In 1994, he plays the part of Himself in the production of Great Girl.
"If Paris Hilton'>Paris Hilton can make a hit song, anyone can" -- Erik Parker
That's enough for me!
Eric Spitzer's "Kristen" is about to burst onto the national if not
international stage as a "new" star, thanks to her ability to deliver
(or promise) $5,000 an hour sex. But the really unsurprising thing
about the whole thing is -- nobody is surprised.
"I mean, they gave ['American Idol' reject] William Hung'>William Hung a shot" --
Chad Jensen
Look, if Paula Jones can, after sufficient, very necessary, surgery,
pose for Playboy, Ashley, who's photo'd body seems hot, can make it
even farther! In any event, she's now set to be financially set for
life -- unless she's as clueless as, say, Britney.
Which I doubt.
----------------------
"Just Days After Scandal, The Promise Of an Audience"
By David Segal
Washington Post Staff Writer
Friday, March 14, 2008; C01
Hooking for the Emperors Club and emerging as the Earth's best-known
call girl is surely not the career plan Ashley Alexandra Dupre had in
mind when she moved to New York to make it as a singer. But now that
she's achieved fame at the media stakeout level, as "Kristen," a bunch
of music biz talent scouts and managers are giving her a listen.
Hello, silver lining!
No, a record deal isn't a sure thing. But look at it this way: She had
no chance on Tuesday, before anyone knew her name, and she has a
slender chance now that more than 2.3 million people have visited
http://www.myspace.com/ninavenetta and heard her songs.
"People want to see if there's an opportunity there," says Ted Cohen,
a former talent scout for Warner Bros. and now managing partner at TAG
Strategic, which advises start-up music companies on all aspects of
digital media. "Is what she's posted a hit? No. But if someone like
Jay-Z or Danger Mouse or Jimmy Iovine wanted to give her a shot,
she'll have a shot."
As any aspiring singer will tell you, the hard part of breaking out is
getting noticed, and let's just say Ms. Dupre has that covered.
Yesterday, a scrum of reporters hunkered down at the apartment
building in the Flatiron District where she lives, waiting for just a
glimpse of the woman who brought down Gov. Eliot Spitzer. And as news
of her life's ambitions spread over the Internet ("I am all about my
music," she proclaims on her page, "and my music is all about me") the
songs she'd posted online were suddenly getting what they apparently
never had before: an audition with some of the more powerful figures
in the music biz.
"I read that she's a singer, and so I checked out her stuff on
Wednesday evening," says Chad Jensen, an artist manager. Jensen has
found platinum online before. He first heard his greatest find --
Colbie Caillat, whose debut album, "Coco," has sold more than 1
million copies since July -- on a MySpace page. What he heard from
Dupre, however, didn't have nearly the same impact.
"It didn't blow me away," he says. "Part of it is that I could barely
hear her voice. But here's the thing -- if she has even an ounce of
talent, someone is going to take a chance. I mean, they gave
['American Idol' reject] William Hung'>William Hung a shot. And I know for a fact
that Tila Tequila" -- the much page-viewed MySpace phenom turned
reality TV star -- "has been in the offices of every major label."
It was the same refrain, time and again, yesterday from the music
industry pros. None swooned for Dupre's music, all of it club R&B
in the dance-vixen vein of J-Lo and Beyonc=C2=BF. (Sample lyric: "I know
what you want/You got what I want/I know what you need/Can you handle
me?") A couple said the tunes are pretty uninspired, a tad derivative.
But with the right song and the right producer, these people say, you
never know.
"If Paris Hilton'>Paris Hilton can make a hit song, anyone can," says Erik Parker,
director of content at the hip-hop Web site SOHH.com. "Paris Hilton'>Paris Hilton,
she swung the doors wide open."
Actually the doors were open before Hilton.
"Look, Traci Lords had a music career after she'd acted in
pornographic movies as a minor," says Cohen. "People are very
forgiving, and she's going to emerge as the victim in all this."
Whether any producers or managers have made any offers, we don't know.
So far, the only opportunity offered publicly to Dupre has come from
Penthouse, whose publisher, Diane Silberstein, said she'd "love to
have her in the magazine," perhaps even on the cover.
To which we say: P erhaps?
If the past is any guide, Dupre is about to hear about plenty of
business ventures that she'll want no part of. That's the guess of
another woman who was caught in the middle of another national sex
scandal -- one who had a modest singing career before achieving
infamy.
"It's very scary," says Gennifer Flowers, who spoke from Las Vegas,
where she'd recently ended a run in a musical comedy. Flowers
recounted the fallout from revelations of her affair with then-
governor Bill Clinton. She'd been a local-to-Arkansas nightclub singer
until her name went household during the 1992 presidential campaign.
After that, the professional offers she got were "a lot of stuff like,
have sex with a Bill Clinton look-alike. Or pose naked with a Bill
Clinton look-alike." The publicity put a serious kibosh on Flowers's
career prospects for years, she says, because no club owner wanted to
hire a singer who'd be accompanied by a pack of reporters.
"What is fame without dignity?" she says.
We'll see! Music publicist Diana Baron suggested that Dupre's best
shot is to end up in some glossy lad magazines, then segue from that
platform to a music contract. Switching into "American Idol" voice
critique mode, Baron adds that Dupre needs to convey more confidence
when she sings. Some "clear intent and feeling of who she is" would be
a good idea, too.
Eh, details. To judge from the feedback she's getting online, Dupre
already has some ardent fans. "I wouldn't have known about this artist
without her recent play in the political press," wrote one. "Oddly, I
think she's going to take off in clubs!"
Another gave a very strong, perhaps totally sarcastic, thumbs up.
"Best song of the century BAR NONE!"
"Good beat," quipped another poster, "love the scandal behind it."
[Staff writer J. Freedom du Lac contributed to this report.]
http://www.washingtonpost.com/wp-dyn/content/article/2008/03/12/AR2008031204=
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