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Jill Clayburgh Filmography
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For the 1972 production of Diavolo nel cervello, Il, she stars as Dany.
For the 1994 production of Death Valley Memories, Jill Clayburgh plays Cathy Stevens.
In 2006, she plays Miranda Jessmon in the production of Date with the Dead, A.
She takes the role of Alexandra Maynard in the 2006 Bambi.
Anneliese Osborn in the 1936 show Beloved Impostor.
She stars as Justice Ruth Hagadorn Loomis in the 1998 video release of Afro-Cuban All-Stars at the Salon of Dreams.
In 2003, she takes the role of Nan Whitman in the video The Adventures of Agent Emes.
She stars as Sally in the 1976 Ah, Wilderness!.
For the 2005 feature 32, Carole Lombard.
In 1994, she plays the part of Alma Burns in the video Anal Queen.
For the 1990 movie Acopilco, she takes the role of Gloria.
Jill Clayburgh plays the part of Sally White in the 1913 movie Bishamon Otatsu.
For the 1913 movie Cold Storage Egg, A, Jill Clayburgh plays the part of Sarah Phoenix.
For the 1970 show Alex in Wonderland, she takes the role of Hanna Kaufman.
She plays the part of Kitty Menendez in the 1982 show Besedni zaklad.
She takes the role of Wanda in the 1928 release of Amor que Redime.
In 1994, she is cast in the role of Barbara Gordon in the movie Booker.
In 1961, Jill Clayburgh plays the part of Herself in the production of Attenzione: guerra!.
In 1999, Jill Clayburgh plays Kate Gunzinger in the show 9th October Memorial Concert.
For the 1993 show Aagneyam, she plays Caterina Silveri.
In 1975, Jill Clayburgh plays Moira Browning in the show Bertram og Lisa.
For the 1979 feature Cinofrenic, Alice Lorenz.
In 2000, she stars as Shirley Briggs in the show The Cars: Live.
In 1984, Jill Clayburgh plays Grace in the The Big Busted Girls of Ugly George.
For the 1931 show Frukty-ovoshchi, Ellen.
For the 1998 video 1998 Olympic Highlights Nagano, Jill Clayburgh plays Norma Malley.
Naomi in the 1996 movie Bakom mahognybordet.
Jill Clayburgh plays Jill Ireland in the 2000 movie Ad libitum 1. Angliyski duet alla turca.
Jill Clayburgh's character is Helen Odom in the 1918 show Casanova.
In 2003, she stars as Barbara Jane Bookman/BJ in the feature 72 Faced Liar.
In 1954, Jill Clayburgh stars as Diana Sullivan in the production of Amar Prem.
In 2007, she plays the part of Hilly Burns in the Bare Invasion.
For the 1974 movie Cablenor, she is cast in the role of Eve.
For the 1969 show Castelul condamnatilor, Jill Clayburgh plays the part of Mary Nero.
For the 1941 show The Art of Self Defense, Jill Clayburgh plays the part of Marilyn Holmberg.
For the 1915 production of Angoisse au foyer, L', she is cast in the role of Angela Black.
She stars as Jackie in the 1904 feature The Bench in the Park.
For the 2005 video release of Assfensive 3, Judge Louise Parker.
For the 1914 movie Arima gennosuke, Jill Clayburgh's character is Erica.
Jill Clayburgh plays the part of Laurie Braga in the 1991 release of Bi xue bao dao.
Jill Clayburgh plays Ruth in the 1999 movie Cry Me a Baby.
Jill Clayburgh stars as Josephine in the 2002 movie Bullethead.
In 2003, she is cast in the role of Susan French in the production of Arya.
For the 1958 feature The 6.5 Special, she is cast in the role of Sarah Green.
She stars as Mickey Gorelick in the 1992 show Aayushkalam.
Jill Clayburgh plays Cricket Wardwell in the 1991 movie Fantasy in Blue.
She plays Grace Bolton (1969-1970) in the 2006 ...hab mich verlaufen.
For the 1986 feature Dark Harvest, Jill Clayburgh stars as Eileen McCallister.
Jill Clayburgh's character is Agnes Finch in the 1915 release of The Devil and Idle Hands.
5Top: Movie actors who are terrible on TV
Timothy Hutton is an Oscar-winning film actor, but on TV's "Leverage," he flounders. Join him in the good on film, bad in TV club: Bill Paxton, Jill Clayburgh and more.
on 2009-02-23 04:46:09-
Nimrod wrote:
"Oh, there are lots of bad ones:
GREAT BALLS OF FIRE
DE SADE
GOODBYE, NORMA JEAN
THE MUSIC LOVERS
CHE!
