Smith now sits with >$158.6 million in domestic sales, and is another film in this top ten to >earn almost its domestic gross overseas as well. Fox is smoking right now, >as its three films in the top ten have grossed a combined $585.5 million. >Not bad for a summer's work, but unfortunately $370 million of that goes to >LucasFilm, as Fox was only paid help for distributing Revenge of the Sith. >to hold well, smarting only from a disappointing opening frame. Herbie >grossed $6.3 million this weekend, down a slim 29%. The comedy, which cost >Disney about $50 million, has now earned $48.5 million. If its trend >continues, it should finish with about $70 million. >plunge last weekend. The Nicole Kidman/Will Ferrell comedy did bounce back a >bit, grossing $5.5 million, down 40% from last weekend. Bewitched now sits >with $50.9 million, as it works toward $65 million before its run is up. >sputter out before it reaches that mark. This weekend, Madagascar grossed >$4.3 million, down a tiny 21% from last weekend's holiday frame. So far, the >DreamWorks Animation product has earned $179.6 million domestically, and is >approaching $100 million overseas, with some big markets still left to debut >the film. >weekend, thanks mostly to the lack of any arthouse films showing any power. >Rebound grossed $2.9 million, off 43% from the previous frame. At least the >comedy was able to cross the $10 million mark on Saturday, and now has a >gross of $11.4 million. >Wars: Revenge of the Sith spends its last weekend in the top ten, and the >last of any Star Wars film (unless George needs money). Revenge of the Sith >grossed $2.6 million, down 36% from the previous frame. The final portion of >the Star Wars saga has now earned $370.8 million domestically, and almost >$400 million from overseas markets. Revenge of the Sith was able to pass The >Passion of the Christ on the all time list this weekend, and should pass >Spider-Man 2 next weekend. >office is finally over. Last year over the same weekend, the top ten earned >about $132 million on the strength of the second weekend of Spider-Man 2 and >Will Ferrell's Anchorman. This year, thanks mostly to The Fantastic Four, >the top ten at the box office earned $137 million, ending the 19 consecutive >weekend losing streak at the box office. >
  • Rick in Oz wrote in message ... >http://www.femalefirst.co.uk/celebrity/49572004.htm >July 10, 2005, 9:54:26 >fears because it makes TransAtlantic trips with British husband PAUL BETTANY >extra difficult. >abroad. She reveals, "I'm a really horrible flyer. I'm not superstitious >about anything; I'm pretty much a realist, but flying, I kiss the plane. of >any airplane flight I'm sort of waiting for that sound that, for me - in my >fantasy - it's like there's a nut that's come loose and it's going to go >into the engine.". >And Connelly's fears were compounded on a recent European trek when the >plane she was flying back to America on was caught up in terrible >turbulence. She explains, "On this trip, it all goes south - there's kids >covered in ice-cream, screaming, it's all madness... We get on the plane and >(there's) the most horrendous turbulence. Shocking. So bad that the flight >attendants lurched to their seats. >I'm a nut... Tears start coming down." . That's not nutty. Getting onto a huge metal, glass and plastic thing that weighs about a zillion pounds and which moves by incinerating jet fuel in huge cylindrical things at such a rate that it not only will move that heavy-ass plane but will accelerate it to 600 MPH until it gets ten miles or so above the earth where it can go even faster is nutty. The whole idea is completely insane. It's unnatural. She's right about worrying and she's right about freaking out on one of those damn things when things go wrong, which they do quite frequently. Pilots are very highly trained individuals who must be ready to deal with all manner of things that go completely wrong and that's not because they never do. Anything from a loose wire in the wrong place to a malfunctioning yaw damper to a wayward goose can shuffle you loose the mortal coil in less time than it would take for anything earthbound to glide to a gentle stop. You'll never have a chance. Unfortunately, unless she's willing to take a passenger ship to europe she's going to have to suck it up because the Teleporter is still decades from development and frankly, it doesn't always work right even on Star Trek.
  • Two words: Jessica Alba. On Mon, 11 Jul 2005 04:08:25 +1000, "Rick in Oz" wrote: >Fantastic Four Score Beats Box Office Blues >Weekend Box Office Wrap-Up for July 8-10, 2005 >By John Hamann >July 10, 2005 >Cumulative Gross ($) >2 War of the Worlds 3,910 -52% $31.3 $165.8 >3 Batman Begins 3,344 -35% $10.2 $172.1 >4 Dark Water 2,657 New $10.1 $10.1 >5 Mr. and Mrs. Smith 2,781 -26% $7.9 $158.6 >6 Herbie: Fully Loaded 3,002 -29% $6.3 $48.5 >7 Bewitched 3,014 -40% $5.5 $50.9 >8 Madagascar 2,162 -21% $4.3 $179.6 >9 Rebound 2,464 -43% $2.9 $11.4 >10 Star Wars: Revenge of the Sith 1,355 -36% $2.6 $370.8 >After a 19 consecutive weekend streak of disappointing results from decent >films, a really bad one comes along in The Fantastic Four and quickly ends >that historic losing streak at the North American box office. As one bad >review after another came forth last week (slowly, Fox knew they had a >barking dog with this one), I wondered how I would recap another sad sack >weekend at the box office. Now, instead of bemoaning bad results, we're back >to trashing bad films. We are looking at YOU North America, wondering why >you decided to support this one to the tune of $56 million, and not the much >better film in Batman Begins. >tracking people fired and forecasters scratching their heads. The $100 >million Fox property grossed an astounding $56 million from 3,602 venues >this weekend, beating tracking by as much as $20 million. It had a strong >venue average of $15,546, and as Tim Briody said yesterday, the comic book >flick opened to about $20.8 million on Friday, resulting in a weekend >multiplier of 2.7. Word-of-mouth shouldn't have been great. Not only were >reviews bad, the comic book fanboys were downright furious with The >Fantastic Four, especially at geek-popular websites like Comics2Film and >AICN. For 20th Century Fox, this is their third big film of the summer, >having already scored with Star Wars Episode III: Revenge of the Sith and >Mr. & Mrs. Smith. Additionally, you can add in some international success >for Kingdom of Heaven. Compared to other non-sequel superhero properties, >The Fantastic Four had great success, landing behind only Spider-Man ($114.8 >million open), The Incredibles ($70.5 million open) and The Hulk ($62.1 >million open). It is the fifth biggest opener in July, behind Spider-Man 2, >Goldmember, Planet of the Apes and War of the Worlds. Maybe the oddest thing >is that The Fantastic Four opening is not that far off the three-day gross >for War of the Worlds, which ended up with a Friday-to-Sunday gross of $64.9 >million. >million pull a gross $20 million more than its estimate? While some griped >that the marketing was horrible, I can't really agree. The TV ads used >humour and eye candy to attract an audience, and I was looking forward to >the film until reviews begin to roll out last Tuesday. The comic book was >extremely popular even away from the comic book guys - even my wife used to >read the comic, and she is LIGHT YEARS away from your typical comic book >fanboy. I think Fox made excellent