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  • In 1955, Curtis Hanson's character is Himself in the production of Ai no onimotsu.

  • He plays Bennett Royce in the 1992 production of All the Great Operas in 10 Minutes.

  • In 2007, Curtis Hanson stars as Himself in the release Boobzilla.

  • In 1962, 1st Federal Agent in the movie Auf der Sonnenseite.

  • In 1984, he takes the role of Orlean's Husband in the movie Bereg.

  • In 2004, he plays the part of Himself in the show Carol Duvall Holiday Specials.

  • For the 2000 video Cock Smokers 17, Curtis Hanson's character is Himself.

  • For the 1921 movie Dashing North, he plays the part of Himself.

  • For the 1928 release of The Debonair Humorist, he plays Himself.

  • In 1896, he is cast in the role of Himself in the movie The Derby.

  • DVDs: 'The Samuel Fuller Collection'

    
    The writer-director's vivid, hard-hitting style is fully captured in a new seven-disc set featuring commentaries by Martin Scorsese, Curtis Hanson and Tim Robbins.
    on 2009-10-25 04:47:46

  • Metal mania hits Hollywood

    
    Film News: Stars take in 'Anvil!' documentary -- A packed crowd of Hollywood industryites -- including Dustin Hoffman, Ryan Gosling, Steve Zaillian, Curtis Hanson and Marc Forster -- rocked their heads in unison and chanted "metal on metal" at an imprompt
    on 2009-04-09 04:51:05

  • Film premiere in Coen 'Country'