GABLE AND LOMBARD "
Yes, truly awful. Trying to make James Brolin look like Gable is
especially amusing.
Funny thing though, around the time of the film, Jill Clayburgh (who
played Lombard) hosted SNL where they did a parody film trailer called
"Grable and Lombard" (yes, Betty Grable) which was funny as hell. It's
capped off by the two of them, in matching wedding dresses, getting
married.
-
It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton.
Apparently about a New York mother and daughter (Clayburgh, Plimpton) who visit
a Louisiana swamp relative (Hershey).
Reviews range from wild raves to total negatives.
-
http://tv.zap2it.com/tveditorial/tve_main/1,1002,271|90772|1|,00.html
By Kate O'Hare
It's Friday the 13th, and "Nip/Tuck" star Dylan Walsh looks like a man having a
very bad day. After arriving for work in the afternoon, he vanishes for a
while, only to emerge with a slash wound that runs from the right corner of his
mouth up his cheek.
While the startlingly real makeup job might freak out many actors, for Walsh,
it's just another day on the job of the FX drama about Miami plastic surgeons
(even if it does mean that dinner will probably be some form of liquid).
The show closes its second season Tuesday, Oct. 5, with guest stars Joan Rivers
(as herself) and Alec Baldwin. A third season is just about a sure bet,
although no formal announcement has been made.
"It's weird," Walsh says, wearing a hospital gown as he waits in his trailer.
"I'm so used to looking at people like this every day on the job. It's like a
freak show, one weird thing after another. We've had several people with this
particular thing, so you get used to it."
Walsh's character, Dr. Sean McNamara, is awaiting surgery -- by a guest surgeon
(Bruno Campos), not his partner, Dr. Christian Troy (Julian McMahon) -- to
repair the damage done by a serial slasher-rapist who has sent other victims to
the McNamara/Troy practice. Earlier in the season, Christian had surgery
himself to repair damage to his nose caused during an intimate moment gone
wrong.
Both incidents are emblematic of a season in which the partners, both of whom
have just turned 40, have found the focus shifting from patients onto
themselves.
"This year was turning around on us," Walsh says, "and letting us go through
some of the things that we did to people last year."
Along with going under the knife, the two surgeons have also seen their lives
opened up, as a long-ago, secret affair between Christian and Sean's wife,
Julia (Joely Richardson), was revealed, along with the shocking news that it is
Christian, not Sean, who is the father of teenager Matt McNamara (John
Hensley).
Despite all the soap-opera histrionics, Sean and Christian end the season still
unable to live without each other. Even when Sean punches Christian in the nose
in a rage, he still says, "I loved you the most."
As dramatic as this all is on screen, on set, it's another matter.
"This was one of those things where it's one o'clock in the morning, and Dylan
had that one line," McMahon says. "It's the only real time we saw each other in
the whole episode, except for right at the beginning. I grabbed him, and I said
-- talk about putting pressure on your co-star -- I go, 'This is the show.' He
got so mad. I said, 'You get this right, this is the whole show.'
"In a way, it's not wrong. There are many other things, but particularly the
relationship of these two men."
Walsh adds, "Ryan (series creator Ryan Murphy) always said he wanted to write a
love story about two heterosexual men."
A critical and commercial success, "Nip/Tuck" juggles an incendiary mix of
hyperbolic plot twists, interesting guest stars (this year's included Famke
Janssen, Aisha Tyler, Jill Clayburgh and Richardson's mother, Vanessa
Redgrave), steamy (bordering on soft-core) sex scenes, dark humor, social
commentary and graphic depictions of surgery. But, says Murphy, all of that
would be worthless if the characters lost their humanity - and that's what
Murphy doesn't see in many of the reality shows dealing with plastic surgery.
"It's not that interesting," he says, "because the people are all vain and
terrible. There are no real, heart-tugging cases that I've seen, and that's
what you need to get people invested. You need compassion, and you need heart,
because without that, plastic surgery's pretty much hollow and hideous."
From the amount of fan debate on the Internet over the motivations and
personalities of the characters, Murphy seems to have struck a nerve.
"It's almost like audience participation," McMahon says. "You really get
involved in it, and you stick up for the people that you like. That's been a
great trademark of Christian. Because, although he started out as such a rogue
and arrogant, he was the bastard, there have always been those moments where
you go, 'Oh, God, I really like him.' You get absorbed by him, and that's an
important part of what makes people come back."