choices when deciding what pieces of the >film to use in their marketing campaign, and used blanket coverage quite >effectively. Did the London bombings and Hurricane Dennis keep people home >over the weekend? I don't think so to much extent, but I'm sure the topic >will be covered in BOP's next edition of Monday Morning Quarterback. Despite >the quality of the film (and its impending descent next weekend), The >Fantastic Four delivered the breakout that the box office needed to end its >bad news streak. >boy did it ever wilt in its second weekend. The Tom Cruise/Steven Spielberg >production earned $31.3 million in its second frame, down a not really >surprising 52%. It had a venue average of $8,005 from 3,910 venues. After 12 >days, the Paramount/DreamWorks co-production has now earned $165.8 million, >with more than $100 million coming from overseas markets as well. The film >cost about $130 million to make, and a whole bunch more to market. >top ten. After a three-day gross last weekend of $15.6 million, Batman >Begins held quite strongly with a $10.2 million gross and a drop of 35%. >Against a long weekend, drops tend to be higher, as audiences had Monday off >and were freer to see a movie on Sunday night. The re-imagining of the >Batman franchise is working very well. After three weekends of release, the >$150 million WB release has now earned $172.1 million domestically, and is >approaching $150 million in overseas sales as well. It has already passed >Batman Returns and Batman & Robin, and will pass Batman Forever in a couple >of weeks. The original Batman, Tim Burton's version, grossed $251.2 million >in 1989. >Salles. The Jennifer Connelly horror flick did not find the success of The >Grudge this weekend, but did manage an opening over $10 million (although >that may not be right when actuals are released tomorrow). Dark Water, a >Buena Vista release, grossed $10.1 million from only 2,657 venues this >weekend. It had a venue average of $3,811. Like predecessors House of Wax >and Land of the Dead, the PG-13 rated horror film (I'm still not quite sure >how that's possible) couldn't rise above the heavily advertised competition. >With decent reviews on its side, Dark Water will have to hope for an >excellent audience reaction, and shoot for a low drop next weekend against >weaker openers. The chances of that happening? Pretty much nil. >Pitt/Angelina Jolie thriller continues to hold nicely after five weekends of >release. The Smiths grossed another $7.9 million this weekend, down a tiny >26% compared to the three-day holiday frame. Mr. & Mrs. Smith now sits with >$158.6 million in domestic sales, and is another film in this top ten to >earn almost its domestic gross overseas as well. Fox is smoking right now, >as its three films in the top ten have grossed a combined $585.5 million. >Not bad for a summer's work, but unfortunately $370 million of that goes to >LucasFilm, as Fox was only paid help for distributing Revenge of the Sith. >to hold well, smarting only from a disappointing opening frame. Herbie >grossed $6.3 million this weekend, down a slim 29%. The comedy, which cost >Disney about $50 million, has now earned $48.5 million. If its trend >continues, it should finish with about $70 million. >plunge last weekend. The Nicole Kidman/Will Ferrell comedy did bounce back a >bit, grossing $5.5 million, down 40% from last weekend. Bewitched now sits >with $50.9 million, as it works toward $65 million before its run is up. >sputter out before it reaches that mark. This weekend, Madagascar grossed >$4.3 million, down a tiny 21% from last weekend's holiday frame. So far, the >DreamWorks Animation product has earned $179.6 million domestically, and is >approaching $100 million overseas, with some big markets still left to debut >the film. >weekend, thanks mostly to the lack of any arthouse films showing any power. >Rebound grossed $2.9 million, off 43% from the previous frame. At least the >comedy was able to cross the $10 million mark on Saturday, and now has a >gross of $11.4 million. >Wars: Revenge of the Sith spends its last weekend in the top ten, and the >last of any Star Wars film (unless George needs money). Revenge of the Sith >grossed $2.6 million, down 36% from the previous frame. The final portion of >the Star Wars saga has now earned $370.8 million domestically, and almost >$400 million from overseas markets. Revenge of the Sith was able to pass The >Passion of the Christ on the all time list this weekend, and should pass >Spider-Man 2 next weekend. >office is finally over. Last year over the same weekend, the top ten earned >about $132 million on the strength of the second weekend of Spider-Man 2 and >Will Ferrell's Anchorman. This year, thanks mostly to The Fantastic Four, >the top ten at the box office earned $137 million, ending the 19 consecutive >weekend losing streak at the box office. >
  • Fantastic Four Score Beats Box Office Blues Weekend Box Office Wrap-Up for July 8-10, 2005 By John Hamann July 10, 2005 Top Ten for Weekend of July 8-10, 2005 Rank Film Number of Sites Percentage Drop Estimated Gross ($) Cumulative Gross ($) 1 The Fantastic Four 3,602 New $56.0 $56.0 2 War of the Worlds 3,910 -52% $31.3 $165.8 3 Batman Begins 3,344 -35% $10.2 $172.1 4 Dark Water 2,657 New $10.1 $10.1 5 Mr. and Mrs. Smith 2,781 -26% $7.9 $158.6 6 Herbie: Fully Loaded 3,002 -29% $6.3 $48.5 7 Bewitched 3,014 -40% $5.5 $50.9 8 Madagascar 2,162 -21% $4.3 $179.6 9 Rebound 2,464 -43% $2.9 $11.4 10 Star Wars: Revenge of the Sith 1,355 -36% $2.6 $370.8 Sometimes box office has to be the wackiest thing in the world to track. After a 19 consecutive weekend streak of disappointing results from decent films, a really bad one comes along in The Fantastic Four and quickly ends that historic losing streak at the North American box office. As one bad review after another came forth last week (slowly, Fox knew they had a barking dog with this one), I wondered how I would recap another sad sack weekend at the box office. Now, instead of bemoaning bad results, we're back to trashing bad films. We are looking at YOU North America, wondering why you decided to support this one to the tune of $56 million, and not the much better film in Batman Begins. Yes, the number one film of the weekend is The Fantastic Four, leaving tracking people fired and forecasters scratching their heads. The $100 million Fox property grossed an astounding $56 million from 3,602 venues this weekend, beating tracking by as much as $20 million. It had a strong venue average of $15,546, and as Tim Briody said yesterday, the comic book flick opened to about $20.8 million on Friday, resulting in a weekend multiplier of 2.7. Word-of-mouth shouldn't have been great. Not only were reviews bad, the comic book fanboys were downright furious with The Fantastic Four, especially at geek-popular websites like Comics2Film and AICN. For 20th Century Fox, this is their third big film of the summer, having already scored with Star Wars Episode III: Revenge of the Sith and Mr. & Mrs. Smith. Additionally, you can add in some international success for Kingdom of Heaven. Compared to other non-sequel superhero properties, The Fantastic Four had great success, landing behind only Spider-Man ($114.8 million open), The Incredibles ($70.5 million open) and The Hulk ($62.1 million open). It is the fifth biggest opener in July, behind Spider-Man 2, Goldmember, Planet of the Apes and War of the Worlds. Maybe the oddest thing is that The Fantastic Four opening is not that