    
    VPage: 'Old Men' screens in Hollywood -- At Sunday's El Capitan preem for "No Country for Old Men," one guest called the Coen brothers pic "blood poetry"; another said it was "Javier Bardem as the Terminator"; and Curtis Hanson described it as "grim and v
    on 2007-11-06 04:46:37
  • http://www.femalefirst.co.uk/entertainment/91242004-2.htm Russell Crowe - Exclusive print interview September 9, 2005, 4:37:53 Gladiator Extended Special Edition Australia, July 2005 Q. What do you think of the new version of Gladiator on DVD? A. I thought the extra stuff was great. I'd actually forgotten one or two of those scenes so to see them again was really interesting. There's one in particular with Ralf Moeller (who plays Hagen) and we shot it later in the movie and he really had the character humming - that's a cool moment to be added into the movie. But when Ridley and I started talking it through, there's quite a bit more still up his sleeve. Q. When you sat down with Ridley and talked it through, what were the memories that came back to you? A. Making Gladiator was such a huge experience that it connected the two of us for life. When you are faced with such a daunting challenge, you know, a movie shot in three different countries, with a massive amount of detail, where we didn't really have the finalised before we started, it tends to weld you together, forge a friendship. You couldn't really go into a project of that size in any more trying circumstances than what we experienced when we did it. But that is probably why our bond is so deep, because of that. Q. Was there a sort of 'us against the world' mentality? A. Well, let's just say that we know what it took to get certain things and we know the types of arguments we were involved in, and it's one of those odd things, we could understand it because we were doing it day to day. Other people on the outside of the project, or close to the project but just not doing it day to day, couldn't necessarily see what we were getting at until they saw the final movie. I remember feeling, I don't know, it wasn't necessarily pride, but it was some sort of immense feeling of achievement when I first saw the film in an editing room in Los Angeles. It was beyond the fantasies that were playing in my head whilst I was doing the film... ** Article Continues Below ** ** The Russell Crowe article continues now ** Q. Really? It exceeded your expectations? A. It was even beyond that. And it was a pretty big theatrical stage, when you think about doing those scenes in front of 5,000 extras, you know, and then when you multiply that so that it becomes this huge crowd of 50,000, and then it becomes something else that is even more incredible (up on the screen). Q. What were the challenges? A. We were faced with so many challenges; how to keep the story going forward, how to keep the characters centred. We are both fairly philosophical about it now but we did both cop quite a bit of abuse while we were doing it. And there are probably things about my career, that are folk lore now in terms of negativity that come from that period of time when people were literally trying to distance themselves from me and Ridley because they thought we were a little bit crazy. Because we weren't necessarily following anything that they saw would help that movie make any kind of money - we were making this sexless movie that is about violent vengeance that just happened to become really popular with women (laughs). Q. Presumably because you refused to stop fighting for certain things in the film... A. Yeah. I knew that I was fighting the fight on behalf of my director but nobody else but my director knew that, because he would have to place himself politically in a certain way and then pretend (laughs) that we only did something in a certain way because I wouldn't do it any other way. Which was not the case, it's just that we knew that was the way it should be done. It's so funny when you read stuff about the character being such a stoic, because there are some massively emotional scenes in that film, you know, when Maximus sees the crucified and burnt bodies of his wife and son for example. So it is strange that one section of people see it as this very simple thing but then obviously because we are still talking about it five years later, it has a resonance and a huge emotional power. Q. And it had a resonance for the industry in that it prompted many others to try and do a similar kind of epic historical film and curiously most of them haven't worked... A. Yes, it would be interesting to find the number for how many other films have used the Gladiator soundtrack for their trailers and stuff. And since the original Gladiator poster which is that one with the sepia browns and golds, you know how many other movies have come out with that same type of campaign? Which is obviously very flattering to DreamWorks and the people involved, and to Ridley. But with these stories it's all well and good having the costumes and the scale, but if there's a key to it, it's the humanity, and that's what every single one of our conversations were about when it was me and Ridley on one side of the coin and other people disagreeing with us. They were all about that same subject - they were all about the humanity and the reality of the individual characters. They weren't about stunts and special effects and things like that, it was all about keeping the characters real. We had begun with 25 pages of and we established pretty much all of the central characters within those 25, the Roman characters, and then it's a matter of keeping to that, and not relaxing on that. Q. But it's also about the believability of you in that central role as Maximus. Without mentioning names certain others haven't carried an 'epic film' in the same way... A. I think part of that has to do with, not necessarily commitment to the physical, but the reality of the physical. You know, you can do a lot of working out to play a warrior but if you look like you just got turned out from the New York Sports and Fitness Club then it doesn't work. With Gladiator we did a lot of working out but it was all based on what that character would do. So it was all based on things that would replicate or assist in horse riding, carrying weapons of that weight and using them in a particular way. I mean, if you put a 35lb shield in one hand and a 35lb axe in the other and just do some basic things - move your arms up and down and around, you'll feel that, with that weight at the very end of your limb. But those are the type of muscles you have to create if you are going to do that character and they are big, fat muscles to carry those sort of weights and do those sort of things. Whereas you do something like (James) Braddock (the boxer Crowe plays in Cinderella Man) and that's a different muscular deal altogether, it's much slimmer. But I don't want to talk about anybody else, all I would say in comment to anybody else who has done one of these epic things that have thousands of moving parts is "tough ain't it!"(laughs). Q. And presumably there is a direct link between Gladiator and Cinderella Man. I know you suffered a dislocated shoulder which required surgery and delayed the start of Cinderella Man. Was that the shoulder you first injured on Gladiator? A. I'm not sure. The first tearing of the shoulder, the first operation I had, was while I was prepping to do a gymnastics thing in Flora Plum (a film which was to have been directed by Jodie Foster but has yet to be made) but this thing is the same shoulder but the original repair is still in place. It's the other side of the shoulder. I didn't re-injure an old injury, if you understand me. But see, the things you forget.this is what happened when me and Ridley started talking, there was reams of detail and you forget things. And yeah, you're right, I did injure my bicep tendon actually. I tore my bicep tendon on Gladiator. I forgot about that. It actually popped out of the groove in my shoulder, I could see it, you know, usually it's in one place and you can't see your bicep tendon, but it had popped out of the groove so it was above the bone, it was really odd, like a thin lump less than a centimetre wide about two inch long line. It went back in. Actually I pushed it back in the first time but it had a habit of coming out after that. Q. Ridley was saying that with DVD you can give a longer version of a film because people watch DVDs in a different way to seeing a film in the cinema. Do you agree? A. Yes, I agree with that. It's very obvious and you only have to look and see that the sales of DVDs are getting larger and larger. One of the indicators with Cinderella Man recently was that when they were doing the pre release awareness interviews, 37 per cent of people had already decided they were going to wait for the DVD to come out instead of going to see the movie. Thirty seven per cent - that means over a third of the movie goers in the demographic that the film is perfect for, had already decided they were going to show it on their home theatre, that it's the kind of thing that they would like to have the family around for and do it that way. Now when you add up the price of the tickets, parking, popcorn and whatever goes with the movie experience, the price of a DVD looks pretty good. And like I say, with this latest version of Gladiator it does add something more to the film, so it's a different experience. Q. But do you like watching films on DVD yourself? A. One of the essential things about a positive movie experience is when it says 'the end' you don't want it to finish. So it's a fun thing to do. There's a lot of great movies from the past and imagine if you could have an extra twenty minutes of Butch Cassidy and the Sundance Kid? So I think from that point of view, it's great. To me, nothing beats the community experience of a big cinema, 1,000 seats, a gigantic sound system and you are all going 'woooo! ' and 'ha ha' together because that adds to the experience, I think. However, from a sound quality and a picture quality point of view, you can definitely get a similar experience with what you can buy for the home. And I do understand as well, like we were talking about, the extras in Gladiator, the added on expenses when you can make the experience as much fun for your family at home, but at the same time pause so you can all have a toilet break and have a chat at half time (laughs). Q. Presumably filming the tiger scene was an experience you are unlikely to forget? A. Absolutely. I remember we had scheduled something along the lines of six principal shooting days and three days of second unit for the tiger sequence. Which actually began as a rhino sequence. Q. What happened to the rhinos? A. One of the major things outside of the essential sentence 'you are a Roman general, it's 185 AD and you are being directed by Ridley Scott..' the rhino sequence was the thing that when I saw, I thought to myself 'you know what? I can chuck away all of this other stuff that doesn't work, and the character's name that doesn't work and the situations don't work and a lot of other stuff that is way too modern, but give me the opening battle sequences, the relationship with Marcus Aurelius (Richard Harris) and the rhino and I can make this guy work.' (laughs). And part of the way through when we were shooting in Morocco, the rhino gets the chop and we moved to tigers instead. So there we were, shooting it and we stretched out to something like 21 main unit shooting days plus another nine second unit shooting days. Because it's all well and good to write 'and then the tiger does this..' but you have to get the tiger to do it and that's the old cliché