Turns out it's the same for the actors as well, and that came to the fore when
Matt's paternity was revealed -- something the actors didn't know from the
beginning of the show (even though Murphy said he did).
"Actors joke about it all the time," Walsh says, "and it sounds so ridiculous
to the public, but you invest, in some psychological level, in these
relationships. Julian and I are very good friends, and we see each other
outside the set, but I don't see Joely except here.
"Yet, when we walk on that set, we're like husband and wife. In a place in my
head and my heart, she's one of my wives, and Matt's one of my kids."
So, in a way, both Sean and Walsh lost a son.
"Last year," Walsh says, "I would have been surprised at this information,
which was smart on the part of Ryan. It was strange. It upset some things here,
not in a bad way. But we were a little bewildered, and it may take a while for
the pieces to settle, which is exactly what's going on in the show."
If "Nip/Tuck" seems groundbreaking and fearless, look to Murphy.
"I don't know if I'm given more creative leeway," he says, "or that I take it.
I think it's the latter. I take it. I'm a really good fighter."
-
jinxblues@aol.com (Jinxblues) wrote in message news:<20041105113816.11401.00000177@mb-m29.aol.com>...
> It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton.
> a Louisiana swamp relative (Hershey).
I saw it and have it at home. Pretty good, but the setting is gloomy.
I enjoyed it very much.
Why? Do you need to know more about it? It's probably hard to find
now.
-
On 05 Nov 2004 16:38:16 GMT, jinxblues@aol.com (Jinxblues) wrote:
>It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton.
>a Louisiana swamp relative (Hershey).
I remember it. Martha Plimpton was cute, the movie was terrible.
-
It's a 1987 film with Barbara Hershey, Jill Clayburgh and Martha Plimpton.
Apparently about a New York mother and daughter (Clayburgh, Plimpton) who visit
a Louisiana swamp relative (Hershey).
Reviews range from wild raves to total negatives.
-
http://tv.zap2it.com/tveditorial/tve_main/1,1002,271|90772|1|,00.html
By Kate O'Hare
It's Friday the 13th, and "Nip/Tuck" star Dylan Walsh looks like a man having a
very bad day. After arriving for work in the afternoon, he vanishes for a
while, only to emerge with a slash wound that runs from the right corner of his
mouth up his cheek.
While the startlingly real makeup job might freak out many actors, for Walsh,
it's just another day on the job of the FX drama about Miami plastic surgeons
(even if it does mean that dinner will probably be some form of liquid).
The show closes its second season Tuesday, Oct. 5, with guest stars Joan Rivers
(as herself) and Alec Baldwin. A third season is just about a sure bet,
although no formal announcement has been made.
"It's weird," Walsh says, wearing a hospital gown as he waits in his trailer.
"I'm so used to looking at people like this every day on the job. It's like a
freak show, one weird thing after another. We've had several people with this
particular thing, so you get used to it."
Walsh's character, Dr. Sean McNamara, is awaiting surgery -- by a guest surgeon
(Bruno Campos), not his partner, Dr. Christian Troy (Julian McMahon) -- to
repair the damage done by a serial slasher-rapist who has sent other victims to
the McNamara/Troy practice. Earlier in the season, Christian had surgery
himself to repair damage to his nose caused during an intimate moment gone
wrong.
Both incidents are emblematic of a season in which the partners, both of whom
have just turned 40, have found the focus shifting from patients onto
themselves.
"This year was turning around on us," Walsh says, "and letting us go through
some of the things that we did to people last year."
Along with going under the knife, the two surgeons have also seen their lives
opened up, as a long-ago, secret affair between Christian and Sean's wife,
Julia (Joely Richardson), was revealed, along with the shocking news that it is
Christian, not Sean, who is the father of teenager Matt McNamara (John
Hensley).
Despite all the soap-opera histrionics, Sean and Christian end the season still
unable to live without each other. Even when Sean punches Christian in the nose
in a rage, he still says, "I loved you the most."
As dramatic as this all is on screen, on set, it's another matter.
"This was one of those things where it's one o'clock in the morning, and Dylan
had that one line," McMahon says. "It's the only real time we saw each other in
the whole episode, except for right at the beginning. I grabbed him, and I said
-- talk about putting pressure on your co-star -- I go, 'This is the show.' He
got so mad. I said, 'You get this right, this is the whole show.'