far off the three-day gross for War of the Worlds, which ended up with a Friday-to-Sunday gross of $64.9 million. So what happened here? Why did a film that was tracked to open around $35 million pull a gross $20 million more than its estimate? While some griped that the marketing was horrible, I can't really agree. The TV ads used humour and eye candy to attract an audience, and I was looking forward to the film until reviews begin to roll out last Tuesday. The comic book was extremely popular even away from the comic book guys - even my wife used to read the comic, and she is LIGHT YEARS away from your typical comic book fanboy. I think Fox made excellent choices when deciding what pieces of the film to use in their marketing campaign, and used blanket coverage quite effectively. Did the London bombings and Hurricane Dennis keep people home over the weekend? I don't think so to much extent, but I'm sure the topic will be covered in BOP's next edition of Monday Morning Quarterback. Despite the quality of the film (and its impending descent next weekend), The Fantastic Four delivered the breakout that the box office needed to end its bad news streak. Second spot this weekend goes to last weekend's champ War of the Worlds, but boy did it ever wilt in its second weekend. The Tom Cruise/Steven Spielberg production earned $31.3 million in its second frame, down a not really surprising 52%. It had a venue average of $8,005 from 3,910 venues. After 12 days, the Paramount/DreamWorks co-production has now earned $165.8 million, with more than $100 million coming from overseas markets as well. The film cost about $130 million to make, and a whole bunch more to market. Third place goes to Batman Begins, the much better comic book film in the top ten. After a three-day gross last weekend of $15.6 million, Batman Begins held quite strongly with a $10.2 million gross and a drop of 35%. Against a long weekend, drops tend to be higher, as audiences had Monday off and were freer to see a movie on Sunday night. The re-imagining of the Batman franchise is working very well. After three weekends of release, the $150 million WB release has now earned $172.1 million domestically, and is approaching $150 million in overseas sales as well. It has already passed Batman Returns and Batman & Robin, and will pass Batman Forever in a couple of weeks. The original Batman, Tim Burton's version, grossed $251.2 million in 1989. Finishing fourth is our other opener, Dark Water from director Walter Salles. The Jennifer Connelly horror flick did not find the success of The Grudge this weekend, but did manage an opening over $10 million (although that may not be right when actuals are released tomorrow). Dark Water, a Buena Vista release, grossed $10.1 million from only 2,657 venues this weekend. It had a venue average of $3,811. Like predecessors House of Wax and Land of the Dead, the PG-13 rated horror film (I'm still not quite sure how that's possible) couldn't rise above the heavily advertised competition. With decent reviews on its side, Dark Water will have to hope for an excellent audience reaction, and shoot for a low drop next weekend against weaker openers. The chances of that happening? Pretty much nil. Fox's second movie in the top five is Mr. & Mrs. Smith, as the Brad Pitt/Angelina Jolie thriller continues to hold nicely after five weekends of release. The Smiths grossed another $7.9 million this weekend, down a tiny 26% compared to the three-day holiday frame. Mr. & Mrs. Smith now sits with $158.6 million in domestic sales, and is another film in this top ten to earn almost its domestic gross overseas as well. Fox is smoking right now, as its three films in the top ten have grossed a combined $585.5 million. Not bad for a summer's work, but unfortunately $370 million of that goes to LucasFilm, as Fox was only paid help for distributing Revenge of the Sith. Sixth is Herbie: Fully Loaded, as the Lindsey Lohan Disney flick continues to hold well, smarting only from a disappointing opening frame. Herbie grossed $6.3 million this weekend, down a slim 29%. The comedy, which cost Disney about $50 million, has now earned $48.5 million. If its trend continues, it should finish with about $70 million. Bewitched lands in seventh this weekend, as it tries to recover from its 55% plunge last weekend. The Nicole Kidman/Will Ferrell comedy did bounce back a bit, grossing $5.5 million, down 40% from last weekend. Bewitched now sits with $50.9 million, as it works toward $65 million before its run is up. Madagascar continues its march toward $200 million, although it will likely sputter out before it reaches that mark. This weekend, Madagascar grossed $4.3 million, down a tiny 21% from last weekend's holiday frame. So far, the DreamWorks Animation product has earned $179.6 million domestically, and is approaching $100 million overseas, with some big markets still left to debut the film. Even Martin Lawrence's Rebound manages to hang onto a top ten spot this weekend, thanks mostly to the lack of any arthouse films showing any power. Rebound grossed $2.9 million, off 43% from the previous frame. At least the comedy was able to cross the $10 million mark on Saturday, and now has a gross of $11.4 million. And we have a historic finish to the top ten films this weekend, as the Star Wars: Revenge of the Sith spends its last weekend in the top ten, and the last of any Star Wars film (unless George needs money). Revenge of the Sith grossed $2.6 million, down 36% from the previous frame. The final portion of the Star Wars saga has now earned $370.8 million domestically, and almost $400 million from overseas markets. Revenge of the Sith was able to pass The Passion of the Christ on the all time list this weekend, and should pass Spider-Man 2 next weekend. Overall, I am extremely happy to say that the losing streak at the box office is finally over. Last year over the same weekend, the top ten earned about $132 million on the strength of the second weekend of Spider-Man 2 and Will Ferrell's Anchorman. This year, thanks mostly to The Fantastic Four, the top ten at the box office earned $137 million, ending the 19 consecutive weekend losing streak at the box office.
  • http://www.femalefirst.co.uk/celebrity/49572004.htm Jennifer Connoly Terrified Of Flying July 10, 2005, 9:54:26 CONNELLY DESPERATE TO CONQUER PLANE FEARS. Oscar-winner JENNIFER CONNELLY is desperately trying to overcome her flying fears because it makes TransAtlantic trips with British husband PAUL BETTANY extra difficult. The New York-based actress admits to having nightmares about taking trips abroad. She reveals, "I'm a really horrible flyer. I'm not superstitious about anything; I'm pretty much a realist, but flying, I kiss the plane. I'm petrified. It could be classified a phobia. "For the first 10 minutes of any airplane flight I'm sort of waiting for that sound that, for me - in my fantasy - it's like there's a nut that's come loose and it's going to go into the engine.". And Connelly's fears were compounded on a recent European trek when the plane she was flying back to America on was caught up in terrible turbulence. She explains, "On this trip, it all goes south - there's kids covered in ice-cream, screaming, it's all madness... We get on the plane and (there's) the most horrendous turbulence. Shocking. So bad that the flight attendants lurched to their seats. "I immediately, on the first loud crash, I go, `What is going on here..?' I'm a nut... Tears start coming down." .