about 'and then the Indians came over the hill.' it's very easy to write but quite a few days of logistics to set up and shoot. Q. How close were the tigers when you were filming? A. There were some really scary experiences, but for the most part you are a goodly distance - and I guess a goodly distance was ten metres. How long does it take a tiger to do ten metres? Plus you are also doing aggressive, active things in front of them and what are you told if a big cat is attacking you? You have to be still. So what we are doing is bound to piss them off; we're rolling around the ground and jumping up and down and we probably looked pretty tasty every now and then. We had some really close experiences - one that was a real heart stopper but that particular tiger didn't have any claws and I was really happy about that (laughs). But that was more good luck than good management. There were some funny things with the tigers, man, because we had this whole system set up with the tigers going forward and there were three guys per chain with the chain wrapped around the tiger's neck that could hold him back. Not for a minute did any of the guys when they were working out the logistics of that, assume the tigers would get pissed off with being choked and turn round and chase the three guys yanking the chains (laughs). That was a pretty special day. And then we would be doing the takes and they would release them a little bit early because there are quite a few moves in that particular fights and timing was essential. You had to be careful to release the tiger early enough so we could complete a particular move and move into another position as the tiger rose out of the hole. And every now and then, they would come out way, way too quick (laughs) so I would just accelerate the moves as much as possible. So one day the guy I was fighting got a big slap across the ass from a tiger. It knocked him over but it didn't seem to worry him, he seemed more amused than anything. Q. Bearing all of this in mind was it an enjoyable experience? A. I had a similar experience on Gladiator to the one I had on Cinderella Man. In that pretty much daily I'm in pain, I'm getting challenged all the time - far more so with Gladiator in terms of the . But the similarity of the experience between the two films comes from the fact that even though you might be in pain, even though you have giant logistical problems you are trying to work out, it's still really enjoyable. It was amazing for me to inhabit that world of Gladiator. Amazing. Every time I stepped on to a new set it was incredible. I mean, I would go and visit the sets on my days off - not while they were shooting, but the places I would never see, like Commodus's palace or inside the Senate. Arthur Max (production designer) is such an incredible designer that I would just be intrigued to go and have a look, and there wasn't a single set that didn't in some way take your breath away in terms of its detail or it's palate. It was an amazing experience. Q. What do you think the film meant in terms of your life? A. Well, it's a big change, isn't it? I was only getting used to a different level of attention from LA Confidential, a few years earlier. But that different level of attention was an industry thing and it was about being recognised more within the business rather than on the street. Then The Insider was another step that happened where that industry interest and attention went to awards and nominations and stuff. But you know, those experiences were great gear shifts in my life but nothing equates to the earth shattering zeitgeist moment of Gladiator's release. That is when my life changed dramatically and it wasn't as much mine as it used to be (laughs). You know, so many things shifted with the success of Gladiator. And it's actually probably unquantifiable how much my life changed. Q. Was it quite poignant looking back at the film? Richard Harris, Ollie Reed, David Hemmings, all no longer with us.. A. Yeah and me and Ridley were talking about this. We were chatting about another project and casting it in our imagination and cursing 'wow, those guys are gone.' It's very sad. It would have been so great to have been able to do more work with Richard and every time I seen that scene behind me and him and I hear the dance music that is going on between these two characters, you know.Because you don't often get to work like that, you don't often get to work with such intense attention to detail so effortlessly. We virtually only had the one scene together but that created a bond with us that lasted beyond the grave. Q. And that scene was the heart of the film in a way, everything came from there.. A. Well, it was a great beginning. And that's the thing. Once we'd established what we did for the first few weeks in England then Ridley had set a very high bar for himself and he was just in that frame of mind that this one, of all the things he had done, was going to be seen through. You know, Ridley just had that real, dogged determined attitude on behalf of a narrative that essentially didn't exist anywhere but in his imagination. Q. Did you know very early that you would get on so well with Ridley? A. Oh yeah, first conversation. Because it's about input and priorities. It depends what somebody talks to you about, you know, and he was talking to me about all the things that I care about. And that's the same with Michael Mann or Curtis Hanson or Ron Howard. And sometimes you can get yourself into a situation where you don't listen to your instincts - you are sitting with somebody and they are talking about the stuff that you don't care about or that shouldn't be prioritised, and yet you still find yourself working with that person. And that problem becomes repetitive because if you don't see the story the same way and what is important about the story the same way, then it's a problem. And when you do those sort of gigs you have to have a real clear understanding. Q. So working with Ridley was obviously a joy for you? A. Oh yeah. I enjoy my relationship with Ron Howard too, and when you think about it, it's incredible that I ended up working with Ron twice first rather than Ridley considering how many conversations Ridley and I have had and how many things we have developed together to a certain degree. But you know, I think if we work together now, we've got to do something other than a gigantic epic story, we've got allow and trust the fact that our collaboration is always going to be strong because of the way we communicate and that we don't have to have a gigantic canvass in order to get people's attention, because it'll be the strength of that understanding and the shared common ground instincts we have that will make what we do as interesting as Gladiator was. Q. Do you think it will happen? A. I think we talk about it so much you have to say sooner or later it's bound to happen. But like I say, if we do something together, for me, it would be better to do some little comedy of manners or something, with a small budget and no expectations. And trust our common ground instincts and our level of communications. Q. One of the striking performances in Gladiator, amongst many, is from Joaquin Pheonix.. A. Gladiator is the film that makes Joaquin Phoenix the great actor he is today. Because he faced so many fears, fears about letting his imagination run, trusting his imagination, being trusted by a visionary director like Ridley, being respected by his peers from Oliver Reed to Connie Nielsen to Richard Harris, and very definitely myself. It was a watershed moment for him and he stayed with it and he was incredibly focused. That was the other great thing, the other actors in this film were just as determined about what they were doing and it wasn't screen time or anything to do with that, it was all about 'I'm in a funny costume, speaking in a strange way..' (laughs) 'and I've got to fully understand the motivations and detail behind my character so I can communicate that..' I don't do it, but I would imagine it would be easy on an epic movie to kind of get kind of lulled by the responsibility, lulled by how much work you've got to do and lulled by what is in front of you and you get into some kind of acquiescent rhythm where you just let it take you along, as opposed to you driving it. And that's the difference with a Ridley Scott epic - you know somebody is driving it every day. There was a trickle down effect, a collective energy, you have a leader who is dogged, determined and has a vision and is going to do his best to not have that interrupted or perverted. I know these are big words and it sounds like strong language, but the effect of that, is that all of the performers are involved and when it's the type of attitude that Ridley had, as director of the film, it just encourages everyone to do their best. The inspiration comes from the top, it's as simple as that. If your director is open and flowing and on the top of his game then you tend to get that from your cast. Q. Over the years there's been speculation about a sequel or a prequel, revisiting the Gladiator world in some way. Would you be interested? A. Look - quite frankly I wouldn't care, and I don't think the audience would really care, if we do a scene back stage at the Coliseum and we put a poultice on him (laughs) and he grows grapes and ten years later Djimon (Hounsou who plays Juba) knocks on his door and says 'right ho, we'd better go and do something else..' I don't think anybody would care, because it's a great character and the world that Ridley created is a great world and the fact that they are doing this DVD release - it's 2005 so that's five years since the thing came out, is a good indication that people still care about this film. Q. So are you saying that if it was the right idea and the right people were involved, then maybe? A. It's all pure speculation right, nothing I've said is actually about trying to have that production mounted. I'm responding to your questions honestly. But when you spend so much of your day talking about a particular project with people, no matter where you are in the world, it does go around in your head. And I enjoyed playing the character. It might be this is just an interim attitude, it might be that 12 months from now I go 'don't be silly, he's dead..' (laughs) And some things - the further you get away, the more dangerous it is doing it again.