"In a way, it's not wrong. There are many other things, but particularly the
relationship of these two men."
Walsh adds, "Ryan (series creator Ryan Murphy) always said he wanted to write a
love story about two heterosexual men."
A critical and commercial success, "Nip/Tuck" juggles an incendiary mix of
hyperbolic plot twists, interesting guest stars (this year's included Famke
Janssen, Aisha Tyler, Jill Clayburgh and Richardson's mother, Vanessa
Redgrave), steamy (bordering on soft-core) sex scenes, dark humor, social
commentary and graphic depictions of surgery. But, says Murphy, all of that
would be worthless if the characters lost their humanity - and that's what
Murphy doesn't see in many of the reality shows dealing with plastic surgery.
"It's not that interesting," he says, "because the people are all vain and
terrible. There are no real, heart-tugging cases that I've seen, and that's
what you need to get people invested. You need compassion, and you need heart,
because without that, plastic surgery's pretty much hollow and hideous."
From the amount of fan debate on the Internet over the motivations and
personalities of the characters, Murphy seems to have struck a nerve.
"It's almost like audience participation," McMahon says. "You really get
involved in it, and you stick up for the people that you like. That's been a
great trademark of Christian. Because, although he started out as such a rogue
and arrogant, he was the bastard, there have always been those moments where
you go, 'Oh, God, I really like him.' You get absorbed by him, and that's an
important part of what makes people come back."
Turns out it's the same for the actors as well, and that came to the fore when
Matt's paternity was revealed -- something the actors didn't know from the
beginning of the show (even though Murphy said he did).
"Actors joke about it all the time," Walsh says, "and it sounds so ridiculous
to the public, but you invest, in some psychological level, in these
relationships. Julian and I are very good friends, and we see each other
outside the set, but I don't see Joely except here.
"Yet, when we walk on that set, we're like husband and wife. In a place in my
head and my heart, she's one of my wives, and Matt's one of my kids."
So, in a way, both Sean and Walsh lost a son.
"Last year," Walsh says, "I would have been surprised at this information,
which was smart on the part of Ryan. It was strange. It upset some things here,
not in a bad way. But we were a little bewildered, and it may take a while for
the pieces to settle, which is exactly what's going on in the show."
If "Nip/Tuck" seems groundbreaking and fearless, look to Murphy.
"I don't know if I'm given more creative leeway," he says, "or that I take it.
I think it's the latter. I take it. I'm a really good fighter."
- Celebrity Gossip
- Tall, patrician Broadway actress who moved over to film and was the very model of the 1970s modern, liberated woman, as best exemplified by her well-received star turn in An Unmarried Woman (1978), which brought her an Oscar nomination here and the Best Actress Award at the Cannes Film Festival. Almost unnoticed in her tyro screen appearance in 1969's The Wedding Party she worked mostly on stage and in TV before landing small roles in such films as Portnoy's Complaint (1972) and The Thief Who Came to Dinner (1973).
Clayburgh accumulated more movie work and in 1976 managed both to hit the top, as Gene Wilder's love interest in the smash Silver Streak and scrape the bottom, as the distaff half of Gable and Lombard a legendary fiasco. She displayed considerable comedic prowess in SemiTough (1977), Starting Over (1979, another Oscar nomination), It's My Turn (1980), and First Monday in October (1981), in which she prophetically played a conservative Supreme Court justice just before Sandra Day O'Connor did it for real. In fact, she owed much of her success to roles that cast her as sensitive, pragmatic, independent women; moviegoers (especially feminine ones) associated her with the burgeoning feminist movement and changing attitudes about women's roles in society.
Clayburgh also played a doomed opera diva in Luna (1979) and a pill-popping director in I'm Dancing as Fast as I Can (1982), the latter scripted by playwrighthusband David Rabe. She sparkled in such TV-movies as Hustling (1975, as a hooker) and Griffin and Phoenix (1976, as one of two terminally ill lovers). Relatively inactive in films lately, she was excellent, however, as a distraught mother in Where Are the Children? (1986) and a photojournalist in Shy People (1987). Foresaking a full-time career to raise a family, Clayburgh was little-seen for several years, but has recently become more visible, in telefilms and such features as Whispers in the Dark (1992), Rich in Love (1993), and Naked in New York (1994).
- Measurements: 35-25-36 (Source: Celebrity Sleuth magazine)
- Attended the prestigious Brearley Finishing School.
- Daughter is named Lily and son named Michael
- Lived with Al Pacino from 1970-75.
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