  • http://www.sky.com/showbiz/article/0,,50001-1183862,00.html Brunettes Beat Blondes Brunettes have triumphed over blondes in a list of the world's 100 most beautiful women. The top five in the Harpers & Queen magazine list, compiled by 1,000 experts from the worlds of fashion, arts and the media, are brunettes. Hollywood beauty Angelina Jolie topped the poll, followed by supermodel Christy Turlington, Queen Rania of Jordan, film director Sofia Coppola and domestic goddess Nigella Lawson. Blondes such as supermodel Kate Moss, Kill Bill star Uma Thurman and Lost in Translation's Scarlett Johansson are in the top 100, but have been relegated out of the top five. Harpers & Queen editor Lucy Yeomans said: "We were really surprised when the brunettes came out on top. "But from our panel results, we witnessed a definite shift away from the traditionally deified blonde stereotype. "Instead, people with a more unusual and interesting beauty ranked higher. "We encouraged people to vote on the all-round package, rather than on physical beauty alone, so it was great to see less obvious beauties such as film director Sofia Coppola making the top five." THE TOP 25: Angelina Jolie Christy Turlington Rania of Jordan Sofia Coppola Nigella Lawson Uma Thurman Emmanuelle Beart Kate Moss Aishwarya Rai Charlotte of Monaco Charlotte Rampling Beyonce Knowles Cate Blanchett Scarlett Johansson Ziyi Zhang Sophie Dahl Natalie Portman Liv Tyler Gisele Bundchen Jennifer Connelly Natalia Vodianova Dita Von Teese Julie Christie Margherita Missoni Gwen Stefani
  • http://jam.canoe.ca/Movies/2005/05/02/1022897.html Hollywood reality check By LOUIS B. HOBSON -- Calgary Sun Actors love getting real and for good reason. Just ask Jamie Foxx who won this year's best actor Oscar for his amazing impersonation of Ray Charles in Ray. He joins a long list of men and women who have wowed audiences and Academy voters by inhabiting the body and soul of a famous or infamous person. Oscar voters had quite a task in selecting Foxx this year because three of his fellow nominees also starred in biographies. Leonardo DiCaprio played Howard Hughes in The Aviator, while Johnny Depp tackled eccentric writer J.M. Barrie in Finding Neverland. Don Cheadle was recognized for Hotel Rwanda. Cate Blanchett won this year's best supporting actress Oscar for bringing Katharine Hepburn to life in The Aviator. Blanchett joins a long list of actresses who won their Oscars for playing real people including, Charlize Theron for Monster, Hilary Swank for Boys Don't Cry, Nicole Kidman for The Hours, Julia Roberts for Erin Brockovich, Susan Sarandon for Dead Man Walking, Jennifer Connelly for A Beautiful Mind and Marcia Gay Harden for Pollock. Last year also found Kevin Spacey playing crooner Bobby Darin in Beyond The Sea, Kevin Kline as composer Cole Porter in De-Lovely, Liam Neeson as Alfred Kinsey in Kinsey, Gael Garcia Bernal as a young Che Guevara in The Motorcycle Diaries and Jim Caviezel as Jesus in The Passion of the Christ. This year's reality check reveals there are far fewer biographies which drastically narrows the field of possible Oscar nominees for the daunting and daring task of getting real. KINGDOM OF HEAVEN (May 6): Orlando Bloom plays Balian of Ibelin who defended the walled city of Jerusalem during the Second Crusades. Ridley Scott says "the major characters in Kingdom of Heaven all existed as did this famous battle, but two steps back from that and everything in our movie is fiction." Oscar Nomination Odds: 100 to 1 CINDERELLA MAN (June 3): Russell Crowe teams with his A Beautiful Mind director Ron Howard to play Depression folk hero Jim Braddock who defeated the legendary Max Baer to become heavyweight champion. Renee Zellweger plays Braddock's wife Mae. Crowe received Oscar nominations for playing real whistle-blower Jeffrey Wiggand in The Insider and John Nash in A Beautiful Mind proving the Academy voters love him in biographies. Oscar Nomination Odds: 10 to 1 THE BROTHERS GRIMM (July 29): In this wild fantasy adventure from Terry Gilliam, the German brothers who wrote some of the most famous fairy tales are played by Matt Damon and Heath Ledger. Instead of focusing on their real lives, Gilliam has turned them into a pair of con artists who are inspired to write twisted fairy tales when they encounter real dark magic in a dark forest. What is worrisome is The Brothers Grimm has been sitting in post-production limbo for more than a year. Oscar Nomination Odds: 200,000 to 1 THE GREATEST GAME EVER PLAYED (Sept. 30): Shia LaBeouf who starred as Keanu Reeve's sidekick in Constantine plays Francis Ouimet who, at age 20 in 1913, became the youngest golfer to win the U.S. Open. Actor-turned-director Bill Paxton filmed in Canada using such movie and stage veterans as Jackie Burroughs, Len Cariou and Elias Koteas who have better chances of being recognized in supporting roles than LaBeouf even if he does all his own swinging and putting. Oscar Nomination Odds: 100,000 to 1 JARHEAD (Nov. 11): Jake Gyllenhaal plays former marine Anthony Swofford serving his term in Kuwait. Joining Gyllenhaal are Jamie Foxx, Peter Sarsgaard and Chris Cooper, but the real ace up the sleeve for this one is Sam Mendes who received an Oscar for directing American Beauty. This one also has the advantage of making indirect comments on the current conflict in Iraq. Oscar Nomination Odds: 10 to 1 WALK THE LINE (Nov. 18): Johnny Cash's life always played out like a movie and it features a cast of characters that include Elvis Presley, Waylon Jennings, Jerry Lee Lewis, Roy Orbison, Johnny's wife June Carter and her whole clan. Joaquin Phoenix plays Johnny with Reese Witherspoon as June and both are doing their own singing, as well as laying bare their characters' rawer emotions. Playing Cash moved Phoenix to admit his own alcohol problems and check into rehab, which will move his colleagues. Oscar Nomination Odds: 2 to 1 CASANOVA (Dec. 25): Lasse Hallstrom directs Heath Ledger as the fabled Casanova. It will be a great costume drama and will afford plumb roles for supporting actors such as Jeremy Irons, Lena Olin and Sienna Miller. Hallstrom (The Cider House Rules, My Life as a Dog) is a favourite of the Academy. Oscar Nomination Odds: 10 to 1
  • http://www.sfgate.com/columnists/dailydish/ BETTANY AND CONNELLY'S LOCATION DILEMMA Paul Bettany and Jennifer Connelly are facing a huge dilemma -- he's eager to move back to his hometown of London, while she wants them to remain in her native New York. The "A Beautiful Mind" co-stars, who have been married for almost two years, currently reside in the Big Apple with their 1-year-old son Stellan, and Kai, Connelly's 7-year-old son from a previous relationship, but Bettany admits he'd like to return to British shores. He says, "I would love to make London my home again. It's what I hanker after." Connelly admits, "I don't know. We'll see." From Sunny Oz, Rick :) Proud Keeper of the talented & beautiful Halle Berry.