  • http://jam.canoe.ca/Movies/2005/08/27/1190896.html Fall movie preview By DEREK TSE -- Toronto Sun Antonio Banderas dons the black mask once again as Zorro, with Catherine Zeta-Jones as his damsel in distress, in the sequel The Legend Of Zorro (Oct. 28). With the summer movie season drawing to a close, what have we learned? Mainly that there doesn't seem to be anything close to resembling a sure thing in Hollywood these days. Sure, Revenge Of The Sith made a bundle of cash, but it's the aberration. This was a summer known more for its flops than its small clutch of hits: Russell Crowe's Cinderella Man got K-Oed at the till, audiences yawned at Kingdom Of Heaven's epic battles and Bewitched failed to enchant anybody willing to see Will Ferrell rant and rave for a couple of hours. Even the Scarlett Johansson-boasting The Island couldn't attract any visitors who wanted to stay. So forgive Hollywood bean counters if they're getting a little sweaty under their collars. Unfortunately for them, it doesn't look like the fall movie season's going to boost their profit margins -- even if there's an intriguing slate of films headed our way. There may be few movies that could be described as potential blockbusters (Harry Potter, Chicken Little), but there are more than a few that will challenge seriously for Oscars (Jarhead, Elizabethtown, Into The Blue -- hee-hee, just kidding). So drop the rake and take a look at what's coming to our movie screens the next few months ... 10: INTO THE BLUE (Sept. 30) WHO: Jessica Alba, Paul Walker, Josh Brolin WHat: Surfer-dude director John Stockwell brings us this tale of a bunch of hot young treasure hunters (Jessica Alba and human windbag Paul Walker chief among them) scouring the sea for some hidden booty before a band of bad guys finds it. Speaking of "hidden booty," we're still steamed Alba didn't go au naturel for her role as a stripper in Sin City. WHY: We're pretty sure this won't be a great movie -- or possibly even a good movie. Still, Stockwell's done good work before (Blue Crush, Crazy/Beautiful), and Alba in a bikini has to count for something. Best of all, it affords vapid pretty boy Walker -- the author of such quotes as "When fans tell me they think the movie guy is cool, I want to tell them that the real guy is cooler" and "I want to get married. It's important to me. I think about it a lot. But I also think about my cars" -- a chance to do more press. 9: FLIGHTPLAN (Sept. 23) WHO: Jodie Foster, Peter Sarsgaard, Erika Christensen WHat: In her first movie since 2002's Panic Room, Jodie Foster stars as a frantic mom whose little daughter disappears at 40,000 feet during a transatlantic flight. But the crew suspects she may be delusional and making it all up -- and that her daughter doesn't even exist. Kind of the way the crew on our recent flight suspected we were delusional when we pointed out there was a gremlin ripping up the wing. WHY: It's been too long since we've seen Foster in anything -- her cameo in A Very Long Engagement notwithstanding. But expect turbulence if audiences decide not to board another flight into danger so soon after another airplane thriller (Red Eye). We're betting that people want originality, not more warmed-over plane food. 8: THE NEW WORLD (Nov. 9) WHO: Colin Farrell, Christian Bale, Q'Orianka Kilcher WHat: Reclusive director Terrence Malick returns with the epic tale of the love between Native American lass Pocahontas (Kilcher) and English adventurer John Smith (Farrell). Regrettably, rumours of Eddie Murphy voicing a sass-talkin' raccoon proved to be untrue. WHY: Any Malick movie is greeted like an event (he's only made five since 1969: Lanton Mills, Badlands, Days Of Heaven, The Thin Red Line and now The New World) -- although whether this translates into box office is anyone's guess. Still, it's surefire Oscar bait -- unless, of course, it turns out like Farrell's last historical epic, whose unclean name we shall not mention. Okay, it was Alexander. Great. Now we've gotta take a bath again 7: JARHEAD (Nov. 11) WHO: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard WHat: This adaptation of Gulf War I vet Anthony Swofford's memoirs features Gyllenhaal as the author and takes him through basic training to sniper training to action in Iraq -- He's initially eager to fight for his country but rapidly becomes disturbed by what he experiences. From highly decorated director Sam "Oscar" Mendes (American Beauty, Road To Perdition). WHY: Mendes' great track record and the timeliness of the film -- there still is a war going on in Iraq, right? -- make this a must-see. Plus it will give Foxx -- who plays edgy Sgt. Siek -- a chance to redeem himself after this summer's release of that supersonic turd Stealth. 6: WALK THE LINE (Nov. 18) WHO: Joaquin Phoenix, Reese Witherspoon WHat: Country crooner Johnny Cash gets the ever-popular biopic treatment with Phoenix playing the Man in Black and Witherspoon as his future bride June Carter. The flick traces the legendary singer's rise from his early days on an Arkansas cotton farm to country superstar -- and the troubles along the way. WHY: Biopics are all the rage these days -- just ask Jamie Foxx, who got his Oscar due with Ray. Meanwhile, Witherspoon gets a break from all those fluffy romantic comedies with this meaty role as Cash's long-suffering partner. Still, where there's Witherspoon, there's a romantic comedy, as we'll see with No. 5 ... 5: JUST LIKE HEAVEN (Sept. 16) WHO: Reese Witherspoon, Mark Ruffalo, Jon Heder WHat: Witherspoon returns to more familiar romcom territory with this variation on Ghost. When her highstrung med student is sent into a coma after an accident, her restless ghost returns to her apartment, now being rented by the hapless Ruffalo. Unfortunately, she isn't the kind of restless ghost who climbs out of wells and kills people who watch her videotape. WHY: Reason No. 1: No Whoopi Goldberg, whose "Wacky Psychic Who Can Channel The Ghost" role is played by Jon Heder of Napoleon Dynamite fame. Of course, Witherspoon is watchable in just about anything, and Ruffalo has proven his romantic comedy chops with his turn in the successful Jennifer Garner vehicle 13 Going On 30. 4: CHICKEN LITTLE (Nov. 4) WHO: The voices of Zach Braff, Steve Zahn, John Cusack, Amy Sedaris WHat: When the end of the world is nigh -- thanks to the arrival of a fleet of invading extra-terrestrials -- the titular minuscule poultry tries to tell all of his friends and family, only to have his warnings fall on deaf ears. Kind of like that time we told the flight crew about that gremlin ripping up the ... oh, never mind. WHY: This is a biiiig flick for Disney, which ventures into the 3D animation field for the first time without perennial cash cow Pixar -- call it a dry run for when the House of Mouse makes the third Toy Story flick on its own. So let's hope that Disney has remembered to create a good story in addition to the dazzling animation. Regardless, though, kiddies will drag moms and dads to see this flick -- hey, if Shark Tale can make $168 million, Chicken should be able to rake in at least half as much. 3: ELIZABETHTOWN (Oct. 14) WHO: Orlando Bloom, Kirsten Dunst, Susan Sarandon WHat: In the latest feature from auteur Cameron Crowe, Bloom stars as a young sneaker designer heading back home for the funeral of his father. But then he runs into Dunst's free-spirited stewardess, who sends him on a road trip of self-discovery with a mix tape/map. Stewardess? Why are there so many movies with an airplane theme this fall? And why is that gremlin looking at me? WHY: While we're no fan of Crowe's overlong -- and, frankly, dull -- movies, we know we're in the vast minority. Bloom gets to try something new as he takes on a leading dramatic role for the first time -- which should leave geeks befuddled as they try to figure out how Legolas managed to wrest Mary Jane Watson away from Spider-Man. 2: IN HER SHOES (Oct. 7) WHO: Cameron Diaz, Toni Collette, Shirley MacLaine WHat: In the ultimate chick flick of the fall, Diaz stars as irresponsible, one-night-stand-loving sister Maggie, who makes life hell for her straight-laced lawyer sibling Rose (Collette). Throw in Shirley MacLaine as their loving grandmother, and you've got enough estrogen to make women weep at the mere mention of this movie. WHY: This flick comes courtesy of versatile director Curtis Hanson (L.A. Confidential, 8 Mile), so at least you know he's going to do something interesting with this moribund genre. 1: HARRY POTTER AND THE GOBLET OF FIRE (Nov. 18) WHO: Daniel Radcliffe, Emma Watson, Rupert Grint WHat: In the latest adventures of the titular teenage mage, Harry must face growing evidence that his nefarious arch-nemesis Lord Voldemort has returned. Meanwhile, the Goblet of Fire chooses Harry to compete in the Triwizard Tournament, which sees representatives from all the major wizard schools battling it out in increasingly difficult contests. And no, the "Goblet of Fire" isn't what the puberty-stricken Harry gets whenever he sees Hermione. WHY: With the publication of Harry Potter And The Half-Blood Prince, Potter-mania is back with a vengeance -- and word is this flick is even better than the excellent Prisoner Of Azkaban adaptation. We'll forego gazing into our crystal ball and deem Goblet Of Fire money in the bank -- even if it is another sequel. THE BEST OF THE REST Edward Burns tries to repair the damage done to time in the sci-fi action flick A Sound Of Thunder (Sept. 2) ... The Exorcism Of Emily Rose features Laura Linney as a lawyer trying to determine the truth in a case of exorcism gone terribly awry -- check out the spooky trailer, if you dare (Sept. 9) ... Samuel L. Jackson is a tough special agent searching for his partner's killer; Eugene Levy is the businessman who gets in his way in The Man (Sept. 9) ... An Interpol agent (Ethan Hawke, a.k.a. the ex-Mr. Uma Thurman) pursues a gun runner (Nicolas Cage) who's having doubts about his profession in the action flick Lord Of War (Sept. 16) ... Johnny Depp lends his voice to Tim Burton's Corpse Bride, the tale of a meek man who accidentally gets betrothed to an undead woman (Sept. 23) ... A struggling mother (Jennifer Lopez) moves back in with her estranged father-in-law (Robert Redford) in An Unfinished Life (Sept. 23) ... Roman Polanski adapts Oliver Twist, Dickens' classic tale of the beleaguered boy orphan (Sept. 23) ... David Cronenberg returns to prominence with A History Of Violence, in which Viggo Mortensen is thrust into the spotlight when he kills a man in an apparent case of self-defence (Sept. 23) ... The cult TV show Firefly gets the big-screen treatment with Serenity, in which his space cowboys protect a pair of fugitives from the Alliance (Sept. 30) ... The Greatest Game Ever Played stars Shia LaBeouf as Francis Ouimet, a 20-year-old who accomplished the improbable by winning the 1913 U.S. Open (Sept. 30) ... Philip Seymour Hoffman takes a break from playing mouth-breathing losers to tackle the role of the titular literary icon in the biopic Capote (Sept. 30) ... Wallace And Gromit: The Curse Of The Were-Rabbit sees the beloved clay-animated dog and master duelling a mutant bunny (Oct. 7) ... Matthew McConaughey's ex-football player joins Al Pacino's renowned sports-gambling magnate in the gambling drama Two For The Money (Oct. 7) ... Keira Knightley'>Keira Knightley is the model-turned-bounty hunter Domino Harvey in Domino, a flick based on a true story (Oct. 14) ... Atom Egoyan's latest puzzler, Where The Truth Lies, peers into the seamy sex incident that broke up a showbiz comedy duo (Kevin Bacon and Colin Firth) (Oct. 14) ... The remake of The Fog stars Selma Blair and Tom Welling being menaced by the titular supernatural meteorological event (Oct. 14) ... The Rock battles hordes of ugly aliens in the video game flick Doom (Oct. 21) ... Steve Martin writes and stars in the film version of his novella about the unlikely romance between an older businessman and a Saks Fifth Avenue clerk (Claire Danes) in Shopgirl (Oct. 21) ... Antonio Banderas dons the black mask once again as Zorro, with Catherine Zeta-Jones as his damsel in distress, in the sequel The Legend Of Zorro (Oct. 28) ... Nicolas Cage stars as a TV weather man whose life is crumbling around him in the often-delayed dramedy The Weather Man (Oct. 28) ... Natalie Portman joins forces with mysterious rebel V (Hugo Weaving) who battles the British government with terrorist tactics in the comic-book flick V For Vendetta (Nov. 4) ... Gangsta rapper 50 Cent stars as himself in the premature biopic Get Rich Or Die Tryin' (Nov. 9) ... Two boys unleash a universe of trouble when they play a cosmic board game in the family flick Zathura (Nov. 11) ... Keira Knightley'>Keira Knightley stars in the latest adaptation of Jane Austen's Pride And Prejudice (Nov. 18) ... George Clooney stars as a CIA agent tracking down a terrorism tip in the Middle East in the political thriller Syriana (Nov. 23) ... Taye Diggs, Rosario Dawson and Idina Menzel sing and dance in Rent, the big-screen version of the popular Broadway hit (Nov. 23) ... The remake Yours, Mine & Ours stars Dennis Quaid and Rene Russo as newlyweds who try to combine their 18 kids into one happy family (Nov. 23). RELEASE SCHEDULE SEPTEMBER 2 A Sound Of Thunder The Alzheimer Case Underclassman SEPTEMBER 9 The Exorcism Of Emily Rose The Man SEPTEMBER 16 Just Like Heaven Lord Of War The Woods SEPTEMBER 23 Junebug M Flightplan An Unfinished Life Oliver Twist A History Of Violence SEPTEMBER 30 Serenity M Capote A Good Woman Into The Blue The Greatest Game Ever Played Pretty Persuasion Everything Is Illuminated OCTOBER 7 Wallace & Gromit: The Curse Of The Were-Rabbit In Her Shoes M The Gospel Two For The Money Where The Truth Lies OCTOBER 14 The Fog M Elizabethtown Thumbsucker Rhinoceros Eyes The Squid And The Whale OCTOBER 21 Strangers With Candy Doom M Shopgirl Barely Legal OCTOBER 28 Saw II The Legend Of Zorro The Weather Man NOVEMBER 4 Chicken Little V For Vendetta Water NOVEMBER 9 The New World Get Rich Or Die Tryin' NOVEMBER 11 Zathura M Jarhead Paradise Now M Dark Hours U-Carmen E-Khayelitsha NOVEMBER 18 Harry Potter And The Goblet Of Fire Walk The Line Ballets Russes Pride And Prejudice NOVEMBER 23 Yours, Mine And Ours Dying For Dolly Syriana M Rent
  • "Thanatos" wrote in message news:atropos-5602CE.21455318032008@news.giganews.com... > In article > , > TranslucentAmoebae wrote: possession"http://www.tmz.com/2008/03/11/mary-ann-busted-with-mary-jane/ responsibility"http://www.tmz.com/2008/03/12/it-wasnt-mary-anns-mary-jane/ > difference? He can't tell you...too drunk.
  • http://www.nydailynews.com/entertainment/story/338821p-289317c.html This year's fall and winter movie season looks fantastic. That doesn't mean it's going to be particularly good, just that there are so many ... fantasies. There are children's fantasies like "Zathura" and "The Chronicles of Narnia"; gravity-defying fantasies like "The Legend of Zorro" and "Aeon Flux"; the animated fantasies "Chicken Little," "Tim Burton's Corpse Bride" and "Wallace & Gromit: The Curse of the Were-rabbit"; sci-fi adventures "Serenity," "Doom" and "A Sound of Thunder"; the fourth Harry Potter movie, and Peter Jackson's remake of the ultimate fantasy-adventure, "King Kong." We begin our preview at the end of August, but the string of fantasies gets an early start on Friday with Terry Gilliam's galloping "The Brothers Grimm," which has more references to classic fairy tale characters than all the other coming fantasies combined. Some analysts may attribute the rash of fantasy films to the escapism that comes with war, and that may play a role. But it seems just as likely that fantasy reigns because the ability to create incredible images today makes the genre irresistible to storytellers. The trailers for all of the above movies are linked on the Web sites www.apple.com/trailers and www.imdb.com. Take a look and you'll agree: They look fantastic. Fall/winter is also Oscar season, and there are plenty of potential contenders. The high-profile films with awards ambitions include Steven Spielberg's "Munich," a drama based on the search for the planners of the assault on Israeli athletes at the 1972 Olympic Games; Rob Marshall's "Memoirs of a Geisha," based on Arthur Golden's acclaimed novel about a woman who spends her life in the high art of pleasing, and Terrence Malick's "The New World," an epic account of the first Virginia colony and the meeting of John Smith and Pocahontas. Recent Oscar-winning director Roman Polanski returns with a new version of Charles Dickens' "Oliver Twist," and Marc Forster'>Marc Forster ("Finding Neverland") turns to drama with "Stay," the story of a psychiatrist's efforts to stop a patient from carrying out a suicide threat. Two Broadway musicals make the transition to the screen. Susan Stroman, who directed "The Producers" on stage, handles the film adaptation as well, while Chris Columbus directs "Rent." A few laughs Comedies abound. Among them are: "Rumor Has It," starring Jennifer Aniston as a female version of "The Graduate's" Benjamin Braddock; "The Man," a buddy film featuring unlikely chemistry between Samuel L. Jackson and Eugene Levy; "The Weather Man," starring Nicolas Cage'>Nicolas Cage'>Nicolas Cage'>Nicolas Cage as a TV weather guy who wears his bad forecasts on his shoulders, and a pair of old-fashioned family films about families that are too big - "Yours, Mine, and Ours" and "Cheaper by the Dozen 2." The following schedule may have changed by the time the ink was dry on this newspaper. But the great majority of films listed are locked in to those dates. Every New Film AUG. 31 The Constant Gardener Brazil's Fernando Meirelles ("City of God") directs Ralph Fiennes and Rachel Weisz in an adaptation of John LeCarre's thriller about a British diplomat rousted from his Nairobi garden to investigate the murder of his activist wife. Games of Love and Chance Abdel Kechiche directs the Cesar-winning drama about a group of French students coming of age in a political pressure cooker of a French project. William Eggleston in the Real World Director Michael Almereyada followed the 65-year-old avant garde photographer, musician, draftsman and videographer across country for this intimate documentary portrait. SEPT. 2 The Underclassman Action-comedy starring Nick Cannon ("Drumline") as a young L.A. detective who goes undercover at a posh prep school to break up a stolen car ring. Directed by Marcos Siega ("Pretty Persuasion"). A Sound of Thunder Edward Burns, Ben Kingsley'>Ben Kingsley and Catherine McCormack star in an adaptation of a Ray Bradbury story about a group of people who travel back to the dinosaur era and cause a chain reaction that alters the future to which they return. Directed by Peter Hyams ("Timecop"). The Transporter 2 Jason Statham returns as Frank Martin, a man who delivers anonymous packages to anonymous clients, no questions asked. Inevitably, the packages get him into trouble, this time with a gun-toting blonde (Amber Valletta). SEPT. 7 Touch the Sound Documentary about symphony percussionist Evelyn Glennie, a child prodigy from Scotland who lost her hearing at age 12 but didn't miss a beat. At 40, she's still performing. SEPT. 9 The Exorcism of Emily Rose Laura Linney plays a lawyer defending a priest (Tom Wilkinson) accused of murder after his exorcism of a possessed woman leaves her dead. With Campbell Scott. The Man Comedy of mistaken identity starring Samuel L. Jackson as a special agent whose search for his partner's killer leads him to a dorky salesman (Eugene Levy). Directed by Les Mayfield ("Encino Man"). Curandero "Sin City's" Robert Rodriguez wrote the for this horror movie about a man caught up in black magic in Mexico City. Director Eduardo Rodriguez is apparently no relation. An Unfinished Life Lasse Hallstr=F6m's sentimental drama brings the unlikely pairing of uptight rancher Robert Redford and emotional single mom Jennifer Lopez. Don't expect sparks, though: he's a grieving father, and she's the woman who married, and then accidentally killed, his son. Can her preteen daughter unite them, or will she become just another wedge in their long-simmering enmity? More important, will Lopez benefit from a boost in her lukewarm screen career, or has the shelf-life on this much delayed movie already expired? Steal Me A 15-year-old boy abandoned by his mother befriends another boy his age and moves in with his family, soon developing a crush on both his friend's mother and the sexy older woman living next door. Keane Lodge Kerrigan ("Claire Dolan") directs Damian Lewis ("Dreamcatcher") in a psychological drama about a man haunted by the disappearance of his 6-year-old daughter at Manhattan's Port Authority Bus Terminal - or was it all in his head? The Outsiders - The Complete Novel Francis Coppola's elongated version of his 1983 adaptation of the S.E. Hinton novel. The DVD goes on sale immediately after the release. Cote d'Azur French comedy about a family whose seaside vacation gets a little foamy when the couple's daughter takes up with a biker and their son drifts off with his best friend, who is secretly in love with him. Walking on the Sky A group of six New York friends have to wrestle with the new dynamics in their relationships when another member of their circle kills himself and leaves behind a revealing diary. Directed by and starring New York native Carl T. Evans. Green Street Hooligans Elijah Wood plays a wrongly expelled Harvard student who moves to London, where he is instantly drawn into the violent subculture of soccer hooliganism. With Charlie Hunnam, Claire Forlani. Music From the Inside Out Daniel Anker documentary weaving together a mosaic of the stories, ideas and experiences of the 105 members of the Philadelphia Orchestra, a musical institution that hasn't participated in a film since "Fantasia." Answering the Call Documentary honoring the people who answered emergency calls on 9/11. SEPT. 14 The Future of Food Documentary about genetically engineered products that have become part of the U.S. food chain - whether they're good for us or not. Directed by Deborah Koons Garcia, widow of Jerry Garcia. SEPT. 16 Kiss Kiss, Bang Bang Big-fee action screenwriter Shane Black ("Lethal Weapon") makes his directing debut with his own about a New York actor (Robert Downey, Jr.) who impersonates a detective and gets himself in all sorts of trouble. With Val Kilmer, Michelle Monaghan. Lord of War Nicolas Cage'>Nicolas Cage'>Nicolas Cage'>Nicolas Cage is an international gun dealer in Andrew Niccol's topical black comedy, which co-stars Ethan Hawke as an Interpol agent intent on bringing him down. With Donald Sutherland, Ian Holm, Jared Leto. Just Like Heaven "Mean Girls"' Mark Waters directs Mark Ruffalo and Reese Witherspoon in a romantic fantasy about a young man and the spirit of a comatose doctor who fall in love while sharing an apartment. Once they're over their, uh, dimensional differences, the race is on to keep her body from being taken off life support. Proof Last time director John Madden and Gwyneth Paltrow worked together, she landed herself an Oscar. Though more erudite and intimate than "Shakespeare in Love," Madden's adaptation of David Auburn's Pulitzer Prize-winning play might just catch the eyes of Academy's voters, too. Reprising a role she has already tackled on the London stage, Paltrow plays an overwhelmed young woman rapidly losing her grip after the death of her father (Anthony Hopkins), a brilliant math professor. Hovering around the edges are her concerned support system: brainy admirer Jake Gyllenhaal'>Jake Gyllenhaal and coldly practical sister Hope Davis. The Woods Psychological horror film about the students of an all-girl boarding school who begin to go missing in the surrounding woods. Patricia Clarkson is the headmistress and Agnes Bruckner'>Agnes Bruckner is the new student caught up in the mystery. Separate Lies It's been a while since we were faced with the sight of middle-class Brits keeping a stiff upper lip while suppressing dangerous secrets. Fortunately, Emily Watson and Tom Wilkinson are always willing to suffer stoically for our entertainment. "Gosford Park" screenwriter Julian Fellowes makes his directorial debut, while Watson and Wilkinson play a long-married couple who are still quite happy together (aside from the passionate affair and possible homicide she's hiding). Venom Jim Gillespie ("I Know What You Did Last Summer") directs another teens-in-trouble horror picture, this one involving voodoo in the bayous of Louisiana. With Agnes Bruckner'>Agnes Bruckner (poor thing), Bijou Phillips. The Libertine Johnny Depp takes on the role of