  • http://www.smh.com.au/articles/2004/01/30/1075340829834.html Crying out for more January 31, 2004 Pass the hankies. Hollywood is using every trick in the book to get you to see its grim pictures, writes Stuart Husband. What shall we see at the multiplex this weekend? The Return of the King, Love Actually ... or a dark, moody tale of emotionally complex, morally compromised characters dealing with unbearable tragedy and devastating loss? Hollywood hopes we'll plump for 90 minutes of misery, for this is award season, that Golden Globe-Bafta-Oscar rollercoaster time when the studios are judged on their "prestige" projects. But how can the film marketers entice us away from hobbits and into works that reflect the grown-up world in all its moral ambiguity? In an arena where "inspiring" is usually a euphemism for "depressing," and "grim" is the ultimate four-letter word, we need to be persuaded that feelbad is good. "The marketing message is that these films may not necessarily be good to you," says Paul Brett, the director of Prescience Film Finance and a former marketer, "but that watching them and feeling their pain will be good for you." This season's offerings are particularly sombre. Clint Eastwood got the ball rolling with Mystic River, his gruelling exploration of child molestation and the murders of innocents, featuring a keening Sean Penn and a catatonic Tim Robbins. Penn pops up again in 21 Grams; Alejandro Gonzalez Inarritu's follow-up to Amores Perros is a portrait of three lives blighted by calamity. Penn plays a dying man in need of a heart transplant, alongside Naomi Watts as a woman reeling from a catastrophic accident, and Benicio del Toro as an ex-con turned religious fanatic. There's also Sylvia, the tale of Sylvia Plath and her eventual depression and suicide, and Jim Sheridan's emotionally charged In America. Coming soon are House of Sand and Fog (out on February 12), in which Ben Kingsley and Jennifer Connelly play strangers caught up in a harrowing life-or-death struggle over ownership of a house, and Monster, in which Golden Globe-winner Charlize Theron stares the camera down as prostitute and serial killer Aileen Wuornos, in an unsparing portrait of her life. Even Cold Mountain comes laden with Civil War gore, and the stellar cast run the gamut of strained expressions. "I know that the people whose job is to market, say, 21 Grams, will have come out of their screening going, 'Right, how the f--- are we going to sell this?"' says Brett. "You know that one thing you definitely don't want is to have the words 'grim' or 'bleak' in the review, even if that review is a rave. That just about kills the movie stone-dead. The kind of audience you want to attract is cash-rich but time-poor, and they're not going to arrange babysitters and car-parking and drag themselves out to a movie they believe is going to depress the hell out of them." In that case, Robert Mitchell, of Disney, must be reeling at the (rave) review given to House of Sand and Fog by Variety magazine in the US: "Grim, review-driven fare ... a bleak denouement." It's his job to market that movie as well as Cold Mountain. "With these kinds of movies, we've got to be honest with ourselves," he says. "We've got to ask: who is the core audience? They're not 'event' movies that people will go and see regardless. So any buzz you can get is a bonus. And there's no buzz like award nominations." With Cold Mountain, he says, its pedigree did a lot of the pre-selling. "It's Anthony Minghella, it's a kosher literary adaptation, it's epic in scope, like The English Patient. So people kind of know what they're getting. The Jude and Nicole stories didn't hurt either." Thus, the company felt comfortable enough to release the movie before the statuette season ground into gear. House of Sand and Fog, however, is a different matter. The novel it's based on isn't well-known; the cast is solid but not bankable. "We plan to release it as near the Oscars as possible, by which time it'll hopefully have garnered a few nominations," says Mitchell. It earned three. "I mean, it's one of those films that, if you try to explain it to someone, they'll just sort of look incredulous." Did he find it depressing? "It's, um, overwrought at times," he says. "It's a tough one, no question. It needs rave reviews." The groundswell of goodwill from positive notices and laudatory poster quotes can give a "difficult" movie what Brett calls "validation - the 'I should see this' factor' ". There are several other tricks - no, let's call them strategies - that can be adopted. The poster itself can centre on an "inspirational" image - what Mitchell calls "the Shine factor. That was a fairly grim movie, but you had this poster image of an ecstatic guy throwing his hands toward heaven." Then, the quality of the performances can be stressed: Penn, Watts and del Toro have all been roundly praised for their work in Mystic River and 21 Grams. You can slightly sex-up the trailer: House of Sand and Fog's US teaser, with its atmosphere of mounting menace climaxing with the flourishing of a gun, accentuates the action and goes soft on the film's harrowing tone, while 21 Grams' poetic preview emphasises the film's mystery rather than misery. You can also propel your movie into the centre of the cultural conversation. "You want to make people feel they're missing out on huge areas of dinner party conversation if they haven't seen it," says Tom Grievson, marketing director of independent distributors Metrodome. This plan worked to dazzling effect in Britain when Metrodome released Lilya 4-Ever last year. The third film from Swedish arthouse darling Lukas Moodysson, it was the tale of a teenage girl from the former Soviet Union lured to the West with the promise of a better life, but sold into sexual slavery. "There weren't many laughs in it," acknowledges Grievson. "Most people go to the cinema to escape, but this was an escape to a very bad place. Grievson contacted Unicef and Amnesty International and used the movie's storyline as a way to raise awareness of the problems it addressed. "We got news pieces broadcast about child trafficking, so it became an 'important film'," he says. "So we got Lukas's fans coming, but we broke it to a slightly wider audience because of the charity stuff." Meanwhile, the poster featured a shot of Lilya 's lead actress, Oksana Akinshina, looking ravishing rather than ravaged. "Every little bit helps," shrugs Grievson. "I don't think that was a con. By the time people committed themselves to seeing the movie, the groundwork was prepared and they knew what they were going to get - a great movie by a great filmmaker." But while a smaller company like Metrodome can take the time to stiffen its potential audience's resolve, the major studios, who are cranking out two or three films a month, have no such luxury. "There's a terrible temptation to cut a few corners," says Brett. "You know, 'If you liked Calendar Girls, you'll love Sylvia!' But the price you pay for the 'wrong' marketing is colossal. If there's one thing an audience hates, it's being hoodwinked. "But in fact, most studios have as rigid a way of marketing their heavyweights as they do their genre pieces like Love Actually (all posters for comedies have a white background, incidentally, I don't know if you've ever noticed that). It's all moody music, moody lighting, the suggestion that watching this movie is a morally enriching act; it's a bitter pill, but you'll emerge cleansed, purified, and immeasurably grateful that your own life looks rosy in comparison." Of course, the occasional feelbad movie breaks out to wreak romantic havoc for a generation. "There's a case for citing Titanic as the ultimate feelbad film," says Brett. "Boy meets girl on ship, ship hits 'berg and takes an inordinately long time to sink, boy dies, girl clings to ice, lives to ripe old age, and never gets over it. And there's Romeo + Juliet as the ultimate feelbad story. It's no accident that both those movies starred Leonardo DiCaprio, enabling millions of teenagers to live out their doomed-youth fantasies." Such feelbad-mania is still the exception rather than the rule; the shelf-life of movies such as 21 Grams and House of Sand and Fog will be determined, in the end, by critical and award buzz. "And you just don't know which way that'll go," says Brett. "Years ago I worked on a film called My Life, with Michael Keaton as a guy dying of cancer and decided to record his life, and Nicole Kidman as his girlfriend. I thought it was fantastic. Then the reviews were horrible and I couldn't give tickets away. Last year we had My Life Without Me [released here in May], which had the same premise, but which ended up getting respectable reviews and doing pretty well. Of course, it was an indie," he adds. "A tough mainstream movie still seems like an oxymoron to many people." It seems the marketers will always have a fight on their hands while audiences cling to the belief that while feelbad might be good, feelgood is better. Somebody kill me: all-time wrist-slashing flicks Dancer in the Dark Woman with degenerative eye disease, which she shares with her son, combats blindness with passion for musicals while saving money for her son's operation. She's eventually executed. Requiem for a Dream Study of addiction - drugs for son and two friends, diet pills for his widowed mum. Mother ends up in psychiatric institution. Son has arm amputated. Happiness Pedophilia, a telephone sex pest and mass execution fantasy. Enough said. The Sweet Hereafter Busload of children plunges into frozen lake. Breaking the Waves Man breaks neck. Urges wife to have sex with other men and tell him about it. A gang of sailors beats her up. She dies. ... all-time feelgood films Toy Story, Toy Story 2 or anything by Pixar Studios; The Wizard of Oz; The Sound of Music; Singing in the Rain; Shrek; Love Actually or any Richard Curtis picture; Sleepless in Seattle; Clueless; Ferris Bueller's Day Off; Big. The Observer From Sunny Oz, Rick :) Proud Keeper of the talented & beautiful Halle Berry.