notorious 17th-century poet, derelict and debaucher John Wilmot, the Earl of Rochester and grand embarrassment of Charles II (John Malkovich). Samantha Morton is the actress who comes under Wilmot's shaky tutelage. Adapted from his play by Stephen Jeffreys and directed by first-timer Laurence Dunmore. Tim Burton's Corpse Bride Another day, another Johnny Depp-Tim Burton collaboration. Not that we're feeling cavalier about it: These two have given us some of the most unusual movies in recent years. Since Burton's "The Nightmare Before Christmas" and "James and the Giant Peach" are among them, we have high hopes for this latest stop-motion animated fantasy, which is based on an old Russian folk tale about a young groom (voiced by Depp) who inadvertently finds himself with two wives (he could do worse than Helena Bonham Carter'>Helena Bonham Carter and Emily Watson). Thumbsucker Offbeat comedy about a 17-year-old boy whose infantile habit of sucking his thumb makes him the subject of ridicule and isolation even in his own home. But the people trying to help him kick the habit are even stranger. With Tilda Swinton, Vincent D'Onofrio, Keanu Reeves, Vince Vaughn. It's the first feature directed by Mike Mills, maker of the well-received short "Paperboys." Everything Is Illuminated Actor Liev Schreiber makes his writing and directing debut with his adaptation of Jonathan Safran Foer's darkly comic best seller about a young American Jew who travels to Russia to find the woman who saved his grandfather from the Nazis. With Elijah Wood. One Bright Shining Moment: The Forgotten Summer of George McGovern Documentary about the 1972 presidential campaign and political humiliation of the idealistic former South Dakota senator. Cry Wolf A high-school prank turns lethal when classmates listed on a joke Web site as the next victims of a serial killer start turning up dead. With Julian Morris, Lindy Booth, Jon Bon Jovi. Hard Goodbyes: My Father Greek drama about a lonely boy who has to rely on his imagination when the father with whom he'd shared a passion for outer space does not come home. The Thing About My Folks Paul Reiser wrote this film and co-stars in it with Peter Falk as a son and father rediscovering the bond between them on a cross-country trip in a restored '36 Ford. Directed by Raymond De Felitta ("Two Family House"). The Weeping Meadow The first film in a planned trilogy by Greek master Theo Angelopoulos follows a pair of refugee children as they come of age in the small Greek village they are brought to after the Russian Revolution. SEPT. 23 A History of Violence With echoes of Alfred Hitchcock's "wrong man" theme and Sam Peckinpah's "Straw Dogs," David Cronenberg's latest film stars Viggo Mortensen as a small-town family man whose celebrated heroism in thwarting and killing two thugs in his diner draws gangsters to town. The one with the deformed face (Ed Harris) claims he knew the hero years before and he has come for some payback. Despite his denials, Mortensen's character ends up having to fight violence with violence. With Maria Bello, William Hurt. Oliver Twist If ever there were a story that suited Roman Polanski's dark sensibilities, it's Charles Dickens' classic saga of an orphan whose fate falls and rises at the mercy of others. The screenplay was written by Ronald Harwood, Polanski's partner on their Oscar-winning "Pianist," so it is always possible that this artistically acclaimed pair aims to entertain adults and youngsters alike, while simultaneously approaching the Academy with a respectful request: "May we have some more?" With Barney Clark as Oliver, Ben Kingsley'>Ben Kingsley as Fagin and Jamie Foreman as Bill Sykes. Flightplan In her first starring role in three years, Jodie Foster plays a recently widowed woman whose 6-year-old daughter disappears in the middle of a trans-continental flight from Berlin to New York. Since no one else on the plane remembers seeing the girl, they question whether she was there only in her mother's mind. Daltry Calhoun Johnny Knoxville returns to his hometown as a roustabout and would-be golf magnate whose ex-wife (Elizabeth Banks) throws a twist into his life by dropping their 14-year-old daughter at his door. Roll Bounce Nick Cannon, Bow Wow and Mike Epps star for "The Best Man" director Malcolm D. Lee in this comedy-drama about a group of hip-hop roller skaters preparing for a competition on the other side of 1970s Chicago. Dear Wendy Lars von Trier and Thomas Vinterberg, two of the founders of the Danish film collective Dogme 95, team up as writer (von Trier) and director (Vinterberg) of this parable about America's contradictory gun culture. It follows a group of teenage outcasts in a fictional mining town who form a secret club known as "The Dandies." Their purpose - to love and admire guns but never use them on anybody - soon goes out the window. Magnificent Desolation: Walking on the Moon 3D Tom Hanks produced and narrates this 3-D IMAX film that re-creates for the audience what the 12 astronauts who have walked on the moon experienced. Into the Fire Drama about a troubled NYPD harbor cop who freezes during a rescue attempt of a drowning woman and tries to make peace with his conscience and the victim's identical twin. With Sean Patrick Flanery and Melina Kanakaredes from TV's "Providence." Dorian Blues Coming-out story about a young man who, on the cusp of moving to New York, begins showing his preference for men, much to the dismay of his right-wing father and his jock brother. 7 Dias Mexican film about a U2 super fan determined to raise the half-million dollars it would cost to bring the band to his country. Dirty Love Jenny McCarthy wrote this comedy and co-stars in it with Carmen Electra. It's about a jilted woman who sees a psychic to find out where she should search for true love. Occupation: Dreamland Documentary focusing on the men of the 82nd Airborne in Iraq and on the Army's recruitment tactics. SEPT. 28 Forty Shades of Blue Rip Torn plays a legendary (and doesn't he know it) Memphis music producer whose comfy existence is shaken when his young Russian trophy wife (Dina Korzun) falls in love with his estranged son. SEPT. 30 Capote The estimable Philip Seymour Hoffman plays the late novelist and social gadfly Truman Capote. It's not a conventional biopic, but an account of the writer's research for "In Cold Blood," his classic "nonfiction novel" about the murders of a Kansas farm family and the subsequent trials and executions of their killers. Catherine Keener is Harper Lee, Capote's young associate (and future author of "To Kill a Mockingbird") and Clifton Collins Jr. plays the killer Perry Smith, with whom Capote developed a strong relationship. Bennett Miller is the first-time director. The Greatest Game Ever Played Shia LaBeouf ("Holes") stars for director Bill Paxton in the dramatization of 20-year-old American amateur golfer Francis Ouimet's legendary victory at the 1913 U.S. Open in Brookline, Mass. Stephen Dillane plays Harry Vardon, the cocky British champion who was humbled before the golfing world. Into the Blue "Blue Crush" director John Stockwell goes back to the water for this thriller about a group of buff young divers who find a fortune in the cargo bay of a sunken airplane and make the mistake of keeping it. With Paul Walker and Jessica Alba. MirrorMask British fantasy about a 15-year-old circus entertainer whose guilt over her mother's illness sends her into an alternative universe of contrasting light and dark kingdoms. Serenity Feature-length finale to Joss Whedon's 13-episode sci-fi TV series "Firefly," about a group of adventurers aboard a space transporter 500 years in the future. Here, Capt. Mal Reynolds (Nathan Fillion) and his crew are being chased by the galaxy-ruling Alliance, which wants to reclaim the telepathic fugitive River (Summer Glau) traveling with them. Little Manhattan Mark Levin, a story editor for "The Wonder Years," makes his directing debut with this tale of first love between two 12-year-olds. The War Within Drama about a Pakistani engineering student who is mistaken for a terrorist and placed in confinement. The Prize Winner of Defiance, Ohio Julianne Moore is a mother of 10 helping her luckless husband (Woody Harrelson) make ends meet by entering - and winning - jingles contests in the 1950s. Adapted from the memoir of Terry Ryan, whose mother did such things. Going Shopping Henry Jaglom directs his wife, Victoria Foyt, in a story about a clothing boutique owner's wild experiences during a Mother's Day weekend sale. OCT. 5 The Squid and the Whale Noah Baumbach, son of former Village Voice film critic Georgia Brown, wrote and directs a loosely autobiographical drama about two brothers dealing with their parents' divorce in 1980s Brooklyn. With Jeff Daniels, Laura Linney. OCT. 7 Goodnight, and Good Luck This drama, directed by George Clooney, is built around the public fight between legendary broadcast journalist Edward R. Murrow (David Strathairn) and Sen. Joseph McCarthy. In the 1950s, McCarthy was the most visible member of the witch-hunting House UnAmerican Activities Committee, which destroyed the careers of innocent people from all walks of life by associating them with Communists. Murrow led the reaction to McCarthy and got labeled a Communist for his trouble. CBS News stuck with Murrow despite the pressure, and McCarthy's power began to fade. Clooney co-stars as CBS news producer Fred Friendly and Frank Langella plays the corporation's chief, William Paley. In Her Shoes Curtis Hanson ("L.A. Confidential") goes all soft on us with this story about two estranged sisters (Cameron Diaz and Toni Collette) who are reconciled by the grandmother (Shirley MacLaine) they never knew they had. Two for the Money Matthew McConaughey is a former college football star whose track record for handicapping sporting events draws him into the world of high stakes gambling, where nothing short of his life will be at stake. With Al Pacino as the betting agency mogul who comes to rely on and dominate him. Directed by D.J. Caruso ("The Salton Sea"). The Gospel An R&B star (Clifton Powell) faces a spiritual crisis when he returns home on learning of the illness of his father, a church bishop, and his boyhood rival's plans to take over the church. With Omar Gooding. Before the Fall German drama about a young boxing prospect whose repulsion over Nazi atrocities sets him against the biggest opponent of all. Waiting An "American Pie"-style comedy about the crude and rude employees of a restaurant whose name - Shenanigans - describes their behavior. With Ryan Reynolds, Anna Faris, Justin Long. Wallace & Gromit: The Curse of the Were-rabbit What are the odds we'd have two stop-motion movies to look forward to this season? (Strangely enough, Helena Bonham Carter'>Helena Bonham Carter lends her voice to both.) Already the subject of three Oscar-nominated shorts, inventor Wallace and his dog Gromit make their feature debut in a comedy about a mysterious monster who's destroying the garden plots of an English village. Naturally, it's up to our intrepid heroes to stop him. "Chicken Run," the last import from the inspired minds at Aardman Animation, was a surprise smash. Wallace and Gromit deserve nothing less. Dandelion A coming of age story about a 16-year-old boy and how his search for his identity is connected with the various forms of love that are missing from his life. OCT. 12 Henri Langlois: Phantom of the Cinematheque Documentary about the film archivist who inspired French New Wave directors Godard, Truffaut, Rohmer and Chabrol. OCT. 14 Nine Lives Rodrigo Garcia directs a series of nine vignettes about women getting on with their lives in Los Angeles. Each segment is done as a single 10-minute take. With Sissy Spacek, Robin Wright Penn, Glenn Close and Holly Hunter. Elizabethtown Orlando Bloom is an industrial designer hit with three pieces of devastating news: his girlfriend (Jessica Biel) is breaking up with him; he has lost his job because of a disastrous mistake, and his father has died. On the plus side, he meets an irrepressible flight attendant (Kirsten Dunst) traveling to his father's funeral in Kentucky and realizes that his life may get better - if it doesn't get worse. Written and directed by Cameron Crowe ("Almost Famous"). North Country Oscar-winner Charlize Theron'>Charlize Theron ("Monster") stars in a fictionalized account of the landmark 1984 sexual harassment case involving a woman working in the Minnesota mining industry and her male co-workers. With Frances McDormand, Woody Harrelson. Directed by Niki Caro ("Whale Rider"). Domino Keira Knightley'>Keira Knightley assumes the title role in Tony Scott's highly exaggerated account of the adventures of British actor Laurence Harvey's daughter, who turned her back on a modeling and potential acting career to become a bounty hunter; she died at age 35 in June. With Mena Suvari, Mickey Rourke. Where the Truth Lies Atom Egoyan ("The Sweet Hereafter") adapts Rupert Holmes' novel about a young journalist (Alison Lohman) probing for the truth of a 15-year-old scandal that destroyed the careers of a revered showbiz duo (Kevin Bacon, Colin Firth). The Fog Rupert Wainwright ("Stigmata") directs the remake of John Carpenter's 1980 horror film about the ghosts of long-buried lepers who rise on a dense fog surrounding a coastal California town. Selma Blair and Maggie Grace are among the terrorized. Loggerheads Three interwoven stories about a young gay man (Kip Pardue), his biological mother (Bonnie Hunt) and his adoptive parents (Chris Sarandon and Tess Harper). Innocent Voices Based on screenwriter Oscar Torres' childhood experience, this is the story of a 12-year-old boy who is automatically enlisted in the army in 1980s El Salvador. Directed by Luis Mandoki ("Message in a Bottle"). OCT. 19 Ushpizin Drama about the daily lives of ultra-Orthodox Jews learning, living and loving in modern-day Israel. OCT. 21 Shopgirl Steve Martin'>Steve Martin adapted his slight novella and co-stars with Claire Danes in a story about a salesclerk at a Beverly Hills department store who gets involved with a middle-age sugar daddy. Barely Legal Three high-school sophomores try to make a porno movie in their basement while their parents are at work. The results are disastrous, especially when a school bully wants to participate in the film. Stay Marc Forster'>Marc Forster ("Finding Neverland," "Monster's Ball") directs Ewan McGregor and Naomi Watts'>Naomi Watts in a thriller about a psychiatrist's nightmarish effort to prevent a patient from carrying out his threat to kill himself in three days. Kids in America At fictional Booker High in Brooklyn, a group of politically active students joins forces with a fired teacher on a film documenting their campaign against the repressive school principal. Dreamer A "Seabiscuit"-like "underhorse" story about a filly who breaks her leg and is nursed back to health by her trainer (Kurt Russell) at the insistence of his daughter (Dakota Fanning). The horse then returns to the track to try and win the Breeder's Cup. After Innocence Documentary about the reentry into society of seven men released from prison after DNA evidence proved they were innocent of the crimes for which they were sent away for decades. Protocols of Zion Documentary filmmaker Marc Levin takes his camera to the streets of New York to learn from passing anti-Semites why they hate Jews. Doom The Rock stars in Andrzej Bartkowiak's feature version of the super-hot '90s video game about Marines taking on invading monsters on their base on a moon of Mars in the year 2145. Innocence This Belgian-French film is based on an 1888 Gothic novella about young girls growing up in a subterranean boarding school beneath an isolated wood. The Ordeal Belgian psychological drama about a singer who ends up in a creepy, out-of-the-way motel after his car breaks down in the night. Derailed Adapted from James Siegel's heralded first novel, this thriller stars Clive Owen and Jennifer Aniston as illicit Manhattan lovers trying to outwit a violent blackmailer who is much smarter than they are. With Vincent Cassel, Melissa George, RZA, Tom Conti, Xzibit, Giancarlo Esposito. White King, Red Rubber, Black Death Documentary about the brutality of a jungle gulag created by Belgium's King Leopold II in the colonial Congo in 1885. OCT. 26 Ballets Russes Documentary about the famed ballet company, which is about to celebrate its 100th anniversary. OCT. 28 The Legend of Zorro The sequel to the 1998 "Mask of Zorro" traces how Antonio Banderas' Don Alejandro is forced to put on the mask and take up the sword several years after marrying the lovely Elena (Catherine Zeta-Jones) and having a son. The boy is now 10 and unaware of dad's outlaw fame, but he will soon learn as the mark of Zorro begins appearing anew on the landscape and on the bodies of baddies in Old California. Returning director is Martin Campbell. Prime What's a girl (Uma Thurman) to do when she learns that the psychotherapist to whom she's told the most intimate details of her sex life is her boyfriend's mother? For that matter, what's the shrink to do? A comedy by writer-director Ben Younger. Three ... Extremes A pan-Asian sampler of 30-minute horror shorts from China's Fruit Chan, Japan's Takashi Miike and South Korea's Chan-wook Park. The Dying Gaul A grieving gay screenwriter (Peter Sarsgaard) has a shot at selling his about his relationship with his late lover and agent, but there's a Faustian catch: He has to change it to a heterosexual relationship. With Patricia Clarkson, Campbell Scott. Craig Lucas (writer of "Long Time Companion") directs his own . Saw II The serial killer known as Jigsaw returns to terrorize eight more strangers with his murderous game playing in the sequel to last year's Halloween hit. Paradise Now A drama about two Palestinian boyhood friends spending their last day together before going off on suicide bombing missions in Tel Aviv. The Weather Man Nicolas Cage'>Nicolas Cage'>Nicolas Cage'>Nicolas Cage is a Chicago TV weatherman, family man and neurotic whose decision to take a job in New York puts all of his roles at risk in this offbeat comedy. With Hope Davis, Michael Caine. Directed by Gore Verbinski ("Pirates of the Caribbean"). Blackmail Boy A blackmail scheme leads to murder in a small Greek town. NOV. 4 Jarhead Jake Gyllenhaal'>Jake Gyllenhaal is a young Marine forced to grow up fast during Desert Storm. Based on former Marine Anthony Swofford's 2003 best-seller. With Jamie Foxx, Lucas Black. Directed by Sam Mendes ("American Beauty"). NY Doll This documentary about the late Arthur Kane, bassist with the New York Dolls, centers on the notorious glam-punk band's 2004 reunion. The Matador In writer-director Richard Shepard's black comedy, Pierce Brosnan plays an international hit man who, on assignment in Mexico City, befriends, then enlists, a woebegone businessman (Greg Kinnear) as a partner in crime. With Hope Davis, Philip Baker Hall. Tristram Shandy: A Cock and Bull Story British comedy actor Steve Coogan ("24 Hour Party People") plays the title character in Michael Winterbottom's audacious adaptation of Laurence Sterne's 1759 novel "Tristram Shandy," about an egocentric country gentleman sharing his views with readers, when not digressing about his family. Chicken Little This non-Pixar CGI cartoon from Disney stars Zach Braff as the voice of Chicken Little, a vigilant sky watcher who proves he isn't always wrong when he says "the sky is falling." Joan Cusack, Don Knotts, Fred Willard and Amy Sedaris also lend their voices. The Family Stone A romantic comedy about a family that circles the wagons when Ben Stone (Luke Wilson) brings home an uptight woman (Claire Danes) he intends to marry. Facing a cold reception, she calls in her sister (Sarah Jessica Parker) for support, then things get really bad. Summer Storm German coming-out story about a camping trip during which one of two best friends discovers he wants more than friendship. NOV. 9 The New World Terrence Malick ("The Thin Red Line") wrote and directed this historical epic about the arrival of British colonists on the coast of North America and their conflicts with the natives they found there. It's the story of John Smith, Pocahontas and John Rolfe, and of the teenage Pocahontas' role in saving the white colonists from her tribe's warriors, and of her subsequent trip to England. Colin Farrell plays Smith, Christian Bale is Rolfe and 15-year-old German-born Q'Orianka Kilcher, partly descended from native South Americans, is Pocahontas. Pulse Remake of a Japanese horror film about a computer virus or supernatural force that turns viewers into suicidal depressives. With Kristen Bell (from TV's "Veronica Mars"). The Swenkas In South Africa, flamboyant, stylish - and straight - blue-collar Zulu men replace their overalls with colorful designer suits to compete in fashion shows of their own making, in a ritual called "swanking." NOV. 11 Bee Season Fans of Myla Goldberg's best seller ought to be happy with the team behind this adaptation: Directors Scott McGehee and David Siegel did a nice job exploring family tensions in "The Deep End." And if any actor can handle the story's spiritual twists and turns, it's surely the Dalai Lama's No. 1 fan, Richard Gere. He plays a theology professor convinced his young daughter (Flora Cross) has a divine connection to another plane. Meanwhile, his teenage son (Max Minghella) and mentally ill wife (Juliette Binoche) are floundering right here on Earth. Take My Eyes Acclaimed Spanish drama about a woman who takes her son and leaves the abusive husband she still loves. Ellie Parker In this low-budget indie comedy, which originated as a 2001 short film project, Naomi Watts'>Naomi Watts plays what she once was, an Australian actress trying to get traction in Hollywood. With Chevy Chase as her manager and writer-director Scott Coffey as her boyfriend. Get Rich or Die Tryin' Taking its cue from "8 Mile," this urban drama is a loosely autobiographical tale about an inner-city thief and drug dealer who leaves prison determined to become a rap star. He's played by - and inspired by - Curtis "50 Cent" Jackson. The director is Jim Sheridan ("In America"). Sarah Silverman: Jesus Is Magic The raw standup comic expounds on politics, race, sex and religion. Cape of Good Hope South African drama about three women whose lives intersect at an animal rescue shelter, to their lasting good. Zathura Less a sequel to 1995's "Jumanji" than another wild game. In this one, directed by Jon Favreau ("Elf"), two young brothers find a space adventure board game in the attic of their California bungalow and are soon hoist - house and all - into the galaxy. Tim Robbins plays their befuddled father. The screenplay by David Koepp and John Kamps was based, like "Jumanji" and "Polar Express," on a book by Chris Van Allsburg. NOV. 16 The Syrian Bride Israeli filmmaker Eran Riklis' drama about a Syrian woman who, in her bridal outfit, is steps away from crossing the border into Israel to meet her groom when politics stops her in her tracks. NOV. 18 Walk the Line James Mangold ("Identity") directs Joaquin Phoenix in this Johnny Cash biopic. Reese Witherspoon plays his wife, June Carter. Harry Potter and the Goblet of Fire In the fourth part of the series, Harry, Ron and Hermione face down Voldemort's Death Eaters. There have been some grumblings