  • Benji Bronkster wrote in message news:... > photo ---> http://tinypic.com/54al5 > Caption: > BEVERLY HILLS, CA - SEPTEMBER 13: Flirtacious and perfectly matched size- > wise, actors Paul Bettany and Jennifer Connelly attends the world premiere > of the Universal Feature "Wimbledon" at the Academy of Motion Pictures Arts > and Sciences on September 13, 2004 in Los Angeles, California. They both > plan on having on set affairs in the next year (Photo by Mutt and > Jeff/Getty Images) Wow, I hope he's standing on a curb or something...
  • This guy is probably talking about mainstream movies that aren't considered to be porn. 5. Kelly Preston "Mischief" (1985) She strips off her clothes. Back when she was 20. 4. Jennifer Connelly "The Hot Spot" (1990) In the dictionary under 'perfect breasts' 3. Halle Berry "Monster's Ball" (2001) The greatest mainstream sex scene in movie history 2. Mimi Rogers "Full Body Massage" (1995) Lets her breasts be fondled like dough for long amounts of time 1. Phoebe Cates "Fast Times at Ridgemont High" (1982) The equivalent today of Lindsay Lohan doing a slow-motion nude scene Source: Maxim 2/05 pg 75 === "Knowledge of what is possible is the beginning of happiness." -- George Santayana
  • Celebrities fight for privacy By Donna Freydkin, USA TODAY Britney Spears' shopping trip escalates into a paparazzi mob scene. Courteney Cox pleads with the press to leave her newborn daughter alone. And Jennifer Lopez refuses to confirm that she tied the knot with crooner Marc Anthony. With celebrities feeling assaulted day in and day out by the paparazzi, the tabloids and even the mainstream media, they're building walls and trying to restrict access to their personal lives so they can maintain some semblance of privacy. Stars' need for seclusion collides with the public's hunger to know every little detail about them. And the tug of war is being played out in the media as celebrities become increasingly guarded in the face of the onslaught: •Paris Hilton and Nicole Richie, who have rarely met a camera they didn't love, are suddenly sealing their lips about their off-screen lives. In a USA TODAY interview, The Simple Life 2: Road Trip stars addressed Richie's previous drug problems but refused questions about the Hilton sex tape and their boyfriends. •Lindsay Lohan, whose family scandals and breast implant rumors have rocked the tabloids, refuses to discuss her personal dramas with the press. Several major media outlets, including this one, recently turned down interviews with Lohan after being instructed to refrain from asking personal questions about her father's legal problems. (Michael Lohan appeared in court twice last month on charges of assaulting his brother-in-law in May and a sanitation worker in December.) •Popster Spears is so relentlessly pursued by paparazzi that a visit to a pet store June 20, with mom Lynne and sister Jamie Lynn, turned into a melee when photographers circled Spears' car as her mother tried to drive away. One photographer said he was struck by the car, but it's unclear what really happened. Says Spears' spokeswoman: "The paparazzi brought it upon themselves by surrounding the car in a dangerous situation." •Upon releasing a photo of their newborn daughter, Coco, Cox and David Arquette issued this statement: "It is our wish that by making this photo available, we will protect the privacy of our daughter by discouraging the unwanted pursuit by photographers." •Spears, whose romance with Kevin Federline has been the object of heated media attention, sat down with People magazine for a candid joint interview with her new fiancé. But Lopez, in the wake of her overexposed and ultimately broken relationship with Ben Affleck, has pulled a complete publicity shutout with her third husband, Anthony. Three days after their wedding, Anthony refused to confirm his nuptials either to NBC's Today show or ABC's The View. The View's Barbara Walters, the titan of tearful prime-time confessionals, praised Anthony for his tight lips: "I'm sure Jennifer respects that. We'll respect that now." People as commodities Most of the magazines and TV shows have not followed suit. Says Us Weekly editor Janice Min: "A celebrity is like an elected official. If you're getting paid $20 million a movie, you have to rely on public goodwill to stay in office. You have to accept the fact that you're a public commodity." The public fascination with celebrities leads to a more pressing question in a Hollywood-mad culture: How much should people know about what actors and singers do behind closed doors? Is anything off- limits anymore? It depends on whom you ask. •"Having been on both sides of the couch, I think any interview subject has the right to say yes, no and none of your business," says View co-host Star Jones. •"When I'm on the red carpet, I'm prepared for (the attention)," says Beyoncé Knowles, one of the most heavily covered celebs on the planet. "But the worst thing is on planes, when you're asleep and you're woken up by a camera flashing. That's a little bit much. But what do you do? It's a part of (being famous). Unfortunately." •"People think because you're famous they have the right to know everything about you, and I don't think that's true," says publicist Cari Ross, who handles Jennifer Connelly and Salma Hayek. Then again, the low-key Connelly has won an Oscar and remains a critical favorite. There's a big distinction between her and a star who makes news for her personal scandals — the Hilton sex video, Spears' quickie Vegas wedding and annulment — and then refuses to discuss the very antics that made headlines in the first place. Tight-lipped 'hypocrisy' "Paris Hilton is where she is, to a great extent, because of her sex tape and her behavior, which is unbridled. And the idea that she refuses to talk about it is the height of hypocrisy," says Vanity Fair special correspondent Maureen Orth, author of The Importance of Being Famous: Behind the Scenes of the Celebrity Industrial Complex. "If you have not become known for any kind of talent and achievement, if you're known for other things, then to me it's fair game to be asking about them." Thanks to the war of the weeklies Star, Us Weekly, In Touch and People, the obsession with celebrities' private lives has reached a fevered pitch that has little, if anything, to do with their work. Adding to the frenzy is the fact that today's most saleable and popular stars — Julia Roberts, Jennifer Aniston and Tom Cruise among them — are the most private and least accessible. They may reveal tidbits about their personal lives in a TV interview with Diane Sawyer, for example, but are often closed-mouth when doing subsequent interviews about a new project. "The less someone is forthcoming, the more people want to know about them," Min says. And now that just about every major news outlet — including CNN, Time and Newsweek —extensively covers celebrities, competition for interviews is intense, and stars can pick and choose whom they chat with. Readers hungry for information turn to the tabloids for whatever nuggets they can glean about their favorite stars — their loves, babies, pregnancies, diets, marriages and breakups, even their home addresses (something that publicists decry having printed). Now, tabloids are digging into Mary-Kate Olsen's treatment for an eating disorder, amid rumors that drugs might be involved, which her publicist denies. Most of the information comes from anonymous sources, whose credibility may be dubious. "I'm very private, and I like only the people close to me to know certain things about me," says Knowles, who has never confirmed that she is dating hip-hop mogul Jay-Z. The same goes for up-and-comer Haylie Duff, who has learned a lesson from younger sister Hilary. "I think family questions are OK, but I don't plan on ever talking about my relationships," says the elder Duff, 19. "After all that happened with Hilary and Aaron Carter, I've learned it's best not to even go there. They weren't even dating for that long and people made it into so much more than it even was." Some celebs, such as Jessica Simpson, open their homes to the cameras and spill the beans on just about everything, but then dislike the fallout. "The abstaining-from-sex question has gone to its limit," complains Simpson, who, during a concert at New York's Radio City Music Hall, nevertheless joked on stage about remaining a virgin until her wedding night. Getting ahead of the game In an effort to defuse unwanted media interest or devalue paparazzi shots, some celebs sell photos of their newborn babies or their weddings, with the proceeds often going to charity. That's what the Arquettes did with Coco's photo, and what model mom Heidi Klum chose to do after giving birth to daughter Leni in May and finding the press camped out on her Manhattan doorstep. "That's why I released the photos of her, instead of having photographers hunt for them," Klum says. "They always want to shoot the baby. Everyone wants to know what the baby looks like. They run after me, like they've never seen anyone with a stroller before!" Celebrity journalism is an ongoing game, a push-and-pull between photographers and reporters on one side and celebrity handlers on the other. To be fair, most top publicists do not impose pre-interview restrictions or tell reporters, especially those they trust, what questions are approved or not. But certain instances in which stars' personal lives have overshadowed their professional achievements are causing some publicists to put limits on interviews beforehand, telling reporters what subjects not to broach. Such was the case with Lohan's media blitz promoting her gig hosting the MTV Movie Awards. The outlet either agrees — and risks looking clueless by putting out a story that ignores the major personal upheaval in the star's life — or loses the interview. If you give in, Orth says, "the celebrity has the upper hand." == "How can we expect another to keep our secret, if we have been unable to keep it ourselves?" -- Francois de La Rochefoucauld
  • Big J, still can't resist with your ridiculous and off the wall responses, can you? You have a very short memory. I will and can respond in any way I want. So back off. mc criticizes her eyebrows and I respond with a different opinion. Get it? THAT'S how it works. Get that? That's gossip. Lots of women are insulted by men who can't handle or find "icky" natural looking women and need them totally shaved and waxed and bleached and unnaturally altered into Barbie Doll form. What is wrong with those men? Jennifer Connelly is absolutely beautiful and part of that beauty is that she's natural looking. And those overplucked brows are very out of fashion and are more often seen on retired Las Vegas showgirls. But to each his own.