that Mike Newell, the director of "Four Weddings and a Funeral," will not stay true to the daringly dark tone set by his predecessor, Alfonso Cuar=F3n. As Dumbledore tells Harry, "We must all face the choice between what is right and what is easy." Here's hoping Newell chose wisely. Pride & Prejudice A new adaptation of Jane Austen's novel about the five Bennet sisters in Georgian England. Keira Knightley'>Keira Knightley is Elizabeth, the most self-determined of the girls, and Matthew MacFadyen is Darcy, the snob whom love will tame. Breakfast on Pluto Director Neil Jordan ("The Crying Game") takes up with another transvestite character in his adaptation of Pat McCabe's novel about an Irish cabaret singer and prostitute who is wrongly accused of planting a bomb in a 1970s London club. With Cillian Murphy ("Red Eye") and Liam Neeson. Wolf Creek Australian horror movie about three young people who follow their spring break with a trip to the outback, where somebody intends to have fun at their expense. NOV. 21 The Heart Is Deceitful Above All Things A Southern Gothic movie about a boy learning about the seedy sides of the world while on the road with his impulsive young mother (played by actress-director Asia Argento). With cameos by Winona Ryder, Marilyn Manson and Peter Fonda, among others. NOV. 23 Syriana George Clooney stars in the biographical drama of Robert Baer, a 20-year veteran of the CIA, who worked undercover studying terrorists in the Middle East and became fed up with the growing weakness of the agency and the cozy relationship between the oil-hungry West and a certain government (hint: Saudi Arabia). With Matt Damon, Amanda Peet. Written and directed by Stephen Gaghan. Rent Chris Columbus, director of the first two Harry Potter movies, helms the screen version of Jonathan Larson's Tony- and Pulitzer Prize-winning rock opera about a group of bohemians struggling with life in the East Village. It stars Rosario Dawson, Taye Diggs and several members of the original Broadway cast. The Ice Harvest "Groundhog Day's" Harold Ramis directs John Cusack and Billy Bob Thornton in a comedy about two guys who embezzle $2 million from corrupt Wichita businessmen and are set to make a clean Christmas Eve getaway until an ice storm arrives. Yours, Mine and Ours Dennis Quaid and Rene Russo take over for Henry Fonda and Lucille Ball in the remake of the 1968 comedy about a man with 8 kids who marries a woman with 10. The White Countess The final Merchant-Ivory production (Ismail Merchant died in May) is set in late-1930s Shanghai, where a blind, disillusioned American diplomat (Ralph Fiennes) is making a careful study of the decadent city's rankest bars with the idea of building the perfect dive. Natasha Richardson plays the Russian taxi dancer who catches the diplomat's eye and is recruited as the centerpiece of the club. Dying For Dolly After saving a mafioso's life, a young African-American (R&B star Usher) is rewarded with a job in the mob and puts it in jeopardy by falling in love with the boss' daughter. With Chazz Palminteri, Emmanuelle Chriqui. NOV. 30 The Boys of Baraka Documentary about the experience of a group of Baltimore 12-year-olds sent to an experimental boarding school in Kenya. DEC. 2 Transamerica "Desperate Housewives'" Felicity Huffman plays a pre-op he-to-she transsexual whose plans for the life-changing surgery are disrupted by the discovery of a son (Kevin Zegers) fathered 20 years before. Aeon Flux Charlize Theron'>Charlize Theron has the title role in this adaptation of the cult MTV action series about a physically agile heroine working as a rebel operative in a walled city run by scientists 400 years in the future. With Frances McDormand, Sophie Okonedo. Be Here to Love Me Documentary about the late, hard-living songwriter Townes Van Zandt, with appearances by fans Willie Nelson, Lyle Lovett, Steve Earle and Kris Kristofferson. The Kid and I California Gov. Arnold Schwarzenegger makes his first post-inauguration movie appearance in a comedy about a 17-year-old boy with cerebral palsy whose wealthy father (Joe Mantegna) decides to grant his wish by financing an action movie for him to star in. First Descent A documentary about snowboarding. DEC. 9 Memoirs of a Geisha Zhang Ziyi, Gong Li and Michelle Yeoh, three of the most beautiful Asian actresses, star in the adaptation of Arthur Golden's epic novel about a peasant girl who is sold by her father to a geisha house in 1920s Japan. As she flowers into adulthood, she becomes the most desired geisha in the popular Gion district, and learns not only the nuances of her profession but about human nature. With Ken Watanabe. The director is "Chicago" Oscar nominee Rob Marshall. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe What, you thought there was room for only one series of CGI-heavy epics made in New Zealand from an Oxford don's quasi-religious, mythical stories of good and evil ? Whether "Shrek" director Andrew Adamson can do as well by C.S. Lewis as Peter Jackson did by J.R.R. Tolkien remains to be seen, but this tale of four children who discover the land of Narnia and fight the evil white witch (Tilda Swinton) holds even more box-office promise. While "The Lord of the Rings" had three parts, "Narnia" has seven. Brokeback Mountain Ang Lee ("Crouching Tiger, Hidden Dragon") directs Jake Gyllenhaal'>Jake Gyllenhaal and Heath Ledger in an adaptation of Annie Proulx's short story about two ranch hands who - to their great surprise - fall in love in 1963 Wyoming. With Michelle Williams. DEC. 14 King Kong Why, you ask, do we need another version of the 1933 classic? Because the 1976 remake with Jessica Lange was awful and the special effects in the black-and-white original are a bit too rudimentary for today's audiences. Besides, Peter Jackson, hot off the "Lord of the Rings" trilogy, was willing to do it. Unlike the '76 movie, Jackson's film is faithful to the Depression period and to the original story. Naomi Watts'>Naomi Watts is in for Fay Wray as heroine Ann Darrow, Jack Black is obsessed filmmaker Carl Denham, and Oscar-winner Adrien Brody ("The Pianist") plays Watts' love interest, Jack Driscoll. Andy Serkis, who did the body-motion performance for the computer-animated Gollum in "Rings," does the same for Kong and also gets a role of his own, as Lumpy the Cook. The Grace Lee Project An Asian-American documentary filmmaker with the extremely common name of Grace Lee sets out to learn what she can about other Grace Lees current and past, and comes to some conclusions about Asian stereotypes. DEC. 16 All the King's Men Sean Penn stars in Steven Zaillian's new version of Robert Penn Warren's 1946 Pulitzer Prize-winning political satire about a populist Southern governor (a thinly-veiled Huey Long) who becomes intoxicated with power. A 1949 adaptation directed by Robert Rossen won Oscars for Best Picture and Best Actor (Broderick Crawford). Jude Law is Jack Burden, the journalist who unwittingly aids the cause of Penn's Willie Stark, and Kate Winslet is Anne Stanton, the governor's niece and Jack's girlfriend. The Promise Chen Kaige ("Farewell My Concubine") directs this romantic fantasy about a royal concubine in love with a slave. DEC. 21 The Producers: The Movie Musical At last, the film version of the stage musical of Mel Brooks' 1968 film arrives! Nathan Lane and Matthew Broderick reprise their roles of Max Bialy=ADstock and Leo Bloom. The only actors not from the Broadway production are Uma Thurman, as Swedish secretary Ulla, and Will Ferrell, as retro Nazi Franz Liebkind. Susan Stroman, director of the stage hit, makes her film-directing debut, a stint that prompted rumors that Brooks stepped in to direct some of the nonmusical scenes. The film was shot in the new Steiner Studios in Brooklyn. Fun With Dick and Jane The year's umpteenth remake stars Jim Carrey and T=E9a Leoni in the roles played by George Segal and Jane Fonda in a 1977 comedy about a quiet suburban couple who moonlight as hooded robbers. Cheaper By the Dozen 2 Steve Martin'>Steve Martin and Bonnie Hunt return for the sequel to the 2003 remake of a 1950 comedy about a couple with an oversized brood. Here, the Bakers find themselves in competition with a family of eight children while on vacation. With Eugene Levy. DEC. 23 Munich Steven Spielberg follows "War of the Worlds" with a true story about a squad of Israeli secret agents assigned to track down and kill the terrorists who engineered the plot against Israeli athletes at the 1972 Olympics in Munich. Eleven members of the Israeli Olympic team were killed along with all of their Palestinian captors in a failed rescue mission. Eric Bana plays the Mossad agent in charge of the post-Munich search. With Daniel Craig and Geoffrey Rush. The Ringer Black comedy (you may prefer the word "sick") starring Johnny Knoxville as a nonhandicapped athlete who infiltrates the Special Olympics with hopes of dethroning the champion. Hard Candy When a 32-year-old man brings home a 14-year-old girl he met on the Internet, things don't go as well as he'd hoped. With Patrick Wilson and Ellen Page. Cach=E9 A TV book critic (Daniel Auteuil) and his wife (Juliette Binoche) have their lives turned upside-down by an increasingly intimate and anonymously sent stream of videos and drawings depicting the family in alarming situations. When the Sea Rises French film starring Yolande Moreau as a married actress and mother whose out-of-town tour with her one-woman show is spiced up by her impetuous romance with a parade float conductor. DEC. 25 Casanova What happens when the legendary seducer meets a Venetian beauty immune to his charms? Why, he falls in love. With Heath Ledger, Sienna Miller. Directed by Lasse Hallstr=F6m. Rumor Has It Rob Reiner is back in "When Harry Met Sally ..." country with this romantic comedy about a young woman (Jennifer Aniston) who puts off her engagement (to Mark Ruffalo) when she discovers that her grandmother (Shirley MacLaine) was the inspiration for Mrs. Robinson in "The Graduate." When she meets an older man (Kevin Costner) who has slept with both her mother and her grandmother, she begins to believe she is reliving the experiences of Dustin Hoffman's Benjamin Braddock. Match Point Woody Allen abandons Manhattan to direct this English tragicomedy about a former tennis pro who has an affair with the former girlfriend of his wife's brother. With Jonathan Rhys-Meyers, Scarlett Johansson, Emily Mortimer. It was acclaimed at the Cannes Film Festival in May. Mrs. Henderson Presents Judi Dench stars in the biographical story of a society matron who bought an old London theater with hopes of drawing back audiences that had been lured away by talking pictures. Her roaring success was an all-nude revue. With Christopher Guest, Bob Hoskins. Directed by Stephen Frears. Hoodwinked CGI-animated spoof of "Little Red Riding Hood," involving cops sent from the animal world to investigate disturbances at Granny's house. Voices of Andy Dick, Sally Struthers, David Ogden Stiers. DEC. 28 My Name Was Sabina Spielrein Documentary about a Russian Jewish woman who became Carl Jung's first patient in 1904, then began a long correspondence with Sigmund Freud and ended up a renowned psychoanalyst in her own right. DEC. 31 In the Land of Women After being dumped by his actress girlfriend, a young Hollywood screenwriter (Adam Brody) goes home to Michigan to ease his pain and spend time with his grandmother (Olympia Dukakis). While there, he starts up a relationship with a family across the street that will change all of their lives. With Meg Ryan, Kristen Stewart. Compiled and written by Jack Mathews and Elizabeth Weitzman
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