  • http://canoe.ca/JamMovies/dec27_jen-sun.html A Beautiful Mind gives Connelly a beautiful life By LOUIS B. HOBSON -- Calgary Sun HOLLYWOOD -- Jennifer Connelly knows the joys and frustrations of house hunting. What she doesn't pretend to share are the frayed emotions of Kathy, her character in The House of Sand and Fog. Kathy is trying to cope with the depression of a failed marriage and a continuing battle with alcoholism. She is so emotionally broken that she even refuses to open her mail which leads to a tragedy of epic proportions. Kathy loses her house for unpaid taxes which she eventually proves were unjust. By that time Behrani (Ben Kingsley), an Iranian immigrant, has purchased the house for back taxes and has moved in with his family. Kathy is determined to get her house back at any cost and her actions take a bitter toll on all the major characters. "I just bought a house in New York. My little apartment in the West Village was fine when it was just Kai and I, but when our little family got bigger, it got really dodgy," says Connelly, who married Paul Bettany in January. Kai is her six-year-old son with photographer David Dugan. She and Bettany met on the set of A Beautiful Mind, where she played Russell Crowe's wife and he played Crowe's imaginary roommate. Connelly and Bettany's son Stellan was born in August. "My old apartment was so small it made us all cranky. It was horrendous. We had to move out. "It was becoming like a lab experiment where mice begin to turn on each other if they are forced to live in confined quarters. "We've bought a wonderful townhouse, but we have no furniture for it. We have the same amount of furniture we had in the apartment so we have no couches, no places to sit, so the house is basically these great corridors leading to empty spaces." Connelly jokes that "it's great for things like ballroom dancing and skateboarding." She says when they get really lonely for smaller digs, they just fly over to London where Bettany still has his old apartment. "Paul's best friend Daniel still lives there. I adore him so we've become one big extended family. Somehow you are expected to live in smaller quarters in England. "We stayed there the whole summer while Paul was filming his movie Wimbledon." Connelly admits her marriage and new child have been a major adjustment for Kai. "Kai has been remarkable. He really wants to carry his little brother around. He's been so patient with so much of my time being taken over by Stellan. "Paul is great with Kai and they are becoming friends." Connelly recalls that though she and Bettany got along well on the set of A Beautiful Mind they were "both in other relationships, so we didn't think of each other in a romantic way. "Paul realized there was something stronger sooner than I did and was so understanding while I worked things out emotionally. "We talked a lot on the phone for about a year before we actually started dating." She and Bettany were in a committed relationship when she was filming The Hulk and The House of Sand and Fog and he was working on Master and Commander: The Far Side of the World. Though Kathy is constant emotional turmoil throughout The House of Sand and Fog, Connelly insists it did not leave her emotionally drained or depressed. "I've learned through bitter experience that if you get too attached to a character's feelings it will take a toll on you personally and that's not healthy." She says Kathy "is a broken little girl. She's so desperate that she doesn't really consider the consequences of her actions." Connelly says she read Andre Dubus III's novel because "it is written in first person narratives so your sympathies shift as you get to know the different points of view." The House of Sand and Fog was made for a mere $16 million US, at a time when Connelly was coming off her Oscar win for A Beautiful Mind and the $130-million Hulk. "I had read and signed onto The House of Sand and Fog before I got the Oscar, but it's such an incredible screenplay that I probably would have done it in a heartbeat anyway." There is already a buzz about an Oscar nomination, but Connelly says she "leaves that in the hands of everyone else. "It was an exciting time and the win has opened so many great doors for me. I'm going to have to find a special place for my Oscar in my new house. I used to keep it on a bookcase in my apartment. No one actually saw it before because I lived in such clutter." Connelly will begin shooting Dark Water in Toronto and New York in January. From Sunny Oz, Rick :) Proud Keeper of the talented & beautiful Halle Berry.
  • Pics are up from the 2004 Critics Choice Awards including 127 of: Alec Baldwin Alicia Silverstone Amanda Peet Anthony Minghella Ben Kingsley Bill Nighy Billy Boyd Blair Underwood Charlie Hunnam Charlize Theron Christina Applegate Clint Eastwood Diane Keaton Erika Christensen Evan Rachel Wood Frankie Muniz Heath Ledger Holly Hunter Jennifer Connelly Jeremy Sumpter Johnny Depp Jonathan Ahdout Kathy Baker Kelly Lynch Laura Linney Lauren Graham Marcia Gay Harden Maria Bello Mitch Glazer Naomi Watts Patricia Clarkson Paul Bettany Peter Weir Ron Livingston Samantha Morton Scarlett Johansson Shohreh Aghdashloo Tim Robbins Vanessa Paradis http://www.fansites.com/gallery/showthumbs.asp?EVENT=1570 157 pics from People's Choice Awards 2004: Amber Tamblyn Amy Davidson Billy Boyd Brooke Burke Cuba Gooding Jr. Faith Ford Forest Whitaker Jami Gertz Jason Ritter Jerry Bruckheimer Jim Carrey Joe Mantegna Jorja Fox Kaley Cuoco Linda Evans Mandy Moore Marg Helgenberger Mark Addy Mark Burnett Mark Harmon Mary Steenburgen Matt LeBlanc Matthew Perry Melinda Clarke Michael Welch Mischa Barton Oprah Winfrey Paul Guilfoyle Ray Romano Reba McEntire Samaire Armstrong Shaun Robinson Ted Danson http://www.fansites.com/gallery/showthumbs.asp?EVENT=1571 And finally 53 pics from Win a Date With Tad Hamilton: Amy Adams Brad Rowe Drew Fuller Elizabeth Banks Ginnifer Goodwin Jason Ritter Jonathan Bennett Josh Duhamel Kate Bosworth Kathryn Hahn Liz Phair Melissa Joan Hart Molly Sims Paul Reiser Robert Luketic Topher Grace Vanessa Lengies Wilmer Valderrama http://www.fansites.com/gallery/showthumbs.asp?EVENT=1569 Enjoy!
  • On Thu, 26 Feb 2004 07:25:35 GMT, "Jonathan Allen" wrote: >First of all, thanks for replies to my "Worst all-time Oscar Moments" >thread. But I'm not done. >to Hilary Swank, Angelina Jolie, Jennifer Connelly, Halle Berry, Julia >Roberts, and last year Catherine Zeta-Jones and Nicole Kidman. So this time >I ask you: What winners, past or present, really turned you on? >Then there's Jodie Foster, who still looks radiant in her '40s. Anna Paquinnow a decade later...YOW!!! Anybody seen 25th Hour? And Marlee Matlin proved >that being deaf is sexy. >upstaging her lately. Swank and Marisa Tomei both look kinda normal. >97. Russell Crowe >82. Ben Affleck >59. Denzel Washington >50. Catherine Zeta-Jones31. Nicole Kidman7. Halle Berryout on Sunday. > Dude, what is your obsession with polls? Bigolhomo
  • http://www.denverpost.com/Stories/0,1413,36~78~1843487,00.html Beauty no barrier to actress Character's looks in 'Fog' unrelated to her problems By Steven Rosen LOS ANGELES - By any standard, Jennifer Connelly is a beautiful woman. "Thank you," she says when informed of this, her small frame dwarfed by the large sofa she is nestled in at the Century Plaza Hotel here. She stares at this interviewer, her amused smile brightening her darkly transfixing facial features - dark hair and eyelashes, green eyes. And yet in a certain type of movie, beauty can pose a problem. In prestige Hollywood films with a literary or theatrical pedigree, filmgoers - often older and less willing to suspend disbelief than the kids who flock to "The Matrix" - may argue with the casting of a glamorous actress as a troubled, working-class character. That criticism dogged Michelle Pfeiffer as a waitress in "Frankie and Johnny," adapted from Terrence McNally's play "Frankie and Johnny in the Clair de Lune." (Kathy Bates had played her in the off-Broadway production.) Despite having won an Oscar as Virginia Woolf in "The Hours," Nicole Kidman's inherent poise and elegance made the intended audience suspicious of her as a college janitor in the recent "The Human Stain." Connelly, who won the supporting-actress Oscar for 2001's "A Beautiful Mind," could be facing a similar issue. In the new "House of Sand and Fog," adapted from Andre Dubus III's somber and cautionary novel, she plays an angry, confused, emotionally insecure cleaning woman. Connelly's Kathy is just ahead of homelessness - struggling to reclaim a Pacific Coast family house auctioned off by the county in a tax misunderstanding. A recovering alcoholic also trying to quit smoking, she has a broken marriage and is close to despair. She lets her mail - including notices about her house - pile up unopened. An Iranian immigrant - a proud former colonel (played by Ben Kingsley) in the Shah's air force - purchases the home as she tries to get it back. A con frontation between her and his family escalates to disastrous levels. What Dubus had in mind, and what appealed to director Vadim Perelman and his co-screenwriter Shawn Lawrence Otto, was a metaphor for America as a house divided by prejudice and cultural misunderstanding. It is a relentlessly downbeat view. And within the story, Kathy is a loser. But might Connelly be, well, too beautiful to play such a character? "It's hard to address something that I haven't encountered," she says. "From the inside, I can't even see what I look like. I hear people saying things, but I certainly don't experience myself in that way. I have days when I'm completely riddled with insecurities and self-doubt. So it doesn't seem to have any bearing on it to me." Besides, she says, Kathy's problems aren't related to her appearance. "I think people with all sorts of physical attributes have this sort of thing - despondency, despair, depression. I tried to make her as true to that as possible. I love the fact this character is riddled with contradictions. She's not the kind of person you usually find as a protagonist in an American movie." Connelly has been working steadily since debuting in Sergio Leone's "Once Upon a Time in America" in 1984. But it's taken a long time to gain notice. Her first breakthrough occurred as Jared Leto's girlfriend in the nightmarish "Requiem for a Dream." She was nominated for an Independent Spirit Award. "A Beautiful Mind" followed - she played Russell Crowe's wife - and she was finally a star. (She subsequently married her co-star, Paul Bettany, and gave birth to a son in August. She also has a 6-year-old son.) "It wasn't like a magic pill - winning an Oscar - that suddenly made me feel all better about the work I did," she explains. "I can see some things I do that I'm happy with, but I see first the things I'd like to change. I think I always bring that with me. That's the way I function. Not that it's a great way to be, but it's just the way I'm wired. "It's a bit personal to go into, I suppose," she says, of the way she feels conflicted as an actress searching for her character's center. "All choice is loss. As the (Wallace Stevens) poem goes, there are 13 ways of looking at a blackbird - at least. So when you look at it one way, you lose all the other interpretations you could have made. I tend to mourn the loss of all the others and wonder if there was one that would have been better. I torture myself with that thinking. "This movie was frightening to do, because I thought she (Kathy) was a character who wasn't modulated," Connelly says. "Her despair was untethered because she had no one to connect to, and it was starting to spiral in on itself. She was someone who was watery, in the sense that she was spilling over all of the time and could hardly contain the outpouring of emotion she had. It was a daunting task to feel like you had to put this (performance) out there that felt so raw and uncontrolled at times." Connelly, it should be clear by now, is a remarkably serious actress. Besides approaching her acting decisions with a psychoanalytic intensity, she chooses her projects very carefully. While her previous film, "Hulk," was - in hindsight - just another summer comic-book adaptation, she saw it as an art-pop experiment. So, too, did its director, Ang Lee. "I was interested in that because of Ang Lee," she says. "I loved 'The Ice Storm' and I liked the fact it didn't seem to make much sense to me that he was doing this movie. I thought it was really brave and ambitious of him. And I thought that's a far more interesting way to spend your time than doing another reductive movie in which everything feels safe and has been done before." If the director brought her to "Hulk," the story brought her to "House of Sand and Fog." "It was a really interesting story, politically sound with interesting characters, and I love seeing a movie that has antiheroes as heroes," she says. "And I liked the fact that after I got to read the , I felt I wanted to go home and hug my son. It felt like one of those good kinds of tragedies that shake you up and sort of knock some sense into you. "Part of the story's tragedy is that these characters start to see each other as human beings toward the end of the film, but at that point there's so much destruction - and it's so emotional - you feel their demise is inevitable. It's a valuable time for a movie like this to come out and hopefully spur on some conversation." From Sunny Oz, Rick :) Proud Keeper of the talented & beautiful Halle Berry.
  • "Thanatos" wrote in message news:atropos-5602CE.21455318032008@news.giganews.com... > In article > , > TranslucentAmoebae wrote: possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/ responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/ > difference? He can't tell you...too drunk.
  • On Mon, 08 Nov 2004 01:29:10 GMT, "Chris Cathcart" wrote: >Seeing as I'm watching her on the Bravo channel right now: too annoying, no sense of humor(see conan o'brien appearances) and has a unibrow >news:8a8a5283.0411071020.1446adfb@posting.google.com... >
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